Showing posts sorted by relevance for query herb. Sort by date Show all posts
Showing posts sorted by relevance for query herb. Sort by date Show all posts

Review: Origins of the Specious

When a publisher sends me (unsolicited) books for review a few months before Christmas, they probably intend my review to be part of their pre-Christmas promotions.  What they haven't counted on is that I'd have no time to look at the book until Christmas break.  And so it goes for Patricia T. O'Conner and Stewart Kellerman's Origins of the specious: Myths and misconceptions of the English language (2009, Random House)O'Conner is the author of the popular Woe is I: The grammarphobe's guide to better English in plain English, among other titles and together they run grammarphobia.com.  The book takes on different kinds of myths about language--particularly the kinds of myths that prescriptivists (often so-called language lovers who have very little patience for language) bandy about.  The first thing to note for this audience is that it is a book based in American English, by American authors.

Now, given the theme of this blog, I wouldn't review just any book about the English language that arrives unannounced on my desk.  But this one gets in because of its first chapter, 'Stiff upper lips: or, Why can't the British be more like us?'  The main myth that this chapter discusses is a major topic of discussion here (in their words, p.4): 'If there's one thing that people agree on, it's that British English is purer than its American offshoot.'  And, of course, they show that
neither English is more proper. In some respects American English is purer than British English. We've preserved some usages and spellings and pronunciations that have changed over time in Britain.  But the reverse is also true. [...] In many cases, it's nearly impossible to tell which branch has history on its side.
They go on to give a number of examples of differences, histories and false beliefs about English as she is spoke on the two sides of the Atlantic.  These include many that will be familiar to long-time readers of this blog, including the contradictory meanings of the verb table, pronunciation of /a/-before-/s/ and post-vocalic /r/, the /h/ in herb, Webster's effects on AmE spelling, gotten, and gone missing.   It's only a 13-page chapter (supplemented by three pages of bibliographic notes at the end of the book), so some of these are just mentioned in passing.  The tone is chatty and accessible, the pace is quick and there's lots of good information.

Further myths about English are dismantled in chapters on stupid prescriptive rules (like 'don't split infinitives'), false etymologies, 'dirty' words, English's relationship with French, 'politically correct' language, the role of errors in language change and such.  The chapters are generally loose collections of examples--that's not a criticism, just a description--and it's perfectly understandable in a book of this type.  So many assorted false beliefs about English, and language in general, exist, and they defy easy categorization into chapter headings.  The themes will be familiar to most people who read language blogs or similar types of books, but most people will find new and interesting examples among the familiar ones.  The scholarship cannot be faulted.  The book is pitched toward a non-scholarly audience and so there is little source citation and no endnote reference numbers in the text, but there are bibliographic notes and acknowledg(e)ment of several linguistic scholars--which account for about 17% of the pages in the book.  (Would I have liked to have seen a suggestion that this blog is a nice source for people interested in the BrE/AmE myths?  Well, yes, but they don't cite many blogs at all, so I can't take it personally.)

Incidentally, I love the title--but so did someone else who published a book about gamers this year.  I guess it was the thing to do in the (AmE-preferred) sesquicentennial/(BrE-preferred) sesquicentenary anniversary of Darwin's On the origin of species.
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filet, fillet and the pronunciation of other French borrowings

Looking through my long list of topic requests, I've found a duplicate--so that surely deserves to be treated first. Mrs Redboots recently emailed to say:
I was watching an on-line video, yesterday, of a chef preparing fish, and instead of saying he was filleting it (with a hard "t") as I should have done, he said he was "filay-ing" it, as though it were a French word. And later on, I saw it written as "filet", where I would have used "fillet". Which is the original - for me "filet" is the French term, and I hadn't realised it was also used in America.
And Laura, a New Yorker in Cambridge, wrote 10 months ago (sorry, Laura) with:
My British husband and I find endless entertainment emailing your blog entries to each other. What a great resource. I have searched past entries and cannot find anything pertaining to our longest running argument - on the pronunciation of "fillet." He says "filliT," and I would say "fillay" (like ballet, right?), although I refrain from doing so here for fear that butchers won't understand me. I thought British English would be the version more influenced by French...then again, I pronounce the er in foyer whereas he would say "foyay." What is going on with the influence of French in American and British English?
I'll have to preface this by saying that I can't possibly discuss all such differences in the pronunciation of words from French here--there are lots of them. And let's not get into the pronunciation of words from other languages just yet (I have posts-in-process on some of them). To start with Mrs R's question about which is original, well, in a sense, the question doesn't really work, since the word was borrowed at a time before spelling was standardi{s/z}ed in English. And it may not have been standardi{s/z}ed in French, either (do we have an expert out there?). Modern French spelling is based (according to what the internets tell me) on medi(a)eval pronunciation, which would mean that at the time it was first borrowed into English, the 't' would have been pronounced in the original French word.

