Showing posts sorted by relevance for query syntax. Sort by date Show all posts
Showing posts sorted by relevance for query syntax. Sort by date Show all posts

Book week 2019: David Adger's Language Unlimited

Welcome to the second review post of Book Week 2019. See the intro to Book Week 2019 to understand more about what I'm doing this week. Next up we have:

Language unlimited
the science behind our most creative power

by David Adger
Oxford University Press, 2019


This is a book for people who like to think about HOW THINGS WORK. It's a serious work of popular science writing, which carefully spells out the mysteries of syntax. And by mysteries, I mean things you've probably never even noticed about language. But once they're pointed out, you have to sit back and say "Whoa." Because even though you hadn't noticed these things, you know them. Remember a few years ago, when the internet was hopping with posts about how we subconsciously know which order to put adjectives in? That's kid's play compared with the stuff that Adger'll teach you about the things you know but don't know about.

Adger (who is Professor of Linguistics at Queen Mary University, London) describes the situation carefully, clearly, and engagingly, using copious examples and analogies to communicate some really subtle points. (I particularly liked the explanation of form versus function in language, which drew on the form versus the function of alcohol. Chin-chin!) He draws in evidence from neurology, psychology, and computer science to both corroborate his points and to introduce further questions about how language works.

As I said in the intro to Book week, I have not read all the books I'm reviewing absolutely cover-to-cover. In this case, of the ten chapters, I read 1–3, 7, and 10—and skimmed through the other chapters. The early chapters make the case that there's more to linguistic structure than meets the eye and that human linguistic abilities must consist of something special—they must be qualitatively different from the types of cognition that other animals use and that humans use in non-linguistic communication. Later ones cover issues like how children experience and acquire their first language and what happens when computers try to learn human language. Throughout, the examples feature Adger's partner Anson and his cat Lilly.  I almost feel like I know them now. Hi Anson and Lilly!

Adger makes clear from the start that his book makes a particular argument in favo(u)r of a particular way of explaining language's mysteries—and that particular way is a Chomskyan way. This means that he makes the case for a Universal Grammar that underlies all human language. I was struck by his willingness and ability to take this all the way for a lay audience. By chapter 9, he is explaining Merge, the key tool of Chomsky's Minimalist Program

Now, here I have to say: this is not the kind of linguistics I do. It's not just that I'm not a syntactician—though I have, from time to time, dipped my toe into theories grammatical. It's also that I lost faith in theoretical monotheism when I moved from a very Chomskyan undergraduate degree to a more ecumenical linguistics department for my (post)graduate studies. When I arrived for my PhD studies, the department wanted to know which syntactic theories I'd studied, so they could determine which courses I needed to take. I could not tell them. After four years of studying Chomskyan linguistics, I thought I had spent four undergraduate years studying "Syntax". No one had told me that I was studying a theory of syntax, just one among several theories.

Ever since, I have tended to agnosticism and s{c/k}epticism when it comes to syntactic theory. (This is probably how I ended up as not-a-syntactician; I don't know that it's possible to have a career in grammatical studies without adhering to one theoretical church or another.) Being a lexicologist has meant that I don't have to take sides on these things. And so I play around with different theories and see how they deal with the phenomena I study. When I listen to the evangelists, I listen warily. I tend to find that they oversimplify the approaches of competitor theories, and don't learn as much from them as they could (or, at least, sometimes don't give them credit for their contributions). This is all a very long explanation of why I skipped to chapter 7—the chapter where Adger responds to some non-Chomskyan ideas (mostly personified in the chapter by Joan Bybee).

So (mostly BrE*) all credit to Adger for spending a chapter on this, and for citing recent work in it. I generally thought his points were fair, but I did what I usually do in response to such theoretical take-downs: I thought "ok, but what about..." I do think he's right that some facts point to the existence of a Universal Grammar, but I also think it's not the only interesting part of the story, and that it's premature to discount arguments that explore the possibility that much of what happens in language learning is based in experience of language and general cognitive abilities. But then, I would think that.

I definitely recommend the book for people who are interested in the scientific approach to language, but I'd skip the final chapter (10). It is an oddly tacked-on bit about sociolinguistic phenomena, precisely the kinds of things that are not even approached in the theory the rest of the book has been arguing for.

I congratulate Adger on this strong work that makes extraordinarily abstract concepts clear.





P.S. Since I'm not doing Differences of the Day on Twitter this week, here's little chart of use of all credit to (frequency per million words) in the Corpus of Global Web-Based English, for good measure.


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Book week: One language, two grammars?

Book Week continues...

Free book 6: One language, two grammars? differences between British and American English

Order UK    Order US
A lot of the interesting work about British and American English these days is not coming from Britain or America, but from the home countries of other Germanic languages. This collection, edited by Günter Rohdenburg and Julia Schlüter is a case in point; German, Swiss, and Swedish universities are better represented in the table of contents than the US or UK. The 19 chapters cover a range of topics--many of which I've not got(ten) (a)round to posting about here, with a few exceptions (like this one). 

