Showing posts with label grammar. Show all posts
Showing posts with label grammar. Show all posts

mean to

Reader Sam* recently wrote to me with the following: 

A usage that surprises me every time I hear it is “meant” in the sense of “supposed” or “should be”.  For example, in a BBC news item today the correspondent said that there were “meant to be elections this year in Pakistan.” The emphasis seems to be on obligation rather than intention.

[...] do you think this is a recent development, or has British English always had this usage?


Intention has always been part of mean's meaning. The oldest sense in the OED is a transitive form that simply means 'to intend [something]'—a sense that is today heard in the phrase I meant no harm. Other  intention-y meanings sprang from that. But this mean+to-infinitive usage that Sam mentions has weakened from the 'intend' meaning to signify something more like 'be expected'. 

In the third edition of Fowler's Modern English Usage (1996), this use is discussed under the heading 'a new passive use'. So, yes, it's new. By 2008 in the Oxford Pocket Fowler's Modern English Usage, second edition, the usage is "so familiar"—at least to British readers:

In the passive, to be meant has for long had the sense ‘to be destined (by providence), to have special significance’:

When I need you, you are here. You must see how meant it all is—Iris Murdoch, 1974.

During the 20c this use was joined by another passive use in which meant followed by a to-infinitive means little more than ‘supposed, thought, intended’:

For today he was meant to be having dinner with Stephanie at the Dear Friends—A. N. Wilson, 1986.

This altered meaning is now so familiar that its relative newness can cause surprise.

By the third edition (2016), the 'supposed/thought' angle is not even discussed, which seems to indicate that it's no longer seen as a potential usage problem in British English:

In the meaning ‘to intend’, mean can be followed by a to-infinitive (when the speaker intends to do something: I meant to go), by an object+to-infinitive (when the speaker intends someone else to do something: I meant you to go) and, more formally, by a that-clause with should (I meant that you should go). Use of mean for +object+to-infinitive (☒ I meant for you to go) is non-standard.

The Oxford English Dictionary (in an entry revised in 2001) has this sense:

In passive, with infinitive clause: to be reputed, considered, said to be something. Cf. suppose v. 9a.
1878   R. Simpson School of Shakspere I. 34  It is confessed that Hawkins and Cobham were meant to be buccaneers, and it is absurd to deny the like of Stucley.
1945   Queen 18 Apr. 17/1   ‘Such and such a play,’ they [my children] will say, ‘is meant to be jolly good.’
1972   Listener 9 Mar. 310/1   America..is meant to be a great melting-pot.
1989   Times 30 Mar. 15/1   It [sc. evening primrose oil] is also meant to be good for arthritis.

None of these (Oxford-published) sources mark these usages as particularly British, but over in America, Ben Yagoda at his Not One-Off Britishisms blog discussed meant to in 2019 as a British usage that is 'on the radar' in American English. 

Mean has many senses that (chiefly AmE) smush (also smoosh) into each other, making it tricky to analy{s/z}e.  Take an example like America is meant to be a great melting-pot (that hyphen is very British, by the way). It probably means 'reputed' (i.e. people say it's a melting pot). But it could mean  'intended' (i.e. the Founding Fathers wanted it to be that). Meant in the rest of the 20th-century OED examples can be replaced by reputed, but reputed doesn't seem like the right synonym for the A. N. Wilson example in Fowler's or the Pakistan election example in Sam's email. 

In the GloWbE corpus (data collected in 2012–13), is meant to usually doesn't look very British. For example, here are the results for "is meant to be [adjective]". As you can see (if you click to enlarge), items like is meant to be fun occur at similar rates in American and British. The results are very similar for is meant to be a (as in is meant to be a melting-pot). 




The bar chart shows that the American examples are fewer overall, but not all that different (the black line is to facilitate comparison). 



There is something interesting going on in that adjective list, though: Americans are using is meant to be with very similar adjectives: fun, funny, humorous, entertaining plus odd-one-out free. The British adjectives are more diverse, which probably signals that this 'supposed to be' meaning is more established in BrE and Americans use it in more limited ways.**

In Sam's example there were meant to be elections, the grammatical subject of be meant to is the existential/dummy subject there. If we look for that, a US/UK divide seems clearer. North Americans don't really say there [be] mean to, which will be why that example stood out for Sam:


There does occur slightly less in the US data overall—about 7% less than in British. So that might be a contributing factor. But, to me, it looks like the is meant to construction just isn't as much at home in AmE as it is in BrE at this point. And that's to be expected, since it's a usage that seems to have started in Britain only after American independence. 

I should probably say something about the usual translation of be meant to: be supposed to as in The weather is supposed to be nice. This is much older than meant in the sense of 'expected/assumed'—the OED's first example is from 1616. The 'ought to' meaning, as in I'm supposed to be in bed by now, comes much later—the OED's first citation is from 1884 in Britain. So, we can't call supposed to "AmE" as opposed to BrE. But since meant to has taken on some of supposed to's jobs, and meant to is more British, it's not surprising to find more supposed to in AmE:





I'm really meant/supposed to be in bed by now. So I shall leave it at that! 

------------

*@LKMcFarlane
@aaj1an  
and possibly others have raised this topic with me years before. Sorry it's taken so long! 

