sticks and canes, walkers and frames

I've started several longer posts, but keep putting them aside in favo(u)r of topics that I can whip up a post for with very little research. I'd claim that this is an effect of having an 11-week-old child, except the real truth is that I'm congenitally lazy. I'm afraid that little Grover has inherited this from me, since she usually can't be bothered to burp (orig. AmE--considered slang in BrE according to the OED, but I think that info is out of date) after eating. But she has the good fortune to be gorgeous, which makes laziness a workable lifestyle, since everyone therefore has infinite patience with her. My laziness just causes people to roll their eyes and wonder aloud how I got so far in life.

But out on a walk today, after mocking an innocent bystander's footwear selection, Better Half noted the beauty of another bystander's walking stick, which led me to abandon linguistic-analytical subtlety and do another simple 'they call it this/we call it that' post.

So, say walking stick to me with my American ears on, and I imagine something like a staff--a big stick, possibly picked up while walking in a forest, used by a hiker (or BrE rambler) who wouldn't normally require that kind of support for day-to-day walking. (See photo here.) It probably wouldn't have a handle. But walking stick is what BrE speakers call what AmE speakers call a cane--a stick, like the one to the right, with a (usually curved) handle and often with a rubber anti-slip bit at the end, used by people with (BrE) dodgy feet/legs/knees/hips/ankles. Very often, walking stick is abbreviated to stick, as in Could you pass me my stick?, which was said by my hospital ward-mate last week. (Yes, if you couldn't guess from the last post, I was in (the) hospital again last week.) I asked Better Half if he'd ever use the word cane. First he came up with (AmE--but making inroads in the UK) candy cane, then he supposed that he might use cane for a walking-stick-as-accessory, for instance, as carried by a male Victorian opera-goer. So, in my AmE dialect, canes are for people who can't/shouldn't walk unassisted and walking sticks are for the able-bodied, whereas in BH's BrE dialect, the stick is for the disabled, and the cane is just for decoration. That said, all the photos on this post are taken from this British company's site, and they do use cane, but only for the type that has four feet--they call it a quad cane.

But sticks/canes are not the only differently-named ambulatory aid. If you're even less steady on your feet, you'll need a walker if you're an AmE speaker, and a Zimmer frame if you speak BrE. The latter is a proprietary name from a London company. The former is not marked as AmE in the OED, but I've only ever heard Zimmer frame used here (and I have heard it a lot, as Better Half's roommate when I met him--his grandmother--used one). Back on Mobility People's site, however, one particular model is called a walker--possibly because it is not made by Zimmer and it would be somewhat nonsensical to talk of a CASA Zimmer frame. Kind of like talking about a Canon Xerox machine--you might say it, but the people selling the Canons had better not.
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ERPC

We're back, a bit disgustingly, in the realm of medical jargon...

So, there's a minor gyn(a)ecological operation, dilation and curettage, or D&C, in which the cervix is dilated and stuff that doesn't need to be in the uterus is removed by one or another method. This term is used in both the US and UK, but in the UK, when the procedure takes place after a pregnancy (usually after a miscarriage), it is called an ERPC (sometimes ERPoC), or Evacuation of Retained Products of Conception. (I have found this term in a US medical journal, but when I said it to an American gyna(e)cologist, she was completely unfamiliar with it.)

Why the variation in the two countries? I have no idea. Any medical insights?
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high tea

My reasons for not posting in more than a week form a list that is even more boring than long. My need to say that, in the egotistical hope that someone cares, is even more pathetic than it is banal.

But one of those reasons is that my parents are visiting, having come to meet their newest granddaughter, Grover. And visits from Americans are always good for a fresh supply of linguistic gaffes and confusions. My dear mom, for example, demonstrated a widespread American misapprehension of a British term when she informed me that she went to high tea at my nephew's school on Valentine's Day. Knowing that she was referring to something more like a tea party with tea or other drinks and some sort of baked good, and being the obnoxious daughter that I am, I replied, "No, you didn't."