Looking at the OED, we can see the word in English back to 1327--though that is in the sense of 'a ribbon used as a headband' . The first quotation for the 'cut of meat' meaning in English comes from around 1420, in the plural filetes (remember, though, that the word would have been borrowed earlier than this and used in speech and in writing that hasn't survived the centuries). The 1327 quote uses filet, but in all of its senses, the spellings vary for the first few centuries. In the 'cut of meat' uses, we also see Fylettes (c 1430), Phillets (1658), Filets (1725). From the 1741 quotation, fillets rules until the first American quotation in 1858 (filets). So, judging from the dates, it could be that it was imported to the Americas at a time when its spelling had not yet settled down and the influence of French settlers headed it toward(s) the more modern French spelling and pronunciation. According to the Dictionary of American Regional English, in Maine people working in the fisheries say fillit on the job (their citation is from 1975, so may not be true now), though in lay use, it's filet, as in the rest of the US. For the McDonald's Filet-o-Fish, there is some question about how it should be pronounced in the UK, but the official McDonald's answer is '“Filet-o-Fish” can be pronounced any way you wish. Most people say “Filay”.'

Similarly, Americans tend to pronounce valet as 'valay', while it is more common to pronounce the 't' in BrE. As I've mentioned before gillet/gilet show a similar spelling difference--but that difference isn't strictly on national lines--I see both gillet and gilet in England and rarely either in the US. It's usually pronounced in the French way, but then it was imported from French more recently--in the 19th century.

Across both dialects, it's a general rule that the longer the word has been in English, the more likely it is to be pronounced as it is spelled/spelt. So, claret (a wine name rarely heard in the US, where it would tend to be called Bordeaux), which has been in English since at least the middle ages, is pronounced with the 't', but Cabernet, which came to us in the 19th century, isn't. But still, there are a lot of differences. Let's divide them into types: consonant differences, vowel differences and stress differences--though where there are stress differences there are often also C and V differences. From here I'm going to do less history and more listing.

Among the consonant differences we have the already-discussed herb ('h' versus no 'h'). Then there's the French 'ch'. Chassis usually has a hard 'ch' in AmE, but usually a soft one ('sh') in BrE. (Both usually don't pronounce the final 's'.) According to the OED, preferences for the pronunciation of niche are reversed in BrE and AmE, with rhymes-with-itch dominating in AmE and rhymes-with-leash dominating in BrE. Myself, I've always pronounced it to rhyme with leash wherever I've been--but the pronunciation was only 'Frenchified' in English during the 20th century. So, nitch-sayers can consider themselves to be a certain kind of authentic, and niche-sayers can consider themselves to be another kind of authentic. And then there's schedule, which begins with a 'sh' in BrE, and a 'sk' in AmE--though one does hear the AmE pronunciation in BrE now (and BrE speakers often say timetable where AmE speakers would say schedule).

On the vowels, I've been mocked in England for my AmE pronunciation of France (rhymes with ants but without the 't'). Yes, the standard, southern BrE pronunciation is more like the French pronunciation, but it's also part of a more general pattern of AmE having the [ae] sound (as in cat) and standard, southern BrE having a long [a:] in these places--cf. dance, lance, chance and answer. And the southern BrE pronunciation of these things in these ways is due to a modern change in pronunciation (see this discussion of the TRAP-BATH split). So, I'm not convinced that BrE speakers say Frahnce (or Fraunce, if you prefer) because they are being authentic in a French way--they are being true to the rules of their own dialect.