**Note that there's always the risk in GloWbE data that writers represented in a particular column are not really from that country. For instance, this data might include British commenters on American websites and vice versa. So, to be safe, I checked that is meant to is also found in the Corpus of Contemporary American English, which doesn't rely so much on internet English. It is. 








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(at) home

One of the things I've found most useful during lockdown is to have routines that distinguish the days. The routines have become most distinct on weekends: Saturday is Cleaning Day and No-Laptop Day; Sunday is Blogging Day. After the last topical blog post, I planned to do another topical one this Sunday, regarding a UK government slogan. But then on my no-laptop Saturday, THEY CHANGED THE SLOGAN. They timed it just to make me look untopical. Grrr.

Anyhow, here's the graphic that we've been seeing on our televisions for the past seven weeks:


And too-many-to-mention people have got(ten) in touch with me to ask whether (or complain that)  stay home is a rather American phrasing for Her Majesty's government. Indeed, it is. Both AmE and BrE can say stay at home, but AmE is very comfortable with the at-less version, while BrE isn't.


These GloWBE data are from about 7-8 years ago. Here's what it's looked like in the News on the Web corpus for 2020 so far.


So, despite the prominence stay home slogan in the UK (and its news), it remains more usual to have the at in BrE, in edited news text. AmE really doesn't mind, though the phrase stay at home brings to my mind its use as a hyphenated modifier, as in stay-at-home parent. Such adjectival use, if properly hyphenated, would not appear in the above figures.

Presumably, the slogan is Stay home because it parallels the cadence of Save lives. (Fritinancy has pointed out that stay home/save lives is a World Health Organization slogan, so that's probably how it got to the UK. The govenment could have translated it, but didn't.) The parallelism becomes clearer when the NHS line is left out or where the parallel Stay–Save lines are graphically linked, as in:


But even Her Majesty's Government is not consistent in using the at-less version:


Enough of the sloganeering, what about the grammar?

Home can be a noun, as it is in sentences like:
  • You have a beautiful home
  • My home is wherever I lay my laptop.
You can tell it's a noun (for sure) in those places because it's part of a noun phrase, introduced by determiners (a, my), with optional adjectives (beautiful) or possibly other modifiers (e.g. ...that I'd like to visit).

It can also be an adverb. Now, I have to pause here and say that, as far as I'm concerned, adverb is a garbage grammatical category. It is used to cover all sorts of things that behave in very different grammatical ways—from very (which modifies adjectives), to lazily (which might modify a verb phrase), to undoubtedly (which generally modifies a whole sentence), to well (which does all sorts of weird things and is an adjective too), to not (which modifies sentences or other phrases in much more grammatically restricted ways). Home is not an adverb in any of those ways. It's an adverb in the way that here or away are adverbs—indicating 'where' and often 'to where'.

Both BrE and AmE use home as an adverb. You can see it with various verbs of motion—and how it differs from a more nouny-noun like house, which has to have the trappings of a noun phrase and might need a preposition to connect it to the verb phrase. Compare these, where * is the linguistics signal for 'ungrammatical string of words'.
  • We're going home versus We're going to our house.   (*We're going house)
  • I have to get home by 10  versus I have to get back to my house by 10 (*I have to get house)
But in lots of cases, it's hard to tell if home is a noun or an adverb. In the first few examples, with things like your beautiful home, noun use sometimes rubs people the wrong way. "Why say home when you mean house?" they say. It sounds like advertising-speak, especially as used by (AmE real) estate agents. But I used those examples because home is very definitely a noun there. In other cases like the following, it could be a noun, but it doesn't have to be interpreted as that:
  • Home is where the heart is.  (subject of the sentence)
  • There's no place like home.   (object of preposition like)
Noun phrases can be subjects of sentences and objects of prepositions, and so home can be interpreted as a one-word noun phrase, which is a perfectly fine kind of noun phrase to be if we're treating the noun as non-countable. And it works to treat home as a non-countable noun if we're thinking of it as some kind of abstract state, rather than as just a house. Notice how other abstract nouns like imagination or love are very naturally used all on their own: Imagination opens doors; Love will keep us together.

But it's also the case that the places where we tend to use home as a bare noun are also places where we could use a prepositional phrase, and prepositional phrases can do adverb jobs:
  • At my house is where I like to be.
  • There's no place like under the duvet
Which is all to say that saying which part of speech a word is can be difficult—even in context. (Though I'll put my cards on the table and say I would count home as an abstract noun in the last two examples.) The parts of speech that we traditionally use for English may not be (more BrE) up to the job.
(SIDEBAR: This is not an excuse for not teaching grammar in school. This is evidence that grammar needs to be taught more like physics, where we can look at the evidence, admit we don't have all the answers, and evaluate different possible solutions.)

A n y h o w . . . 
We've got this funny word that can be a noun or an adverb—and it's been like this for as long as English has existed. The adverb originally and still incorporates a 'toward(s)' element: going home is 'going to one's home'. So the adverbial 'at home/in one's home' meaning that we get in stay home is a deviation from the original meaning. But it's a deviation that's been around for centuries. Consider these examples from the OED:
In the 1587 example, the ships are docked at their home. In 1615, true zeal loves to keep (at) home. Most of the examples with the verb to be would pass unnoticed in BrE (and certainly in AmE) these days. But the be home examples in BrE in the OED seem to have a bit of a hint of motion to them, in that they are about the future or the past: will be home and have been home. Movement to/from home is implied because person isn't at home at the time that the sentence was written.