The website What's Cooking America works hard to disabuse my fellow Americans of that misunderstanding:
Most people [i.e. Americans] refer to afternoon tea as high tea because they think it sounds regal and lofty, when in all actuality, high tea, or "meat tea" is dinner. High tea, in Britain, at any rate, tends to be on the heavier side. American hotels and tea rooms, on the other hand, continue to misunderstand and offer tidbits of fancy pastries and cakes on delicate china when they offer a "high tea."
What the hotels (and my nephew's school) are offering is actually low tea, more commonly (in my experience) referred to as afternoon tea. A particular subcategory of afternoon tea is the cream tea, which involves tea and scones with clotted cream and (almost always strawberry) jam. (We've booked a cream tea after Grover's naming ceremony on Sunday, which seems a little unfair, as she's not yet on solid foods--or even tea, for that matter.) My mother keeps asking if people 'still' have afternoon tea, and I reply "people will take a tea break, like a coffee break', and she'll say that she means do they have cucumber sandwiches and scones and so forth. (My mother seems to be jealous of any culture that fits an extra meal into the day.) Better Half and I have to explain that eating cucumber sandwiches in the afternoon is not something that the masses ever did much.

Back to high tea: I've never heard a British person use the term. They say things like I have to get home and make the children's tea, by which they mean their evening meal. In my experience, tea, when referring to a meal, is used by my friends mostly to refer to simple meals they make for their children or themselves in the early evening; a dinner party, for example, would not be referred to as tea.

Now, we could get into the different uses of other meal terms like dinner and lunch and
supper in the two countries--except that there's so much variation in meal names within each country that anything I could say from my own experience would be only a small bit of the picture. In the US, the use of meal names varies mostly by region (and, I'd suspect, by age). (See these maps for some info.) In the UK, there is a heavy social class element involved--so that Nancy Mitford, in classifying some turns of phrase as U ('upper class') or non-U, claims that calling the midday meal dinner is non-U, while calling it luncheon is U.

In fact, reader Paula wrote in the summer asking for coverage of an aspect of the meal-name problem:
Here in my area of North Carolina(US) we still use "dinner" to describe the noon meal. When I visited Australia and New Zealand, they also used "dinner", which made me feel right at home. The poor little Northern US children that traveled with us were quite confused since they thought "dinner" was the evening meal, lol.
How about it, how common is the word "dinner" now when "lunch" seems to be used more and more.
...and I've been avoiding the question ever since. So feel free to weigh in on the matter in the comments!

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some pronunciation links

I'm still trying to get a project done during my limited computer time. I can type with a sleeping baby on my chest, but not with a wakeful baby...and sometimes (ok, nearly constantly) one needs to use sleeping-baby time for laundry and sterili{s/z}ing and (joy of joys!) sleeping. So, the blog has been suffering. I miss (northern AmE) you guys.

So, as a placeholder until my next bit of blogging time, here are a couple of links that were pointed out to me this week.

First, an academic link. Linguists at the University of Edinburgh have put together a website called Sound Comparisons that allows you to hear the sounds of a variety of English accents from around the native-English-speaking world. You can either click on a region/dialect and get the full set of sounds for that dialect, or you can click on a word and see/listen to all of the different pronunciations of that word. I'm sure this site will come in handy for future discussions here.

Second, a fairly silly link: the Scottish Falsetto Sock Puppet Theatre has a Doctor Who-themed video that plays a bit on the spelling/pronunciation confusions that are possible in non-rhotic dialects --as we've discussed before. For you to discuss: do the Scottish Falsetto Sock Puppets have Scottish accents?
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bangers and bashers

Some actual work (of the publish-or-perish variety) has been encroaching on my maternity leave, which has left me little time for blogging...but here's a quickie.

Channel 4 has been advertising a documentary program(me) called 'Baby Bible Bashers'. Now, to American ears, this sounds like it could be about miniature Richard Dawkinses or Madalyn Murray O'Hairs, since we're used to hearing the word basher in such contexts as gay basher--i.e. someone who hates and beats up gay people. In BrE, however, Bible basher is the equivalent of AmE Bible banger--i.e. a fundamentalist an evangelical Christian (giving the image of a person who thumps their Bible while preaching). The program(me) seems to be about American child preachers. No surprise there, really, but it strikes me as ironic that the name of the documentary paints them as the opposite of what they are in their own dialect.