I won't try to go through all of the chapters here--you can read the table of contents at the publisher's (Cambridge University Press) site. The book tests the sociolinguistic aphorism that "accent divides, syntax unites" by taking a much closer look at the patterns of language use and grammatical change in these two major varieties of English and questioning whether there are more differences than first meet the eye. In summing up the findings, the editors note that generalizations about grammatical differences "remain confined to system-internal, intrinsic tendencies" (p. 5). The four generalizations they make are:
  • AmE has "greater tolerance and inclination" (p. 5) toward(s) the structures of colloquial speech, with California setting trends, while the east coast is more conservative. BrE is comparatively more formal (in writing--most of the work here is on written corpora. That they find these differences in writing is interesting because in general there's a pull toward similarity in writing, difference in spoken forms). 
  • AmE exhibits a pull towards(s) regularization of patterns in both morphology (e.g. how past tenses or plurals are made) but also in syntax--for example, using more comparatives (which can be applied to any adjective) where -er ones might be possible (in Britta Mondorf's chapter).
  • AmE tends more toward(s) explicitness. While the same things are grammatical in both varieties, AmE users often choose forms that put a lighter cognitive load on the hearer/reader or they add clarifying information, where BrE users tend to leave more implicit. (I have to say, I found the evidence for this a bit too mixed to be totally convinced by, but I often feel it true when reading British writing--things like leaving off that in relative clauses and lower use of commas seem to make the reading harder going, requiring more sentence restarts. But I can't know whether that's just me. A colleague and I once discussed doing an eye-tracking study on this, but then our eye-tracking contact moved away. Anyone want to eye-track with us?)
  • AmE "shows a more marked tendency to dispense with function words that are semantically redundant and grammatically omissible". This is kind of funny considering how many complaints I listen to about Americans having of in things like off of the sofa or how big of a catastrophe, not to mention the greater British tendency to leave off that in relative clauses (e.g. The sofa (that) I sat on). But the evidence here comes from lesser use of reflexive pronouns (e.g. acclimate/acclimati{s/z}e (oneself) to) and not using prepositions after certain verbs (e.g. protest), both of which are discussed in chapters by Rohdenburg.  
Another general theme of the book is discerning the evidence for colonial lag, the idea that language changes slower and older forms remain preserved in colonial-type offshoots of a language. There's not much evidence for that lag here--but it's also not the case that AmE is always the innovator.

This is a book for academics, really. If you're an editor wanting more insight on which prepositions to put with which verbs, you want Algeo's book in the same series.

This is another book that I've had for an embarrassingly long time (published 2009) before reviewing it. The main reason for this lag: my god, this book is heavy. They sent me the hardcover, and it is shockingly heavy for 461 pages. I tend to do book-review reading on plane or train journeys, and when there's a heavy book to do, I often photocopy a chapter at a time to take on the journeys, so I don't break my back. I couldn't stand to do that for this book because it saves its bibliography for the very end, rather than at each separately-authored chapter, and I hate reading chapters without bibliographies. The other little complaint that I have to Cambridge University Press (publisher of many fine books!) is the re-starting of section numbering in each chapter. Yes, this is really (BrE) anorak-ish/(orig. AmE) nerdy and minor, but if a book has lots of section 5s when I'm looking for section 5 of chapter 12, it would be so much easier if it were marked as section 12.5.

But never mind the physical flaws, it's a really interesting book!


---

A post-script: I've just discovered that I've double-reviewed one of this week's books! Re-inventing my own wheels. No wonder my to-do list doesn't get any shorter...
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'X's Y' versus 'the Y of X'

[I had said I'd be blogging weekly, but that didn't happen when I had to travel for family reasons. I have got(ten) back to it, not that you'll always notice. I've decided that my goal is to *write* for the blog each week, but not necessarily to publish. So, I started writing this one last week, finished this week.]

I'm doing a lot of reading about the genitive case at the moment. Grammatical case is some kind of marking (e.g. a suffix) that shows what 'job' a noun is doing in a sentence. You might know a lot about case if you've studied German or Latin or Finnish (or some other languages), which have case suffixes on nouns. You'll know a little about case from being an English speaker who knows the differences between they, them, and theirs. Modern English marks pronouns for case, but not other nouns, except...

Old English (Anglo-Saxon) had a robust case system, which it got from the ancestor it shared with German. The case suffixes pretty much died during Middle English. (English lost a lot of other kinds of suffixes over the centuries too, in part because suffixes are the kinds of things that get swallowed up in speech and in part becuase they're the kind of thing that become vulnerable when different languages come into contact—as happened for English and Norman French nearly 1000 years ago.) But one English case suffix, rather than disappearing, morphed into something else, and that something is the scourge of English spelling, the apostrophe-s: 's

So in the Old-English poem Beowulf, you can read about Grendles guðcræft. That -es on the name of the monster Grendel is the forebear of 's. We can translate it as something like 'Grendel's power' or 'Grendel's warcraft'. That (masculine, singular) genitive case marker says that there's a very close relation between Grendel and the guðcræft. Grendel is the power's source or its possessor.


