My mother could never understand how I was allowed a (AmE) college/(BrE) university degree without learning to play bridge, but I was educated in the decade of Trivial Pursuit. I tried to rectify this gap in my education in the early 2000s. After maybe three lessons, the couple who were teaching me had a fight and that was the end of that! Maybe learning to play bridge be my retirement project. One of the dozens I have in mind. At any rate, I am not the person to tell you about bridge terminology, but here’s someone who is.
Simon Cochemé is an English bridge writer and is a regular contributor of light-hearted articles to bridge magazines. He has recently published a collection of the best of them in a book, Bridge with a Twist (Master Point Press). ‘Destined to be ranked as a classic, alongside its prequel, Oliver Twist.’
There are seven chapters on the language of bridge – vocabulary and idioms from (a)round the world. This post is an edited version of the chapter on American terminology – written with American spelling.
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The Language of Bridge III
In which we look across the Atlantic at what the Americans have to say
George Bernard Shaw (or possibly Oscar Wilde) said that England and America were two nations separated by a common language. Bridge terminology certainly proves the point. We say protect, they say balance; we say switch, they say shift; we say dummy, they [sometimes] say board; we say peter, they say echo; we say tomahto, they say tomayto; we say finesse, they say hook; we say singleton, they say stiff; we say discard, they [often] say pitch.
There’s more. They say push instead of flat board, down one instead of one down, ace-fourth instead of ace-to-four, set for beating the contract, and drawing trump rather than drawing trumps, as though they always played in twelve-card fits. You will still occasionally read deuce for the two of a suit, although the quaint trey for the three has all but disappeared.
There are some words that have yet to cross the Pond: tight, meaning doubleton, as in ‘He held king-queen tight’ and swish, meaning passed out, as in ‘The bidding went 2♠, swish’. I have also heard (but not seen in print) ‘Four hearts in the East’ where the British would say ‘Four hearts by East’.
Things get even more confusing with the word tap. Where we say force (as in force declarer), they say tap; but where we say tap (in plumbing), they say faucet.
The most extreme of American phrases is ruff ‘n’ sluff for ruff-and-discard. I haven’t seen sluff or slough used anywhere else in bridge literature, so presumably the lure of the rhyme was too hard to resist, as it was with surf ‘n’ turf.
Americans like variety in the presentation of their sports results: ‘The Red Sox downed the 49ers’, for example, or ‘The Chipmunks whupped the Bears’. The English tend to stick to the ‘Chelsea beat Liverpool’ formula, with the occasional ‘Villa lost to Spurs’ thrown in. Americans [tend to] put the winning team first, whereas the English usually put the home team first. Either way, the English results are a bit boring.
Sporting metaphors abound in American writing, and I have seen bridge articles where a player covers all bases, or makes a clutch shot, or plays a shut-out. I have no idea what slam-dunk means; it sounds as though you had twelve tricks on top but went one down. I have yet to find mention of a triple-double (basketball) or pass interference (American football), but I’m sure they’re out there.
We must fight fire with fire; difficult contracts must be played on sticky wickets and small slams hit for six Declarer must play a blinder, and overbidders should be caught offside or shown the red card.
There is a nice expression that I have seen American teachers use, encouraging their pupils to draw trumps before the defenders can ruff something: Get the kids off the streets.
The French have names for the kings on their cards (David (from the Bible), Charles (after Charlemagne), Caesar (Julius), and Alexander (the Great). I understand the Americans have noted it and like the idea. They don’t have any real kings of their own, so the debate is whether to reuse the Mount Rushmore quartet, or to go with four from the shortlist of Martin Luther, Stephen, Billie Jean, Burger, Kong and Elvis. [jk—ed.]
Let’s have a deal. This one features Zia Mahmood, who was (AmE) on (BrE in) the USA team against Italy in the final of the World Championships in 2009. …
[The chapter goes on to describe a bridge deal, the bidding and play, in great detail using the American terms. It will be completely incomprehensible to anyone who doesn’t play bridge. If you want to see whether the USA team wins or loses, you will have to buy the book …]
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Lynne says: For good measure, here’s a corpus search of that last difference, in/on the team, which goes far beyond bridge:
Bridge with a Twist (RRP £14.95) is available at a number of online sites.
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