All of the OED adverb examples with stay are American, though, including the one from Emily Dickinson (above) and Judy Blume's, which has the familiar stay home shape:
With stay, home loses its 'toward(s)' sense. It's acting like other spatial adverbs like here and away, and perhaps it's the opposite relation with away that has encouraged home to grammatically imitate away in AmE: stay away/stay home. But the adverb home hasn't fully made that trip in BrE, and so if you want to use home with stay, you need the preposition at to hook the noun home onto the sentence. Since home is also a noun in AmE, AmE can use the at home just as easily. A somewhat similar case is what happens with on and days of the week (click the link to read about it), but I would not want to call these cases "the same thing". AmE has lost some prepositions where BrE hasn't, but BrE is losing some where AmE doesn't. In some UK dialects, for example, people can go pub, as University of Kent linguist Laura Bailey has been exploring.

Back to the slogans. The new slogan is "Stay Alert, Control the Virus, Save Lives".

It's presented with green rather than red, to give us a signal that we can "go" a bit more. Maybe. Or something. The comedian Matt Lucas summari{s/z}es Boris Johnson's speech on the matter:


The new slogan is being mocked relentlessly on UK social media within a day of its announcement. Here's what comes up top in my google image search for "stay alert":


The comedian Olaf Falafel has made a Government COVID Slogan Generator (play the video and click on it to stop it on a new slogan):


 

As many have pointed out, it's unclear what we're supposed to stay alert for when we can't see the virus or tell who's carrying it. The UK government seems to love to direct its public with three-part  slogans, as we've seen before with "See it, say it, sorted". One reason that the "stay home" message was heeded was its appeal to protect the National Health Service—and the NHS's absence from the new slogan comes at the same time as many are worrying about backdoor machinations to sell off the NHS to private companies. There is the possibility, though that the "stay home, protect the NHS" message needed to be replaced because it had backfired and endangered people by making them reluctant to use NHS services for non-COVID-related problems.

Much more heartening than government messages is the outpouring of NHS-love in the front windows of the UK, where many are putting up pro-NHS messages and messages for other (BrE) key/(AmE) essential workers, with rainbows to cheer us all up. Here's a Google Image search result for "rainbow windows". On the windows, the more common slogan is stay safe.

 

Here's how we did our front window. No slogans, just rainbow:
Stay safe.

 (And if you want to read me railing against the phrase stay safe in American discourse, click here.)
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'X's Y' versus 'the Y of X'

[I had said I'd be blogging weekly, but that didn't happen when I had to travel for family reasons. I have got(ten) back to it, not that you'll always notice. I've decided that my goal is to *write* for the blog each week, but not necessarily to publish. So, I started writing this one last week, finished this week.]

I'm doing a lot of reading about the genitive case at the moment. Grammatical case is some kind of marking (e.g. a suffix) that shows what 'job' a noun is doing in a sentence. You might know a lot about case if you've studied German or Latin or Finnish (or some other languages), which have case suffixes on nouns. You'll know a little about case from being an English speaker who knows the differences between they, them, and theirs. Modern English marks pronouns for case, but not other nouns, except...

Old English (Anglo-Saxon) had a robust case system, which it got from the ancestor it shared with German. The case suffixes pretty much died during Middle English. (English lost a lot of other kinds of suffixes over the centuries too, in part because suffixes are the kinds of things that get swallowed up in speech and in part becuase they're the kind of thing that become vulnerable when different languages come into contact—as happened for English and Norman French nearly 1000 years ago.) But one English case suffix, rather than disappearing, morphed into something else, and that something is the scourge of English spelling, the apostrophe-s: 's

So in the Old-English poem Beowulf, you can read about Grendles guðcræft. That -es on the name of the monster Grendel is the forebear of 's. We can translate it as something like 'Grendel's power' or 'Grendel's warcraft'. That (masculine, singular) genitive case marker says that there's a very close relation between Grendel and the guðcræft. Grendel is the power's source or its possessor.


But when that poem gets translated into Modern English, the translators sometimes translate the -es as an 's and sometimes not:
the might of Grendel (Francis Gummere)  
Grendel's power of destruction (Seamus Heaney)
That's because something else happened in Middle English: English started using of in the way that French uses de to express genitive relations—because French got all up in English's business at that point. Because of that change, of occurs only 30 times in Beowulf (where it has its original meaning of 'away from' or 'off'*), but over 900 times in Gummere's translation of it (where it means next to nothing).

So English has ended up with two ways of expressing those kinds of relations. We tend to talk about them as being 'possessive' relations and of the X in X's Y or the Y of X as 'the possessor'.  But the relation is not necessarily possessive. Think about something like the theft of the bicycle and the bicycle's theft: the bicycle doesn't possess the theft. The relations between the nouns in 's/of expressions are varied and hard to pin down (but they are very close relationships, covering a lot of the same ground as the genitive in Old English).