But when that poem gets translated into Modern English, the translators sometimes translate the -es as an 's and sometimes not:
the might of Grendel (Francis Gummere)  
Grendel's power of destruction (Seamus Heaney)
That's because something else happened in Middle English: English started using of in the way that French uses de to express genitive relations—because French got all up in English's business at that point. Because of that change, of occurs only 30 times in Beowulf (where it has its original meaning of 'away from' or 'off'*), but over 900 times in Gummere's translation of it (where it means next to nothing).

So English has ended up with two ways of expressing those kinds of relations. We tend to talk about them as being 'possessive' relations and of the X in X's Y or the Y of X as 'the possessor'.  But the relation is not necessarily possessive. Think about something like the theft of the bicycle and the bicycle's theft: the bicycle doesn't possess the theft. The relations between the nouns in 's/of expressions are varied and hard to pin down (but they are very close relationships, covering a lot of the same ground as the genitive in Old English).

We don't exactly use 's and of interchangeably, though, and even where we can use both we often have preferences for one or the other. One of the strongest predictors of whether it'll be 's  or of is the animacy of the thing in the X position (the 'possessor'). Linguists often talk about an animacy hierarchy in which expressions that refer to  animate things are preferred in certain positions in sentences over non-animate things. In terms of what's animate, humans (the teacher, Heidi) come above animals (the badger, the parrot) and collectives (the company, the union), which come above objects (the table, the book).  All of the below noun phrases are "grammatical" but the higher up the list we go, the more apt people are to use the 's instead of the of phrase, all other things being equal:
the teacher's size        the size of the teacher
the badger's size         the size of the badger
the union's size           the size of the union
the table's size            the size of the table
A lot is going on in that 'all other things being equal' (a phrase used in both AmE and BrE, but AmE also likes all else being equal). Some other things that swing a possessive in favo(u)r of 's phrasing rather than of phrasing are:
  • heavier (more syllables/more complex syntax) possessed NPs rather than lighter ones
    (the table's dirty and worn-out alumin(i)um edge vs the dirty and worn-out alumin(i)um edge of the table)
  • the need for denser texts, as in newspaper headlines 
  • speech (rather than writing)
  • informal writing style (rather than more formal writing styles)
  • the dialect being spoken
So, on the last point: English in general used to be a much stronger avoidance of 's on inanimate object names. Inanimate possessors have become more and more accepted in English over the last 200 years or so. But that change has been happening faster in American English than British. This is like a lot (but not all!) of other changes in English (see The Prodigal Tongue, or if you really like to read about statistical methods, Paul Baker's book)—the change has roots deep in English's history, but goes faster/slower in different places. In this change's case (like some others), the "newer" form ('s on inanimates) is perceived as less formal and it's more condensed (and therefore quicker to say/read). Both of these properties might characteri{s/z}e some differences between the cultures that maintain the "standard" versions of English in the two countries. AmE tolerates more informality and more brevity in more situations.

So, having been thinking about all this, I did a Difference of the Day on Twitter, showing these two charts:


Here you can see that North Americans are much more happy than others to say the book's cover or the book's title or the table's edge or the table's width (or whatever other nouns might go after book's and table's). Here's the flipside, the of versions, which I didn't post on Twitter.



The table chart goes with what we'd expect to see: BrE doing a lot more with of than AmE. But the book table has AmE doing more of the book than BrE. You know why? Because American talk about books more. No, really:


So that's a lot more detail than you needed in order to see the AmE/BrE difference, but, hey, reading is good for you!

*Why does off look like of? Because they used to be the same word!

Some of the things I've been reading that influenced this post:
Carlier, Anne and Jean-Christophe Verstraete. 2013. Genitive case and genitive constructions: an introduction. In Carlier and Verstraete (eds.), The genitive. Amsterdam: John Benjamins.

Carlier, Anne, Michèle Goyens and Béatrice Lamiroy. 2013. De: a genitive marker in French? Its grammaticalization path from Latin to French. In Carlier and Verstraete (eds.), The genitive. Amsterdam: John Benjamins.

Szmrecsanyi, Benedikt and Lars Hinrichs. 2008. Probabilistic determinants of genitive variation in spoken and written English: A multivariate comparison across time, space, and genres. In Terttu Nevalainen, IrmaTaavitsainen, Päivi Pahta, and Minna Korhonen (eds.), The Dynamics of Linguistic Variation: Corpus Evidence on English Past and Present. Amsterdam : John Benjamins.

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cheers

The hardest thing to cope with for an English learner of Swedish is not the gender system in nouns, nor the voiceless palatal-velar fricative, nor the verb-second syntax. No, the toughest thing to learn is how to make do without a word for 'please'. I end up saying Tack ('thank you') in all sorts of places, just in order to make some polite noise when I don't know what else to do.

How often one should thank others is something that differs from culture to culture, and something that people tend to notice as over- or under-present in cultures that are not their own. British expats in America are often heard to say that they miss people saying please and thank you. For what it's worth, as an American in Britain, I miss people saying (AmE) Excuse me or sorry when they knock into me in shops or on the street. (Whenever my mother comes to England, she has cause to exclaim But I thought the English were supposed to be polite!) The worst case of this involved a 9-year-old American guest who was shoved to the floor when she was unfortunate enough to get between a Londoner and an open Tube train door. There's no explaining away that kind of behavio(u)r, that was just rude. Otherwise, my theory is that the reason that British people apologi{s/z}e less often than Americans when they knock against you in a public place is that they're in denial about having made physical contact with a stranger. (See the discussion of notions of privacy in the comments back here.)