According to the OED (1989), both Bible basher and Bible banger are originally Australian/New Zealand terms, and the UK equivalent would be Bible pounder, Bible puncher or Bible thumper (the last of these would work in AmE too). I'd expect that this information will be updated significantly in the new edition (though it'll take them a while to get to B, as they started with M), to reflect the spread of the terms (a)round the globe. In the meantime, all of the OED's examples of Bible banger are antipodean.

Banger has other meanings in BrE. It can be a sausage (often in the dish bangers and mash), a small firecracker, or an old and poorly maintained car.
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scoff and scarf

I found myself doing something that I take others to task for: assuming that a usage that differs from my own is 'wrong'. Well, at least I had the good sense to look it up before blogging about it. You see, I was reading along (belatedly as ever) in the 22/29 December 2007 issue of New Scientist, in an article titled 'Death by chocolate' by Claire Ainsworth, and I came across this sentence:
If you're reading this after scoffing your fifteenth chocolate Santa, don't panic: we humans have been safely enjoying the beans of the cacao plant, Theobroma cacao, for millennia.
I wonder how many other readers would find the use of the verb scoff strange here. I only know scoff as meaning 'to deride, mock', and so I assumed that what had happened here was that a BrE-speaking author or (BrE) subeditor/(AmE) copy editor had misspelt the verb to scarf because in their dialect, the /r/ wouldn't be pronounced--and so if they'd not seen the word written down before, they might reason that it's really scoff--a familiar verb that is also onomatopoetic for the action of whipping food into one's mouth. (Some linguists call such errors--where an unfamiliar word is replaced with something that seems to 'make more sense'--eggcorns.)

Except that my reasoning is completely backward. It's fairly frequent that, when faced with two versions of a word, people believe that the version that they came across first is the older version. But, of course, the world doesn't work that way. The OED records scoff as meaning 'devour' from 1846, and lists it as 'slang and dialectal'. Another version of the word, scaff is dated back to 1797, and a slang dictionary records the variant scorf in 1864. On the other hand, the OED doesn't have documentation of AmE scarf until the 1960s. (Though others have found it as early as 1938.) So, instead of an 'r' being lost by speakers of a BrE non-rhotic dialect, we probably have speakers of an AmE dialect (probably one of the non-rhotic ones) inserting an 'r' in the spelling of the word.

The 'eating' meaning of scoff is not particular to BrE--it's used in AmE too, though not by me. (And, of course, the unrelated 'deride' meaning of scoff and the 'neckwear' meaning of scarf are both dialect-neutral and unrelated to the 'eating' homonyms.)

I would have known all this earlier had I not been on my honeymoon in August when the issue was raised and discussed on the American Dialect Society e-mail discussion list. Once again, my personal life interferes with my quest for know-it-all-dom.
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some clothing fasteners

Back at the baby post, commenter dadge wrote:
Another word for your list is "popper".
...which is another word that's come to the fore of my experience since Grover's birth. BrE popper is the equivalent of AmE snap, which is to say it's the name for a type of fastener, as illustrated to the right (image from madeinchina.com). Searching for this photo on the web, I found that a lot of dealers in such fasteners call them snap buttons, but to me they're just snaps. The OED, in its definitions for snap and popper, calls them press studs. This counts as a baby-related word since one is constantly doing and undoing snaps/poppers at the crotches of (BrE) babygros/(AmE) onesies in order to get at (BrE) nappies/(AmE) diapers. I don't know why, but I feel silly saying popper, so I've been glad that I seem to be able to get away with snap. (Better Half won't let me get away with diaper, however.)

When one fastens/unfastens snaps, one snaps [and unsnaps--see comments] them, so I just asked Better Half what one does to poppers. He says you pop them. To my AmE ears, though, it would sound funny to pop something closed--things pop open, but don't pop shut. But perhaps BrE ears don't have that bias. [Added 29 Jan: The difference seems to be that snapping involves making a closure, and popping usually involves undoing the fastening. I'm pretty sure that no one says unpop to mean 'to fasten a popper'. So what seems to have (AmE colloquial) weirded me out here is that the verb doesn't seem to describe fastening--the purpose of the device--but describes unfastening. Both dialects' words are onomatopoetic.] (Your thoughts?)