We don't exactly use 's and of interchangeably, though, and even where we can use both we often have preferences for one or the other. One of the strongest predictors of whether it'll be 's  or of is the animacy of the thing in the X position (the 'possessor'). Linguists often talk about an animacy hierarchy in which expressions that refer to  animate things are preferred in certain positions in sentences over non-animate things. In terms of what's animate, humans (the teacher, Heidi) come above animals (the badger, the parrot) and collectives (the company, the union), which come above objects (the table, the book).  All of the below noun phrases are "grammatical" but the higher up the list we go, the more apt people are to use the 's instead of the of phrase, all other things being equal:
the teacher's size        the size of the teacher
the badger's size         the size of the badger
the union's size           the size of the union
the table's size            the size of the table
A lot is going on in that 'all other things being equal' (a phrase used in both AmE and BrE, but AmE also likes all else being equal). Some other things that swing a possessive in favo(u)r of 's phrasing rather than of phrasing are:
  • heavier (more syllables/more complex syntax) possessed NPs rather than lighter ones
    (the table's dirty and worn-out alumin(i)um edge vs the dirty and worn-out alumin(i)um edge of the table)
  • the need for denser texts, as in newspaper headlines 
  • speech (rather than writing)
  • informal writing style (rather than more formal writing styles)
  • the dialect being spoken
So, on the last point: English in general used to be a much stronger avoidance of 's on inanimate object names. Inanimate possessors have become more and more accepted in English over the last 200 years or so. But that change has been happening faster in American English than British. This is like a lot (but not all!) of other changes in English (see The Prodigal Tongue, or if you really like to read about statistical methods, Paul Baker's book)—the change has roots deep in English's history, but goes faster/slower in different places. In this change's case (like some others), the "newer" form ('s on inanimates) is perceived as less formal and it's more condensed (and therefore quicker to say/read). Both of these properties might characteri{s/z}e some differences between the cultures that maintain the "standard" versions of English in the two countries. AmE tolerates more informality and more brevity in more situations.

So, having been thinking about all this, I did a Difference of the Day on Twitter, showing these two charts:


Here you can see that North Americans are much more happy than others to say the book's cover or the book's title or the table's edge or the table's width (or whatever other nouns might go after book's and table's). Here's the flipside, the of versions, which I didn't post on Twitter.



The table chart goes with what we'd expect to see: BrE doing a lot more with of than AmE. But the book table has AmE doing more of the book than BrE. You know why? Because American talk about books more. No, really:


So that's a lot more detail than you needed in order to see the AmE/BrE difference, but, hey, reading is good for you!

*Why does off look like of? Because they used to be the same word!

Some of the things I've been reading that influenced this post:
Carlier, Anne and Jean-Christophe Verstraete. 2013. Genitive case and genitive constructions: an introduction. In Carlier and Verstraete (eds.), The genitive. Amsterdam: John Benjamins.

Carlier, Anne, Michèle Goyens and Béatrice Lamiroy. 2013. De: a genitive marker in French? Its grammaticalization path from Latin to French. In Carlier and Verstraete (eds.), The genitive. Amsterdam: John Benjamins.

Szmrecsanyi, Benedikt and Lars Hinrichs. 2008. Probabilistic determinants of genitive variation in spoken and written English: A multivariate comparison across time, space, and genres. In Terttu Nevalainen, IrmaTaavitsainen, Päivi Pahta, and Minna Korhonen (eds.), The Dynamics of Linguistic Variation: Corpus Evidence on English Past and Present. Amsterdam : John Benjamins.

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Book Week 2019: David Shariatmadari's Don't Believe a Word

Welcome to the third review post of Book Week 2019. In the intro to Book Week 2019, I explain what I'm doing this week. In the end, there will be four posts. I thought there would be five, but one of the books has (orig. BrE) gone missing. Having had a day off yesterday, I will also have a day off tomorrow, so the final review will appear during the weekend. Probably.

Anyhow, today's book is:

Don't believe a word
the surprising truth about language

by David Shariatmadari
Norton, 2019 (N America)
W&N, 2019 (UK/RoW)


David Shariatmadari writes for the Guardian, often about language, and is one of the sensible journalists on the topic. The number of sensible journalists writing about language has really shot up in the past decade, and judging from reading their books, this is in part because of increasingly clear, public-facing work by academic linguists. (Yay, academic linguists!) But in Shariatmadari's case, the journalist is a linguist: he has a BA and MA in the subject. And it shows—in the best possible way. 

The book is a familiar genre: busting widely held language myths. If you've read books in this genre before, you probably don't need these myths busted. You probably know that linguistic change is natural, that the border between language and dialect is unfindable, that apes haven't really learned sign languages, and that no form of language is inherently superior to another. Nevertheless, you may learn something new, since Shariatmadari's tastes for linguistic research and theories is not always on the same wavelength as some other books directed at such a general audience.

Once again, I'm reviewing with a partial view of the book (this is the practical law of Book Week 2019). In this case, I've read chapters 1, 5, and 9 and skimmed through other bits. The introductory chapter gives us a bit of insight into Shariatmadari's conversion to full-blown linguist, as a reluctant student of Arabic who was quickly converted to admiration for the language and to the study of language as an insight into humanity. "It's not hyperbole to say that linguistics is the universal social science", he writes. "It intrudes into almost every area of knowledge."
UK cover

I chose to read chapter 5 because I'd had the pleasure of hearing him talk about its topic at a student conference recently: the popularity of "untranslatable word" lists. Goodness knows, I've contributed to them. What I liked about the talk was his detective work on the words themselves—some of the words and definitions presented in lists of 'untranslatables' are practically fictional. And yet, those of us who don't speak the language in question often eat up these lists because of our ethnocentric need to exotici{s/z}e others. This leads inevitably to discussion of linguistic relativism—the notion that the language you speak affects the way you think—and the bad, old (so-called) evidence for it and the newer evidence for something much subtler. The chapter then goes in a direction I wasn't expecting: introducing Natural Semantic Metalanguage (NSM), an interesting (but far from universally taught) approach to meaning that uses about 65 semantic building blocks to represent and compare meanings across languages. NSM adherents make the case that few, if any, words are truly equivalent across languages. But while any word in one language may have no single-word equivalent in another language, that doesn't mean those words are untranslatable. It just means that translating them can be a delicate and complicated thing.