One hears a lot more thank yous in Britain during a typical exchange at a (AmE) store check-out counter/(BrE) shop till. Somehow, I've caught on to this, and when I'm working at the charity shop/thrift store, I say thank you when the customer gives me an item to ring up, when they give me their money, and at least once at the end of the transaction. The customer says thank you at least when I give them their change and when I give them their purchase. So, that's a minimum of five thank yous per transaction, but in real interactions, I've counted up to eight. An American encounter would typically have two or three, mostly toward(s) the end of the interaction, and would not include the initial thanks for putting the item-to-be-purchased on the counter. Perhaps because they say thank you more, the British have more ways to give their thanks. One informal means of giving thanks is to say ta, which the OED says is "An infantile form of ‘thank-you’, now also commonly in colloq. adult use." Another is cheers (which is the word I started out intending to write about, since I had a request months ago from Ben Zimmer).

Cheers is interesting because it is so flexible. In AmE, it is simply used as a salutation in drinking (or sometimes with a mimed glass in hand, as a means of congratulations). In BrE it has this use, but is also used to mean 'thank you', 'goodbye' or 'thanks and goodbye'. I first learned these uses of cheers in South Africa, where my American colleague and I learned to pronounce it as chizz, following the example of our South African colleague Chaz (Charles). Using cheers to simply mean 'goodbye' is probably more South African than British (the OED doesn't note this sense, and notes that the 'thank you' meaning is as recent as the mid-1970s), but I find it very useful for those situations in which one wants to close an e-mail with thank you for something that hasn't been done yet. A British colleague noted recently noted with incredulity that Swedes often close e-mails with thanks in advance, wondering whether that was a direct translation from Swedish. It is (tack i förskott), but I had to point out that Americans write this too (whether or not we have knowledge of Swedish!), as we (or at least some of us) have been taught that it is presumptuous to thank someone for something they've been asked to do but haven't done yet. Since cheers is ambiguous between Hail, good person! and Thank you!, I use it to express gratitude while avoiding the feeling that I'm breaking that letter-writing rule that I learned from Miss Pitrella back in whatever grade/year that was. (If anyone is watching me from the Beyond, it's Miss Pitrella.) However, it was Ben Zimmer's impression that cheers "always struck me as UK-derived, yet my sense is that in email context it's used more in the US than the UK." This is not my experience at all, but you can side with Ben in the comments if you like.


So, cheers from Sweden! Or as I tend to think of it, Heaven on Earth (at least when the weather is as gorgeous as it has been this week). Heading back to the UK tomorrow (which, according to the Swedish newspaper I was reading today, is smutsig).

Postscript (the next morning): Woke up this morning reali{s/z}ing some the things I hadn't said in this post. One is that the reason why please and thank you are a little more important in Britain is that Britain is more on the 'deference' side and the US more on the 'solidarity' side on the scale of politeness systems. I discussed this a little back here. This means that Americans start out assuming that everyone's equal/friendly, whereas the British start out assuming some status distinctions between people, and therefore treat strangers (and expect to be treated by strangers) with a bit less familiarity and a bit more polite caution. (Note that this doesn't mean that there aren't big social differentiations in America--just that in many situations we feel it's more polite not to make a big deal of them.) This doesn't directly explain the lesser amount of excuse me behavio(u)r when bumping into people, which is why I had to come up with my little theory above.

Another place where the English say thank you more often is when travel(l)ing by bus or coach (in AmE, they're both bus--we don't differentiate lexically between the cross-town and more comfy long-distance types). If the exit of the bus is by the driver's seat, then one says thanks or thank you to the driver. In Watching the English (if I'm remembering correctly), Kate Fox describes this as insincere English behavio(u)r. Personally, having heard American friendliness described as 'insincere' by many non-Americans, I have a real problem with outsiders describing others' behavio(u)r as 'insincere'. (Kate Fox is an insider, but as an anthropologist, she was taking the outsider's role.) Non-Americans often say to me that they can't abide the insincere way in which Americans are so friendly and complimentary with people they don't even know. I don't think this is insincerity, but optimism and enthusiasm--which can seem unseemly in cultures in which earnestness is unseemly (see Kate Fox again).

I'll stop there before I write another post's worth!
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eggs

While I've been very good at keeping up with my Differences of the Day on Twitter, the blog posts have got(ten) fewer and f{a/u}rther in between. I'm committing this month (and hopefully from now on) to do one a week, and the way I'm going to make that feel more do-able is to piggyback on the work I've done for the #DotDs. Lately, I've been doing a lot of themed weeks of differences, and those can be built up into a nice little blog post.

I decided on #EggWeek because I was newly part of Egg Club. The first rule of Egg Club is that a generous member of our neighbo(u)rhood goes to a farm outside town and buys eggs from 'very happy chickens'. The second rule of Egg Club is that those of us with standing orders show up at her house with money and something to put the eggs in (we'll get to that, below).