(For other BrE/AmE differences in the use of the word snap, see here.)

Another clothing fastener that differs transatlantically is (BrE) zip versus (AmE) zipper. (The verb in both varieties is zip.) One is tempted to form the theory that there is a strict economy of syllables: dialects are allowed a fixed number, and since press studs have two syllables in BrE and one in AmE, some other clothing fastener had to inexplicably differ in its number of syllables. It would be a silly theory, of course, but it appeals to my taste for symmetry.

When zips/zippers are at the front of a pair of (BrE) trousers/(AmE) pants, they mysteriously differ in their number: in BrE you must take care to do up your flies, while in AmE, you do up your fly. But that matter is discussed in the comments for this old post, so please see there for more details.

I can't think of any more clothing fasteners with dialectal differences...but I'm sure someone will point them out if they exist...
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posset

In the comments on the last baby-orient(at)ed post, an anonymous person said:
Posset. No mention of posset!
Well, that was because I hadn't yet come across the term. But now that baby Grover is posseting, I'm hearing it all the time. First, as a verb (transitive or intransitive) by Lazybrain and the (BrE) health visitor, and today as a noun by Better Half, who came home from shopping and observed:
That's a nice bit of posset on your top!
So, have the AmE speakers out there figured out what (BrE) posset means? It means 'to regurgitate small amounts of milk', i.e. (mostly AmE) spit up (which can be used as a noun or verb--depending on where you put the stress). The original meaning of posset was:
A drink made from hot milk curdled with ale, wine, or other liquor, flavoured with sugar, herbs, spices, etc., and often drunk for medicinal purposes (OED-draft revision March 2007).
The connection with baby regurgitation is, of course, the curdled milk. Grover's been through four outfits and three sets of sheets today because of the possetting. Meanwhile, I'm just accruing layers of posset on the outfit I put on this morning. We can see who has the status in this household...
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diagramming sentences

Lazybrain has been reading Anne Tyler's Digging to America, and asked about the phrase diagramming a sentence:
I hadn't come across this term before, although in my 'progressive' education I missed out on being taught formal grammar so I wouldn't swear to the fact that it is not used in Britain.
Most American and British native English speakers who are younger than 50 missed out on the technicalities of English grammar in school because grammar teaching went out of fashion in the 1960s-70s. But if you're an American, you're more likely to be familiar with the phrase diagram a sentence for a few reasons: (a) the verb to diagram is 'chiefly' AmE, according to the OED, (b) there were pockets of resistance to the downgrading of grammar in the US (which would have been harder to maintain the the UK because of national standards, and later the introduction of a national curriculum), and (c) it was probably a more popular activity in the US even before the 1960s, because grammar study enjoyed more status there.

Dick Hudson (Emeritus Professor of Linguistics at University College London) has written a helpful concise history of grammar teaching in England and, with John Walmsley, a much longer academic paper on the subject (published in Journal of Linguistics (2005), 41:593-622; warning: link=PDF file). Before the dropping of grammar in the 1960s, the status of grammar as an area of study was a bit different in the US and UK. As Hudson and Walmsley write:
Up to the outbreak of war, it seems, little serious work on grammar was being pursued in Britain, still less on the grammar of English. The work which was published was produced primarily by free-lances or practising teachers and was orientated to the needs of schools, journalists or civil servants. But although there existed only the most rudimentary institutionalised framework for academic work on the grammar of contemporary English in Britain, and little motivation to produce anything outside such a framework, writing grammars only constitutes a small part of the country’s linguistic endeavour as a whole: the energies of the next generation were being absorbed by other tasks.