US cover
The final chapter (9) takes the opposite view to David Adger's Language Unlimited (in my last review), and argues that the hierarchical (and human-specific) nature of linguistic structure need not be the product of an innate Universal Grammar, but instead could arise from the complexity of the system involved and humans' advanced social cognition. While Adger had a whole book for his argument, Shariatmadari has 30-odd pages, and so it's not really fair to compare them in terms of the depth of their argumentation, but still worth reading the latter to get a sense of how linguists and psychologists are arguing about these things.

Shariatmadari is a clear and engaging writer, and includes a good range of references and a glossary of linguistic terminology. If you know someone who still believes some language myths, this might be a good present for them. (Though in my experience, people don't actually like getting presents that threaten their worldview. I still do it, because I care more about myth-busting writers earning royalties than I care about linguistic chauvinists getting presents they want.) It would also make an excellent gift for A-level English and language students (and teachers) and others who might be future linguists. After they read it, send them my way. I love having myth-busted students.
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Book week 2019: David Adger's Language Unlimited

Welcome to the second review post of Book Week 2019. See the intro to Book Week 2019 to understand more about what I'm doing this week. Next up we have:

Language unlimited
the science behind our most creative power

by David Adger
Oxford University Press, 2019


This is a book for people who like to think about HOW THINGS WORK. It's a serious work of popular science writing, which carefully spells out the mysteries of syntax. And by mysteries, I mean things you've probably never even noticed about language. But once they're pointed out, you have to sit back and say "Whoa." Because even though you hadn't noticed these things, you know them. Remember a few years ago, when the internet was hopping with posts about how we subconsciously know which order to put adjectives in? That's kid's play compared with the stuff that Adger'll teach you about the things you know but don't know about.

Adger (who is Professor of Linguistics at Queen Mary University, London) describes the situation carefully, clearly, and engagingly, using copious examples and analogies to communicate some really subtle points. (I particularly liked the explanation of form versus function in language, which drew on the form versus the function of alcohol. Chin-chin!) He draws in evidence from neurology, psychology, and computer science to both corroborate his points and to introduce further questions about how language works.

As I said in the intro to Book week, I have not read all the books I'm reviewing absolutely cover-to-cover. In this case, of the ten chapters, I read 1–3, 7, and 10—and skimmed through the other chapters. The early chapters make the case that there's more to linguistic structure than meets the eye and that human linguistic abilities must consist of something special—they must be qualitatively different from the types of cognition that other animals use and that humans use in non-linguistic communication. Later ones cover issues like how children experience and acquire their first language and what happens when computers try to learn human language. Throughout, the examples feature Adger's partner Anson and his cat Lilly.  I almost feel like I know them now. Hi Anson and Lilly!

Adger makes clear from the start that his book makes a particular argument in favo(u)r of a particular way of explaining language's mysteries—and that particular way is a Chomskyan way. This means that he makes the case for a Universal Grammar that underlies all human language. I was struck by his willingness and ability to take this all the way for a lay audience. By chapter 9, he is explaining Merge, the key tool of Chomsky's Minimalist Program

Now, here I have to say: this is not the kind of linguistics I do. It's not just that I'm not a syntactician—though I have, from time to time, dipped my toe into theories grammatical. It's also that I lost faith in theoretical monotheism when I moved from a very Chomskyan undergraduate degree to a more ecumenical linguistics department for my (post)graduate studies. When I arrived for my PhD studies, the department wanted to know which syntactic theories I'd studied, so they could determine which courses I needed to take. I could not tell them. After four years of studying Chomskyan linguistics, I thought I had spent four undergraduate years studying "Syntax". No one had told me that I was studying a theory of syntax, just one among several theories.

Ever since, I have tended to agnosticism and s{c/k}epticism when it comes to syntactic theory. (This is probably how I ended up as not-a-syntactician; I don't know that it's possible to have a career in grammatical studies without adhering to one theoretical church or another.) Being a lexicologist has meant that I don't have to take sides on these things. And so I play around with different theories and see how they deal with the phenomena I study. When I listen to the evangelists, I listen warily. I tend to find that they oversimplify the approaches of competitor theories, and don't learn as much from them as they could (or, at least, sometimes don't give them credit for their contributions). This is all a very long explanation of why I skipped to chapter 7—the chapter where Adger responds to some non-Chomskyan ideas (mostly personified in the chapter by Joan Bybee).

So (mostly BrE*) all credit to Adger for spending a chapter on this, and for citing recent work in it. I generally thought his points were fair, but I did what I usually do in response to such theoretical take-downs: I thought "ok, but what about..." I do think he's right that some facts point to the existence of a Universal Grammar, but I also think it's not the only interesting part of the story, and that it's premature to discount arguments that explore the possibility that much of what happens in language learning is based in experience of language and general cognitive abilities. But then, I would think that.