A more irregular difference is in clique, which is 'cleek' in BrE, but often 'click' in AmE. See the Eggcorn database for some discussion of the consequences.

And leisure is more French-ish in BrE, where it rhymes with pleasure, than in AmE where the first syllable is usually pronounced 'lee'.

The 'a' in apricot is like that in cap in [my dialect of] AmE and in cape in BrE. I'm sure there are people in each dialect who would argue that theirs is closer to the French, but the fact that both dialects pronounce the final 't' (and that neither uses a 'b' rather than a 'p') tells us that it's given up any preten{c/s}e of being French.

As you can see, this list is pretty random and I'm sure there are others that could be added. Here's one that has both consonant and vowel differences: vase. The BrE pronunciation is more like the French with an 'ah' and a 'z', whereas the usual AmE pronunciation rhymes with place.

On to stress... Note that most of the following involve vowel changes as well, since unstressed vowels are reduced (which often includes making them more centrali{s/z}ed in the mouth).

AmE tends to keep the French stress pattern make recent loan words sound more 'foreign' by resisting the native urge to stress earlier in the word, whereas stress in BrE tends to gravitate to the front of the word. This means that ballet is BALay in BrE and balAY in AmE. The same pattern can be found in a number of two-syllable French borrowings.
ballet
baton

beret
bourgeois

café

debris

frontier
(in this case, neither dialect preserves the French three-syllable pronunciation)
garage (with changes in the vowels and final consonant too, as mentioned here)
pastel
For three-syllable words, BrE often stresses the penultimate (second-to-last) syllable where AmE stresses the final one, with a secondary stress on the first syllable. Thus one stress pattern can seem as if it's turned inside-out if you're used to the other one. The sore-thumbiest one for me is Piaget:
escargot
fiancé(e)
Piaget
(the Swiss psychologist): BrE pee-AH-ʒay vs. AmE PEE-uh-ʒAY
This is not to say that AmE always resists the urge to move the stress leftward or that BrE never does. Observe police, which has the accent on the last syllable in both standard dialects--though there is a non-standard (and sometimes jokingly used) first-syllable-stressing pronunciation in some dialects of AmE: PO-leese. Courgette in BrE retains the final stress.

And then there are the other examples that go the opposite way, with AmE having the stress more front-ward than BrE. This is typically for words that have been in the language longer and seem 'less French' to us than things like beret and escargot:

address (noun)
magazine
m(o)ustache(s)
And then there is Renaissance, for which I quote from the American Heritage Book of English Usage:
This 19th-century borrowing from French, which literally means “rebirth,” is usually stressed on the first and third syllables in American English. In British English the word is usually stressed on the second syllable, which is pronounced with a long a sound [...]. The American English pronunciation is an approximation to the French pronunciation, while the British English pronunciation reflects the typical English (Germanic) tendency to put the main stress on the root part of a word.
So, I'm sure you'll come up with many more examples and counter-examples, but that's a smattering, at least. Special thanks to Better Half, for letting me (AmE) sleep in/(BrE) have a lie-in a few times during the past couple of weeks, so that I could work/blog into the wee hours. Having written all this, I find I've not/I haven't commented on Laura's mention of foyer, but since I don't want to abuse BH's kindness by sleeping the whole of tomorrow away, I'll just refer you to this nice little discussion on 'The Growlery'. I've concentrated on pronunciation here, rather than French-versus-English spelling, which we'll go into another time. If you can't wait, see here and here and here for some discussions where French and spelling intersect.
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arse, ass and other bottoms