Outside the UK, by contrast, the first half of the twentieth century was a productive period for English grammars. Major works were published in the Netherlands, Denmark and Germany - in English, but not by British authors. During the same period, other important grammars appeared in the United States (Curme 1935, and the first of Fries’s grammars - American English Grammar, Fries 1940). The latter is significant in that it is the first grammar of English to be based on a specified, limited corpus of material – 2,000 personal letters written to U.S. government departments, together with excerpts from 1,000 others.
After the war...
While work on the description of English proceeded apace on the mainland of Europe, it was not apparently seen as sufficiently prestigious, intellectually challenging or stimulating, to draw scholars in England into its sphere of influence. A perceived gap in scholarship can, though, act as a spur to filling it. The question that exercised some scholars’ minds was how to do this. In the United States, the new insights provided by structuralism were already beginning to work through into descriptive grammars.
Now, Hudson and Walmsley here are writing about academic work on grammar, but there seems to be some reflection on this in what as happening in schools. In his brief history, Hudson writes:
The early 20th century [i.e. pre-1960s] saw a steady decline in the quality of grammar teaching in English schools, and increasing calls for its abandonment. One reason for this decline was the complete lack of university-level research on English grammar, which led a government report in 1921 to conclude that [it is] “…impossible at the present juncture to teach English grammar in the schools for the simple reason that no one knows exactly what it is…”. Another reason was an energetic campaign on behalf of literature, presented as a liberal and liberating alternative to the the so-called 'grammar-grind'.
Meanwhile, in the US, (AmE) students/(BrE) pupils were learning to diagram sentences using the Reed-Kellogg system. Because I went to a Catholic school rather than a (AmE) public/(BrE) state school (and the Catholic schools, at least then, were less easily swayed by educational fashions), I did learn to diagram sentences--and I couldn't get enough of it. (Had I known then that I could get paid to do such things as a grown-up, I would have been a less awkward adolescent, I'm sure.) But I should note that 'diagramming sentences' is not the same thing as drawing sentence [or phrase structure] trees (i.e. what most syntacticians do nowadays), although sentence trees are indeed diagrams of sentence structure. 'Sentence diagram' generally refers to Reed-Kellogg diagrams, a different animal, and I'm thrilled to have an excuse to post this one from Capital Community College's grammar guide (which I read about on bOINGbOING yesterday). It shows the grammatical relations among the words and phrases of the preamble of the US constitution. (Hey, maybe the UK doesn't need sentence diagramming, since it has no written constitution. Any American my age can recite a modified version of this preamble [leaving out 'of the United States' in the subject], to a tune, because we learned it while watching Saturday morning cartoons.) The preamble goes:
We the people of the United States, in order to form a more perfect union, establish justice, insure domestic tranquility, provide for the common defense, promote the general welfare, and secure the blessings of liberty to ourselves and our posterity, do ordain and establish this Constitution for the United States of America.
And it can be diagrammed like this:



Dick Hudson also has a web page addressing frequently-asked questions about grammar teaching, which includes:

Q. Wasn't there once a thing called 'sentence diagramming' that was part of grammar teaching?

A. Yes, and in many countries it's still a popular activity - e.g. in the USA, which is well provided with web sites explaining how to do it. The system that's widely used in the USA and parts of Europe was invented in the 19th century and is rather rigid, but it has its uses as a way of showing how a clause is built out of a verb and its subject, with various bits and pieces added to each of these and to each other. Modern linguists have devised much better ways of diagramming sentences which would be very useful in KS3 [ed: Key Stage 3] classrooms. For a good illustration of how they might be used for teaching syntactic structure, try the VISL web site in Denmark, which was built for school children; but there are plenty more to choose from (e.g. one for KS3 teachers on my web site).

In my last job in the States, I really enjoyed teaching a grammar course for Education majors. (I taught it in the summer term [i.e. during vacation time], which meant that most of the students had already failed the course at least once and were re-taking it. Gotta love a challenge like that!) And these are the types of diagrams that that course required. I hadn't done such diagrams since I was 12 or 13, but I have to say I really enjoyed them--even if they're not the types of diagrams that come with academic-linguistic approval.
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seasons and series