I definitely recommend the book for people who are interested in the scientific approach to language, but I'd skip the final chapter (10). It is an oddly tacked-on bit about sociolinguistic phenomena, precisely the kinds of things that are not even approached in the theory the rest of the book has been arguing for.

I congratulate Adger on this strong work that makes extraordinarily abstract concepts clear.





P.S. Since I'm not doing Differences of the Day on Twitter this week, here's little chart of use of all credit to (frequency per million words) in the Corpus of Global Web-Based English, for good measure.


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grammar is relationships


This is not a post about American versus British English. I hope you’ll indulge me. It's come out of some Twitter conversations this afternoon.

It started when I read this sentence in James Pennebaker’s book The Secret Life of Pronouns:
Function words require social skills to use properly.

And I wondered how it had got(ten) past a copyeditor. So I did a Twitter poll to see if other people were happy with the sentence. The poll looked like this: 


So, 25% of more than 300 people thought it sounded fine. 75% felt there was something weird about it. Given how I phrased the question, it's possible that the 75% had 100 different reasons for thinking it weird. But considering some of the tweet-replies I had, I know that at least some people had the same reaction that I did. 

The problem with the sentence for me is that there is no reasonable subject for the verb to use. Compare it to this sentence with the same kinds of parts in the same order:  
 The law requires every driver to drive safely.

In that case, the subject of the infinitive to drive is every driver—every driver is to drive safely. So, what you've got is:
  • Main verb: requires
  • Subject of main verb: the law
  • Object of main verb = infinitive clause: every driver to drive safely

But that doesn't work for Pennebaker's sentence. Social skills to use properly is not a complete clause because (a) there's no object of the verb to use (to use what properly?), and (b) social skills is in a position where it could be the subject of to use (as in the driving example), but it's not.  The sentence could be "fixed" in a number of ways that involve making it clearer that function words are the things being used.
  1. Make the infinitive into a passive, so it's clear that function words is the object of use: Function words require social skills to be used properly.
  2. Move use closer to function words so that it's clear how they relate to each other: To use function words properly requires social skills. (Or Using function words properly requires social skills.)
  3. Move function words closer to useIt takes social skills to use function words properly.
Number 1 is a little ambiguous (it sounds a bit like function words are bossing social skills around), so I'd prefer 2 or 3, where it's really clear that function words is the object of use

But there are sentences with require that do work more like Pennebaker's sentence:
Crops require water to grow.

Here, it's not the water that's growing, it's the crops. So it doesn't work like the driving sentence—the object of require is not water to grow. In both sentences, I've put the object of require in blue, so you can see that the sentences have different structures. Another way that you can tell they're different structures is that you can replace to with in order to in one and not the other and can rephrase one with that and no to, but not the other.
The law requires every passenger in order to drive safely.
Crops require water in order to grow.
 The law requires that every driver drive safely. [or drives if you're not a subjunctive user]

Crops require that water grow.

So one of the reasons I wanted to write this post is to make this big point:
Grammar isn't just where words go in a sentence, it's how they relate to each other.
The fact that the crops sentence is the same shape as Pennebaker's sentence doesn't mean that Pennebaker's sentence is grammatical, because it still has the problem that there is no subject for to use. Notice that it can't be rephrased in either of the ways that the other two can:
Function words require social skills in order to use properly
Function words require that social skills use properly
The last possibility is to interpret use as being in middle voice (as opposed to active or passive voice). This is when the verb acts kind of like a passive (where what would have been the active object becomes the subject), but doesn't get the passive be +past participle form. English has some verbs that work this way.
I cut the bread easily. (active voice: subject is the cutter)
The bread is cut easily. (passive voice: subject is what's cut)
The bread cuts easily. (middle voice: subject is what's cut)
Grammar Girl has a podcast and post on middle voice in English if you're interested. English has more of a 'middlish' voice than a 'middle', as we're really limited in how we can use it and it doesn't have a special verb form, as it does in some other languages. As Grammar Girl notes:
[English] middle-voice sentences usually include some adverbial meaning, negation, or a modal verb, or a combination of the three. “The spearheads didn’t cast very well” has both negation (“didn’t”) and an adverb phrase (“very well”). “The screw screwed in more easily than I thought it would” has the adverb phrase “more easily than I thought it would.”
While Pennebaker's sentence does have an adverb, properly, it's not one that I'm super-comfortable using with a middle construction (?The bread cuts properly), but maybe some people would like it better than I do. (Proper is used more as an adjective and adverb of intensity in some colloquial BrEs than in my AmE.)

So, are the 25% who like the sentence reading it as having middle voice? I'm not totally convinced, because I think that the English middle doesn't do well with fancier sentence constructions as with require:
?That bread requires a good knife to cut easily.
?That bread requires a steady hand to cut easily.
Putting an object between requires and to makes it confusing—is it the bread or the knife/hand that is cutting easily? If it's the knife or hand, then the sentence would usually require an it to stand for the bread: The bread requires a good knife to cut it easily. 

So, anyhow, when I put the Pennebaker sentence up, some people wondered if it was like this dialect phenomenon, found in some parts of the US (particularly western Pennsylvania) and some parts of the UK (particularly Scotland):
The car needs washed.
It was natural for them to make that connection because both Pennebaker's sentence and the needs washed sentence would work in other dialects if the final verb were made passive. But note that what needs to be added to the sentences to create a passive is different in the two cases. In needs washed, the washed is in the past participle needed for a passive. But in Pennebaker's sentence the infinitive verb is not in any way in passive form.
The car needs to be washed.
The function words require social skills to be used properly.