Howard at the UK/US forum e-mailed to request discussion of BrE arse and AmE ass. It seems Howard has come across at least one American wondering why the British "put an /r/ in ass", when, of course, the real question is why Americans have taken the /r/ OUT of arse. There are many useful discussions of arse/ass available, so I'll lazily quote Wikipedia:
Until the late eighteenth century, "ass" presumably had no profane meaning and simply referred to the animal now mostly called donkey. Because of the increasingly non-rhotic nature of standard British English, "arse" was often rendered "ass". However indirect evidence of the change from arse to ass traces back to 1785 (in euphemistic avoidance of ass "donkey" by polite speakers) and perhaps to Shakespeare, if Nick Bottom transformed into a donkey in "A Midsummer Night's Dream" (1594) is such a word-play. This usage was also adopted in America, which is why the word "arse" is not usually used in the United States. The age of Victorian propriety resulted in the rechristening of the horse-like animal, changing the name to "donkey" (not recorded in English before 1785, slang, perhaps from dun "dull grey-brown," the form perhaps influenced by monkey, or possibly from a familiar form of Duncan, cf. dobbin) to avoid any improper inferences. Some people in Britain have adopted the American version in writing. Although before World War I they were similar, the British pronunciations of "ass" /æs/ and "arse" /ɑːs/ are now quite different. While arse is commonly used in Atlantic Canada, west of the Ottawa river, ass is more idiomatic.
So, the /r/ in arse used to be pronounced, but now it's not pronounced as an /r/ in many (particularly southern English) British dialects, including Received Pronunciation. Nevertheless, it's spel{led/t} with an r no matter which British dialect one speaks. So why do some Americans think that the /r/ has been added in, rather than taken out?

My hypothesis is that it's because most Americans are familiar with dialects that add /r/s after certain vowels, even though the r is not present in the spelling. They're used to seeing the written form without an /r/, and so figure/reckon that any other form is a corruption, just as they consider it a corruption when people pronounce idea as idear and washing as warshing. Some British dialects have an intrusive r, so it's not unreasonable to guess that the word that is familiar as ass is the victim of /r/-adding.

Adding or dropping /r/s is a definite marker of geography and social class. In the US, people often consider added /r/s to be a mark of a hick or "white trash". (It's done in many parts of the country, including rural Pennsylvania and the Ozarks.) Thus in one on-line discussion one participant said "English people are cute. They say 'arse' instead of 'ass'", to which another American hotly replied:
"Arse" is not cute. "Arse" just makes me think of welfare moms living in low-rental housing and wearing sweatpants, running babysitting operations out of their ghetto apartments and threatening the kids into behaving themselves by shrieking "I'll tan yer arse!" with a Virginia Slim hanging out the side of their mouth.

Arse. So not cute.
So, here we have an American judging BrE arse in much the same way that many Britons judge the American pronunciation of herb. Even though it's the older pronunciation and the one that is natural to the dialect, it's judged on the basis of class-based assumptions that don't translate over international borders.

In BrE, arse can also a verb. Can't be arsed to means 'can't be bothered to'. I see that another blogger (Troubled Diva) is promoting an acronym to be used when you want to admit you're too lazy to back up the claims you're making on your blog: CBATG, or 'Can't Be Arsed To Google'. Another verbal use of arse, to arse about is vaguely equivalent to AmE goof off. The OED includes some examples of ass being used as a verb in ass about, but this just isn't a common usage in the US. I actually could be arsed to Google that, but the results were contaminated with lots of examples of give a rat's ass about, and I couldn't be arsed to sort those out.

And while we're on our rear-ends, a few other sources of international confusion over the gluteus maximus:

Perhaps I just had a poor vocabulary in my pre-passport days, but it was only after leaving the States that I learn{ed/t} that pratfall literally means 'falling onto the rear-end'. In BrE, prat is known to mean 'buttocks', but is mostly used as an epithet for a dolt or a (orig. AmE) jerk--much as ass is used in AmE.

Americans should be warned strongly against referring to one's fanny while in proximity to British persons. In the UK (and other parts of the English-speaking world), fanny means a woman's genitals. Either hilarity or deep embarassment (depending on the company) ensues when American tourists refer to their fanny packs. In the UK, these items are known as bum bags. Bum is, of course, another BrE word for the buttocks, which is a bit less crude than AmE butt. Thank goodness that Americans gave up on naming babies Fanny in the 1940s, but the Swedish still love it (though they pronounce the 'y' as a fronted 'u'; see Think Baby Names).

Bottom only means 'buttocks' in AmE, and while it can be used in the same way in BrE, a distinction can be made between the front bottom (i.e. the [female] genitals) and the back bottom.

Since I've just hit bottom, I'll make this the end (ha-ha) of this instal(l)ment.
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Abbr.

AmE = American English
BrE = British English
OED = Oxford English Dictionary (online)