Here are #EggWeek  differences I noted, and some information added-on by the tweople who responded to the tweets.

AmE has a vocabulary for fried-egg cooking that BrE doesn't, which starts from the assumption that if you want your eggs well-done, then you should flip them over. In UK, flipping is less common. In a (BrE) caff or (orig. AmE) greasy spoon and in some homes, a well-done egg is achieved by spooning the cooking fat over the egg. In my American life, I've never seen anyone fry an egg in enough fat to be able to spoon it. At any rate, the AmE vocabulary includes:
  • sunny-side up = not flipped
  • over easy = flipped over for just long enough that the egg white is cooked on both sides. Yolk should still be runny.
  • over medium = flipped over and cooked for a 'medium' amount of time/yolk-runniness
  • over hard = flipped over and cooked until the yolk is solid
BrE egg yolks can be described as dippy if they are nice and runny. A dippy egg is a soft-boiled egg into which you can dip your toast to get some nice yolk on it. 

That leads us to a difference that is more cultural than linguistic: in UK, soft-boiled eggs (often just called boiled eggs in this context) are just about always presented in an egg cup. I know some Americans own egg cups and use them, but they are the exception rather than the rule. Some UK folks proposed to me that this is because Americans don't eat soft-boiled eggs, but that's just not true. I once had a 70-something-day streak of having two boiled eggs and two slices of toast every evening for dinner. (This was back in my poor earning-rand-but-paying-back-student-loans-in-dollars days. You might think I'd have got(ten) sick of boiled eggs, but it's still one of my favo(u)rite meals. Only now I can afford some asparagus to go with it.)

But when I posted photos side-by-side  of British-style boiled-egg presentation and American-style, several British Twitterfolk protested that the American eggs were poached (righthand photo). No, they were boiled eggs that had been peeled and put on toast—which is exactly the way I eat them. (I am making myself hungry now. I guess I know what's for lunch.) The picture on the left is BrE egg and soldiers, the soldiers being the lengthwise-sliced toast strips.




Of course, this posting resulted in lots of people trying to tell me that the British way of eating boiled eggs is superior. You can have it, it's not for me. (My mother-in-law has given us several egg cups, perhaps because she couldn't find any at our house. I mostly store small kitchen bits in them.) Putting the egg on toast lets you give it a single and wide-spreading sprinkling of salt and (if you like) pepper. Peeling them is much easier if the eggs are fresh, which is what makes Egg Club so worth my while. The store-bought eggs I get in the UK are generally not as easy to peel. When I was a kid, a soft-boiled egg was a regular first foray in to the world of the eating after a stomach bug. My mom would peel it, and put it into a bowl, so you could smash it and dip your toast in it. But on toast is the grown-up way to go.  (And much easier than poaching, especially if you want to make a few of them.)

Egg cartons  are often called egg boxes in BrE:



The sandwich filling made of hard-boiled eggs and mayonnaise is called egg mayonnaise in BrE, which Americans perceive as a pleonasm: all mayonnaise is made of eggs, so of course it's egg mayonnaise! But if you're perceiving it that way, you're probably imagining the stress pattern of the phrase as the same as you'd say herb mayonnaise for mayonnaise with herbs in it. The trick is to hear it like it's 'egg in the mayonnaise style'. The pronunciation of the mayonnaise is English, not French, but it follows a French food syntax (as we've seen before).  This concoction is called egg salad in AmE, though a lot of Americans would put in other ingredients as well to flavo(u)r the (orig. AmE) combo. This pattern holds for other mixes of bits of food with mayo: tuna mayonnaise/salad, chicken mayonnaise/salad.

There was one more #DotD in #EggWeek: whether scrambled egg is a count noun or a mass noun. In AmE, you can have a scrambled egg, but you wouldn't have scrambled egg. When you've got a bunch of it and you can't tell how many eggs are there, AmE goes for scrambled eggs. So, BrE scrambled egg on toast = AmE scrambled eggs on toast. I've covered this one before, so if you want to have a conversation about count and mass nouns, please see this old post.


One week of blogging down, many to go!

PS: I meant to point out another difference between US and UK (and European generally, I think) eggs: American eggs need to be refrigerated, British ones don't. Here's an article about why.

Egg cartons/boxes
colo(u)r-coded by size
PPS: What counts as a 'large' egg or a 'medium' egg differs too. Possibly not in the direction that you'd think. Have a look at Wikipedia

When I go to the shop to buy eggs in England, my choices seem to have more to do with how the chickens were raised than with the size of the eggs, whereas in US supermarkets, there seems to be more variety available in egg size, more clearly label(l)ed—e.g. in different colo(u)red cartons. You can see the difference in this photo of eggs on the shelf (not the fridge) in a UK chain versus this at our supermarket in NY state.