So, I asked the 25% who accepted the sentence to write back and tell me where they were from. And it turns out they're from anywhere.... New Jersey, California, New England, southeastern US, eastern and western Canada, up and down the UK, the Caribbean. That makes it look like it's not a dialect feature. 

An interesting thing about the 25%, though, was that a few got in touch to say: "I clicked that the sentence was fine for me, but once I started thinking about it, I was less sure."

After the dialect idea didn't pan out, I joked that the next step was to give personality tests to people who didn't like the sentence. And while it was a joke, I think there is probably something to the idea  that some people read for meaning and don't get the grammatical 'clang' that I got because getting the meaning is good enough. If they can get the meaning without a deep look at the grammar, the grammar is irrelevant. I'd wonder if people who get a 'clang' with this sentence are also more likely to also notice misplaced modifiers and dangling participles. A lot of us who notice these things notice them because we've been trained in looking at language analytically, or we're just very literal readers. Had I heard Pennebaker's sentence, I probably wouldn't have noticed that there was no workable subject for the verb use. I would have just understood it and gone merrily on my way. But in reading, CLANG.


Anyhow, the main reason I wanted to blog this was to make that point that Grammar is how words relate to each other. That two sentences with the same shape can be working in very different ways. And on that note, I'll leave you with an experiment that Carol Chomsky did way back when. She gave children a doll with a blindfold over its eyes and asked them if this sentence was true—and if not, to make the sentence true.
The doll is easy to see. 
Notice how that sentence doesn't work like this sentence:
The doll is eager to see.
In the first, the doll is being seen. We can paraphrase it as The doll is easy for me to see. In the second, the doll is who will do the seeing. We can't paraphrase it as The doll is eager for me to see, because it means The doll is eager for the doll to see. The words easy and eager determine how we interpret the relations of the other words in the sentence. In linguistic terms, they license different relationships in the sentence. (In these sentences it's adjectives doing that relationship-determining, but in most sentences, it's the verbs. In our requires sentences above, we can see that require licenses a range of possible sentence structures—words do that too.)

Understanding that a blindfolded doll is easy to see is something that most kids don't master till they're into their school years. When asked to make the doll easy to see, the younger kids take off the doll's blindfold. This shows us that kids take a while to fully take account of the grammar, not just the words, in sentences.

Hope you didn't mind my little grammatical foray...
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try and, try to; GMEU app


Our university's website provides helpful information for students about research and writing. It says things like this:
Another big mistake is to try and write an essay at the last minute.
I look at that and itch to edit it, just like early in my time in England, when my department head sent round a draft document for our comments, and I "helpfully" changed all the try and's to try to's. Imposing your American prescriptions on a learned British linguist is probably not the best idea, and it's one of those little embarrassments that comes back to haunt me in the middle of the sleepless night. I had had no idea that try and is not the no-no in BrE that it is in edited AmE.

I'm reminded of this for two reasons:
  1. Marisa Brook and Sali Tagliamonte have a paper in the August issue of American Speech that looks at try and and try to in British and Canadian English (and I've just learned a lot about the history of these collocations from it)
  2. I've been using this new English usage app and testing it on matters of US/UK disagreement. (Review below.) 

The weirdness  

Try and is weird. I say that as fact, not judg(e)ment. You can't "want and write an essay" or "attempt and write an essay". The try and variation seems to be a holdover from an earlier meaning of try, which meant 'test' or 'examine', still heard in the idiom to try one's patience. Though the  'test' meaning dropped out, the and construction hung on and transferred to the 'attempt' meaning of 'try'.

Though some people insist that try and means something different from try to, those claims don't stand up to systematic investigation. A 1983 study of British novels by Åge Lind (cited in Brook and Tagliamonte) could find no semantic difference, and a statistical study by Gries and Stefanowitsch concluded "where semantic differences have been proposed, they are very tenuous". The verbs be and do seem to resist try and and prefer try to.

There are some cases where try and doesn't mean the same thing as try to, where the second verb is a comment on the success (or lack of success) of the trying:
We try and fail to write our essays. ≠  We try to fail to write our essays.
But in most cases, they're equivalent:
Try and help the stranded dolphin.  = Try to help the stranded dolphin.
Try and make it up to them. = Try to make it up to them.

(If the rightmost example sounds odd, make sure you're pronouncing it naturally with the to reduced to 'tuh'. If the leftmost one just sounds bad to you, you may well be North American.)

Though there are other verbs that can be followed by and+verb, they don't act the same way as try and. For one thing, try and seems to stay in that 'base' form without suffixes. It's harder to find examples in the present or past tense (see tables below). 
? The student tries and writes an essay. 
? The student tried and wrote an essay.
  Compare the much more natural past tense of go and:
The student just went and wrote a whole essay.
So, try and is a bit on-its-own. Be sure to/be sure and is the only other thing that seems to have the same grammatical and semantic patterns.

The Britishness

Here's what Hommerberg and Tottie (2007) found for British Spoken and Written data and for American Spoken and Written.

In the forms that can't have suffixes (infinitive and imperative), BrE speakers say try and a lot more than try to. They write try and less, but in in the infinitive, it's still used about 1/3 of the time.

Brook and Tagliamonte found that BrE speakers under 45 use try and over try to at a rate of about 85%, regardless of education level. But for older Brits, there's a difference, with the more educated mostly using try to

AmE speakers sometimes say try and, but they say try to more. They hardly ever use try and (where it could be replaced by try to) in writing.
Brook and Tagliamonte find much the same difference for British English versus Canadian English.


The "non-standard"ness

Though the try and form goes back before American and British English split up, its greater use in Britain is the innovation here. The try and form only started to dominate in Britain in the late 19th century.

Brook and Tagliamonte note that it's "curious" that BrE prefers try and when it has "two ostensible disadvantages":
  1. it's less syntactically versatile, since it doesn't like suffixation,
  2. it's long been considered the "non-standard" form, repeatedly criticized in even British style guides. 

On the second point, Eric Partridge's Usage and Abusage (1947) calls it "incorrect" and "an astonishingly frequent error". However, other British style guides are much more forgiving of it. While the third edition of Fowler's Modern Usage (1996) says that "Arguments continue to rage about the validity of try and", it notes that the original 1926 edition said that "try and is an idiom that should not be discountenanced" when it sounds natural. The Complete Plain Words (1986) lists it in a checklist of phrases to be used with care ("Try to is to be preferred in serious writing"), but it got no mention in  Ernest Gowers' original Plain Words (1948) or the recent revision of the work by Rebecca Gowers (2014). Oliver Kamm's rebelliously "non-pedantic" guide (2015) calls try and "Standard English".  Other British sources I've checked have nothing to say about it. Though it's only recently climbed the social ladder, British writers and "authorities" seem, on the whole, (BrE) not very fussed about it.

American guides do comment on try and. Ambrose Bierce (1909) called it "colloquial slovenliness of speech" and Jan Freeman (2009) calls it "one of the favorite topics of American peevologists". The dictionaries and stylebooks that are less excited about it at least pause to note that it is informal, colloquial, or a "casualism". The American Heritage Dictionary notes:
To be sure, the usage is associated with informal style and strikes an inappropriately conversational note in formal writing. In our 2005 survey, just 55 percent of the Usage Panel accepted the construction in the sentence Why don't you try and see if you can work the problem out for yourselves?
(I can't help but read that to be sure in an Irish accent, which means I've been around Englishpeople too long.)

One hypothesis is that try and came to be preferred in Britain due to horror aequi: the avoidance of repetition. So, instead of Try to get to know, you can drop a to and have Try and get to know. The colloquialism may have been more and more tolerated because the alternative was aesthetically unpleasing.

Try and is an example I'm discussing (in much less detail) in the book I'm writing because it seems to illustrate a tendency for British English to make judg(e)ments "by ear" where American English often likes to go "by the book". (Please feel free to debate this point or give me more examples in the comments!)

Garner's Modern English Usage

And so, on to the app.  The Garner's Modern English Usage (GMEU) app is the full content of the 4th edition of the book of the same name, with some extra app-y features. I've tested it on an Apple iPod, but I think it's available for other platforms too. On iTunes, it lists at US$24.99.

Full disclosure: Bryan Garner gave me a free copy of this app in its testing stage.  I've met Garner in person once, when I'm quite sure he decided I was a hopeless liberal. (The thing about liberals, though, is you can't really be one without lots of hope.) He's a good one to follow on Twitter.

Sad disclosure: I received the offer of the free app not too long after I ordered a hard copy of the 4th edition, which (AmE) set me back £32.99, and, at 1055 pages, takes up a pretty big chunk of valuable by-the-desk bookshelf (AmE) real estate. I bought that book AFTER FORGETTING that just weeks before, hoping to avoid the real-estate incursion, I'd bought the e-book edition for a (orig. AmE) hefty $34.99. So, although I got the app for free, I expect to get my money's worth!!

So far, the app works beautifully, and is so much easier to search than a physical book. Mainly, I've used it for searching for items with AmE/BrE differences. I also used it to argue back to a Reviewer 2 who was trying to (not and!) (orig. AmE) micromanage aspects of my usage that don't seem to have any prescriptions against them (their absence in GMEU was welcome). (Reviewer 2 did like our research, so almost all is forgiven.)

GMEU didn't have everything I looked up (see the post on lewd), but that's probably because those things are not known usage issues. I had just wondered if they might be. But where I looked up things that differed in BrE and AmE, the differences were always clearly stated. Here is a screenshot of try and:


Garner's book is so big because it's got lots of  real examples and useful numbers, as you can see in this example. Nice features of the app, besides easy searchability, include the ability to save entries as 'favorites', tricky quizzes (which tell me I qualify as a "true snoot"), and all the front matter of the book: prefaces, linguistic glossary, pronunciation guide, and Garner's essays about the language.

The search feature gives only hits for essay topics and entry headwords. That is probably all anyone else needs. I'd like to be able to search, for instance, for all instances of British and BrE to find what he covers. But I guess that's what I can use my ebook for...

Over the course of his editions and his work more generally, Garner has included more and more about British English, but at its heart, GMEU is an American piece of work. Other Englishes don't really (BrE) get a look-in (fact, not criticism). I very much recommend the app for American writers, students, and editors, but also for British editors, who are often called upon to work on American writers' work or to make British work more transatlantically neutral.



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AmE = American English
BrE = British English
OED = Oxford English Dictionary (online)