PPPS: It is very hard to get a white-shelled chicken egg in the UK. I go through a crisis about this every Easter when I'm trying to dye eggs (like the good American parent that I am, or try to be). I end up just leaving them in the dye extra-long and have dark colo(u)rs instead of pastel ones. In the US, white-shelled was the norm when I was growing up, but brown ones have become more and more common, on the mistaken belief that they are somehow more 'natural'. It's the species of chicken involved that determines the shell colo(u)r.
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She gave it me

Perhaps because it's the season of giving, I've been noticing more often the BrE use of constructions like She gave it me where in my native AmE dialect I'd have to say She gave it to me or She gave me it. The last two examples are frequently discussed in linguistic theory, under the title of "Dative Alternation". So, let's start with a little terminology, just for terminology's sake.

In sentences like these, the three nouns (or pronouns, in these cases) play different semantic roles, which correspond to grammatical positions and grammatical cases in the sentences:
She is semantically the 'giver' or the 'agent (of giving)'. Grammatically, it is the subject of the sentence and in subjective (or 'nominative') case (i.e. it is she not her).

It is the 'given' or the 'patient' or 'theme' (depending on whose terminology you use) in these sentences; it is the thing that is affected/moved by the giving action. It is in accusative case, although in English, the form of it is no different in the nominative or accusative (or dative, for that matter). Grammatically speaking, it is the direct object [DO] of the sentence.

Me is the 'givee' or the 'goal' in these sentences--it's where the patient 'it' ends up at the conclusion of the described action. We say it's in the dative case, although there is no formal marking on the pronoun that distinguishes the accusative from the dative forms of pronouns in modern English (so accusative and dative can be collectively called 'objective' case in English). Grammatically, it is the indirect object [IO] of the sentence when it doesn't have the to with it, and it is the object of the preposition to when the to is there (although for various reasons, many grammarians call it the 'indirect object' with or without the to).
The thing to know about case in English is that noun case was marked in Old English, with five cases distinguished and case marking on nouns as well as pronouns. But Modern English has very little case marking--and that which it has is concentrated in the pronoun system (e.g. I versus me and my). Because Modern English doesn't mark case on regular nouns and only distinguishes subjective (nominative), objective (accusative/dative) and genitive (possessive) on pronouns, we rely on word order to let us know which semantic roles and grammatical relations the nouns are serving. On the other hand, languages that have more robust case systems (like German or Latin) allow for much freer word order. Here's what Everything2.com says about Old English dative:
Dative: The dative case is the indirect object of the sentence. The indirect object is anything that is benefited by an action, best translated as 'to' or 'for'. For example, in the sentence "I gave the keys to Alex," or more realistically, "I gave Alex the keys," 'Alex' would be in the dative case, without a preposition. It's important to note that, although in modern English the word order rules for indirect objects are quite strict (you can't say "I gave to Alex the keys," or "I gave the keys Alex"), this is not true by any means in Old English. The indirect object is clear no matter where it is in the sentence because of inflection, and thus the dative was frequently shuffled around as need dictated. Like the accusative, the dative was used with prepositions, mostly abstract, non-movemental (similarly to modern German).
In discussing Modern English, linguists write a lot about 'dative alternation', by which they typically mean the possibility of saying either:
She gave me it. or She gave it to me.
But I've seen a lot less written about She gave it me, or similar things like
About a week and a half ago I lost my new bluetooth headset. I was gutted, my wife had just bought it me as a Xmas present and I had lost it. [The Orange Place of Rich, Jan 2007]

and

The students also started asking me if I knew this or that model, offering to show it me so that we could do it later in the class... [HLT Magazine, Jan 2004],
which are found in British English.

Now, sitting at home, I'm limited in the sources that I can access on this topic, but I did find the following in a 1928 review of Jespersen's A Modern English Grammar on Historical Principles by George O. Curme (Language, Vol. 4, No. 2):
In Old English, the dative normally followed the direct object when both forms were personal pronouns. It still keeps its old position here, altho it has lost its old distinctive form: 'Show it me' (Pinero, Sweet Lavender, Act II). In America it is more common to employ here the new dative with to: 'Show it to me.' It seems self-evident here that to me is a dative, not a prepositional phrase. It corresponds to the British simple dative me. Moreover, we find in American English the old simple dative alongside the new dative with to: 'I give it to you' or 'I give it you' (Oemler, Slippy McGee, Ch. V). In this position we have two dative forms, the older simple dative and the new dative with to. The new dative is the result of our desire to give the dative a more distinctive form. In America the old simple dative is now common only before a noun used as a direct object. I gave you a book. Elsewhere we feel that the dative should have a distinctive form.
By 1937 (Language Vol. 13, No. 3), we have Frederic Cassidy writing:
To use [Jespersen's] Give it him argument to deny a word-order distinction of DO and IO, then is a self-contradiction of the worst sort. At least among nouns, there certainly is such distinction.

But even among pronouns what is the true situation? The normal word-order is the same as among nouns, and almost without exception the reverse word-order holds only when it is the DO. In short, this exceptional order is not a free pattern, but a 'bound form' or petrified phrase [...]. It never became an active pattern; neuter it being usually DO and therefore needing no word-order distinction, could violate the ordinary pattern under pressure of rhythmic or other considerations. The nominal order, on the other hand, is a living pattern, permitting all possible combinations of nouns and pronouns and when new words are used, we follow this pattern.
Now, I don't know how Cassidy's claim that DO-IO order is restricted to it DOs relates to Curme's claim that DO-IO order was the usual order for pronouns in Old English. (Did Curme overlook the fact that it was usually it in that position, or was them equally likely to occur in that position in OE?) The it observation remains true in BrE today, though. There are about 6000 UK Google hits for bought it me (once I sorted out the ones that were about buying something called It's me or the dog), but only three for bought them me.

Looking for advice on how to use these forms, there's not much via the Internet. (If I'm going to continue to blog from home, I should really bring my style books back from the office!) The Columbia Guide to Standard American English doesn't acknowledge the existence of the DO-IO order:
Dative is the grammatical case that marked Old English (and Latin) nouns and pronouns functioning as indirect objects or the objects of certain prepositions. Today the preposition to accomplishes periphrastically the dative function as indirect object, as in I gave the keys to him, or syntax does the job alone by putting indirect object before direct object: I gave him the keys.
Then we have a Swiss English-teaching site overtly denying the existence of the DO-IO object order:
The simplest way to look for remnants of dative case in English is to ask yourself whether the preposition "to" is being used or whether there is a verb present which would normally require the use of the preposition "to". For example - "give" is the easiest to remember. You don't say "give it me", rather "give it to me". In this case the verb "to give" is said to be a dative verb, and "me" becomes dative. Note that me is exactly the same in accusative and dative case - this is why dative and accusative are said to have merged into what many people call "object case". [[English] Grammar primer part 2: Dative and Genitive Case]
Within BrE, there is the perception that the DO-IO order (without to) is (in Better Half's words) "common". The Teaching Grammar site at University College London lists Give it me as 'non-standard' but acceptable in some dialect(s), but doesn't say which ones.While BH associates it with London working class, there's more discussion of it on the web as a feature of Lancashire speech. (Very far away from London, in case English geography is not your strong point.) On the BBC Lancashire site, it says:
Lancashire is a rich area in which to study accent, dialect and grammar as Willem explains: "If I were say, playing with my pen in a very annoying way, and you were to take the pen away from me, I might tell you, "Hey, that's my pen, give it me!" but there's also speakers who wouldn't say "Give it to me!" but who would say "Give me it!" and then there's also speakers who would say "Give it me!" This last order "Give it me!" is not very common in Britain in general, but what we find in Lancashire is it's actually the preferred pattern."
The reason I was moved to blog about this phenomenon is that I was hearing it a lot on television last week. One instance was in an ad(vert) for Somerfield supermarkets, in which a woman is complimented on her dress, and she replies "Nigel bought it me". Whether there's been an increase in DO-IO orderings on the television, I cannot say for sure. Still, it strikes me as a symptom of increased tolerance of different dialects on British television and of the increase in use of regional dialects in advertising in particular, where 'northern' can translate into 'trustworthy' or 'down-to-earth'. For more on that point, see voiceover artist Emma Clarke's blog...
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can't

I am misunderstood when I say can't--almost as often as I'm misunderstood when I do my modern dance interpretation of Aspects of the Theory of Syntax. Many BrE speakers have difficulty hearing the difference between most AmE pronunciations of can and can't.

In both dialects, it's not really the 't' that helps us tell the difference between the positive and negative words--that sound is mostly swallowed at the end of the word. It's the vowel that makes the difference. In standard BrE, the vowel quality is the clincher. Can rhymes with pan but can't is pronounced like the AmE pronunciation of Kant (see the comments for more discussion). In other words, the vowel in can't is considerably further back in the mouth than the vowel in can. (One feels the need to mention the old chestnut: Kubla Khan, but Immanuel Kant--but note that Khan and can are pronounced differently.)

In AmE, the vowel quality is very similar between the two forms, but the length of the vowel in can't is shorter. (By a 'shorter' vowel, I literally mean 'shorter'--i.e. not pronounced for as long.) I explained that fact to my students yesterday, and once they knew that they got much better in the "which one am I saying?" test.

Pronouncing can't the other way is a favo(u)rite way for British singers to make themselves sound more American, and for American singers to make themselves sound more British. (I suppose either identiy has some cachet, depending on what kind of sound you're going for.) I've got to run to London to celebrate some fellow Librans (yeah for us!), so will leave it as your homework assignment to identify one example of each!
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the present perfect

This post title has been hanging around in my drafts since August 2006, when the friend who's been known on this blog as Foundational Friend mentioned some AmE bugbears as potential fodder for the blog.  The offending AmE sentence was:
Didn't you do that yet?
 And she said that in BrE it would have to be
Haven't you done that yet?

There was an echo of this when a native German speaker read a draft copy of a chapter of my new textbook, where my example (illustrating how we understand eat in some contexts to mean 'eat a meal') was:
Did you eat yet?
Now this sentence was basic to my linguistic education, as it was often used by one of my (AmE) professors/(BrE) tutors to illustrate palatali{s/z}ation (d+y becomes 'j' sound) and the extent to which a phrase can be phonetically reduced and still understood:  Jeet yet?  

But my German correspondent informed me quite insistently that my question was ungrammatical in English and should be Have you eaten yet?  I said something along the lines of "Who's the native speaker here?". But, dear reader, I changed the example, lest it put anyone else off.

A blog post on this subject by Jan Freeman spurred me to promise in public (well, on Twitter) that the present perfect would be the subject of my next post--which may help explain why I've been so long between posts.  This one (had) put me off for four years already, after all. It seemed like a lot of work.  Uh-oh, I feel a semantics/grammar lesson coming on...

So, the present perfect.  Present.  Perfect.  We use it to talk about things that (have) happened in the past, but it is itself in the present tense.  It's a past tense you say?  Look again!
I have eaten.
It's the first verb in a string of verbs that carries the tense, and this one, have, is present.  It's not had, it's have.  Of course, we can put had there, and then it would indeed be a past tense.  A past perfect, to be precise: I had eaten.

The perfect is considered to be a combination of tense and aspect.  Tense is grammatical marking of when something happened, aspect is grammatical marking of how that happening relates to time.  The perfect tells us that something is finished, but it does so from the viewpoint of a later time.  One way to visuali{s/z}e this is with a timeline.  Let's start with the past perfect (because it's the easiest one to draw a timeline for):
I had eaten by the time Don arrived:    2:00 Eating  ☚   3:00 Arriving  ☚  4:00 Speaking
In this example, 'I' am speaking at 4:00 about the state I was in at 3:00.  That state relates to an event that happened at 2:00.  In other words, I'm looking back to a time (Don's arrival at 3:00) at which eating was already in my past.

So, the perfect looks back on its event (eating, in this case) from a later vantage point (Don's arrival).  When we use the present tense, the speaking time is the same as the time that we're referring to.  So, in this case, we relate a past event to a present moment.
I have already eaten:    2:00 Eating   ☚  3:00 'already=now' Speaking
Of course, we can also do this with the future, in which case we are looking forward to a time when we'll be looking back at a time when we (from the 'now' perspective) will do something.  (And those are little fingers pointing, in case you can't tell.)
 I will have already eaten when Don arrives:
    2:00 Speaking  ☛☛☛☛☛☛ ☛4:00 Arriving  
                              3:00 Eating  ☚  4:00 Arriving
And you can put it into the progressive (I have been eating) and the passive (I have been fed) and most of the other ways in which you can play around with the form of a verb and the verb string.

So here's the story:  The adverbs already, just, and yet are taken as signals of that 'looking back from now' aspect, and in BrE they have to 'agree', so to speak, with the present perfect.  AmE has stopped caring so much about this 'agreement', which is, after all, a sort of redundant grammatical marking.  So, in AmE, you can by all means say I have eaten lunch already or I have already eaten lunch and it might sound a bit more formal, but you can also say I already ate lunch or I ate lunch already.  (If you'd like to think/comment about adverb placement, come back here.)  In general, though perhaps more in BrE than in AmE, the present perfect is used to signal recency, because it signals relevance to 'now'.  So, in either dialect, on the 10th of September 1976, one could have said Chairman Mao has died, but on 10 September 2010, we need to say Chairman Mao died (on the 9th of September in 1976).

The "death" of the present perfect in AmE has been exaggerated.  The Longman Grammar of Spoken and Written English (1999) reports that the BrE:AmE ratio of present perfect was 4:3 in their corpus study.  In British or American English? John Algeo reports that the perfect forms of have (have had, has had, had had) occur 1.7 times more often in BrE than in AmE.  These re not huge differences, but there's definitely a difference.  And it's been around for a while.  The Jeet yet? example mentioned above was perfectly unremarkable in my 1980s linguistics education.

Virginia Gathercole (1986) looked at Scottish and American adults' use of present perfect in speaking with young children and the acquisition of the present perfect by the children. She concluded that "Scottish adults use the present perfect construction in their speech to children much more frequently than American adults do" and "Scottish children use the present perfect construction in their speech long before their American counterparts."  Parents, of course, inevitably simplify their speech for their children.  In AmE, there's the option to simplify the past tense form to the preterit(e)* (simple past tense: ate, walked, threw) rather than complicating the syntax with the perfect (has eaten, has walked, has thrown), and parents take it.  In BrE (in this case Scottish English), that simplification option doesn't exist, and so the children are faced with the form earlier and rise to its challenge.

The conclusion I'd like to leave you with is this:  There is nothing unAmerican about the present perfect.  We can and do use it in the ways that the British do.  We just aren't restricted to it.  There is something unBritish about using the preterit(e)  with certain temporal adverbs in particular and perhaps also more generally to refer to recent-and-still-relevant events.  The difference between Did you eat yet? and Have you eaten already? is, in AmE, mostly a difference of formality, possibly also of emphasis.  However, if the two forms continue to co-exist, they might very well develop into semantically contrastive forms that signal somewhat different things.

*Preferred spelling in both dialects includes the 'e' on the end, but AmE also allows dropping of the 'e', in line with the pronunciation.  See comments (this is a postscript).
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Abbr.

AmE = American English
BrE = British English
OED = Oxford English Dictionary (online)