Apologies to those of you who wrote to me during my recent confinement, as I wasn't able to respond to e-mail at that time, and the thought of responding to all of those messages now is a bit overwhelming. So, if you're requested coverage of something on this blog, then rest assured that I've marked your request for further attention, and will let you know if/when I cover that topic on the blog. And now...I'll start work on that backlog, starting with a request from my old friend the Ginger Nut (whom we met back here). She writes:
We downloaded what's available of series 3 of the Boosh so far and we're working through it. Here's a BrE / AmE question for you. They [BrE speakers] call a season a series. We use series for the show across time (Seinfeld was a series that ran for 9 seasons) and break it up into seasons which usually correspond to years. What's the BrE equivalent to our use of series?
My read on this would be that BrE doesn't have a series/season distinction, since there really isn't such a thing as a television season in British broadcasting. In the US, new program(me)s [i.e. new (AmE) series] and the new set of episodes of an old program(me) [i.e. the new (AmE) season of an existing (AmE) series] typically begin around the same time in the (AmE) fall/(BrE) autumn. So, one can talk about the television 'season' as something that begins in fall/autumn and continues through to spring. (Some series begin later in the year, after other series get cancel(l)ed , and these are known as [AmE] mid-season replacements.) Because almost all series begin and end at the same points in the year, they tend to be 24 to 26 episodes (13 for the first season of mid-season replacements). This makes them much longer than typical British series (if we're talking about dramas or situation comedies; soaps and reality program(me)s go on FOREVER), which are typically not longer than 12 episodes, and more usually quite a bit shorter--situation comedies are often six episodes, for example. In the US, anything that short would be called a mini-series. In UK television listings, the name of the program(me) is often followed by a fraction, for example:
8:30 Jam & Jerusalem
2/6; series two. Indignant that Spike has saved up to buy a ticket for Glastonbury, Tash resolves to find her way in for free as usual, but things do not go to plan. [Radio Times, 22 Dec 2007-4 Jan 2008]
The fraction tells us that this is episode 2 of 6 in the current (BrE) series/(AmE) season. Of the UK-made program(me)s on terrestrial channels in that week according to Radio Times (not a typical week, because of the New Year holiday, but it's the only copy of RT I have here), they were composed of:
4 x two episodes [2 x comedy; 1 x mystery; 1 x documentary]
3 x three episodes [1 x costume drama; 2 x documentary]
1 x four episodes [documentary]
1 x five episodes [documentary]
3 x six episodes [1 x drama?, 2 x comedy]
2 x seven episodes [(BrE) quiz/(AmE) game show; reality]
4 x eight episodes [1 x panel quiz (more on this later), 2 x comedy, 1 x how-to]
1 x nine episodes [reality/competition]
3 x twelve episodes [hospital drama, panel quiz, talk show 'best of' series]
1 x sixteen episodes [comedy]
(God, I do know how to make blog-writing unnecessarily time-consuming--which is why it's taken me most of a week to write this entry.) The short lengths of series means that new series begin throughout the year, hence, we can't talk about a particular year's television 'season'.

It's also the case that British sitcoms and the like are not necessarily meant to go on for years. Take the original UK version of The Office, for example. It ran for two series of six episodes, plus two Christmas specials. It was very successful in the UK (hence the Christmas specials), but that didn't mean that it was destined to go on for years and years, well past the time when it had (orig. AmE) jumped the shark. Now, compare the US version of The Office. While at first it was very closely based on the UK series (just Americani{s/z}ing the scripts where necessary, as I understand it), it's now gone on for 59 episodes--so they must've been adding lots of new plots since starting. (Has the shark been jumped yet? I don't watch it, so I don't know. I could only watch the UK version through my fingers, as such drastic social discomfort gives me nightmares.)

A couple of downsides to the UK system are:
  1. Because the series are so short, if you don't pay a lot of attention, you may not discover a good one until you've missed most or all of it. (But if it was good, it'll probably be repeated at some point.)
  2. You often don't know whether a favo(u)rite program(me) will ever be back. Fans of the wonderful Spaced still listen for rumo(u)rs that it might come back--even though the last episode was in 2001. (Our hope gets more far-fetched as Simon Pegg's (AmE-preferred) movie/(BrE-preferred) film career develops.)
And, of course, the television schedules are not as predictable in the UK as the US, where, for instance, Thursday nights meant Cheers for years and years and years. I'm not sure that's a bad thing. Far fewer sharks get jumped.

Another thing that differs between UK and US television is the survival of (BrE) light entertainment programming in the UK, when it has pretty much died out in US prime time network programming (in favo[u]r of a strict diet of sitcoms, dramas and reality shows). Light entertainment refers to comedy-music-variety programming, and while it may technically (in terms of what the light entertainment budget at the BBC covers--I'm not sure) include formats that are familiar in the US, like sketch shows and comedian-led talk shows (which don't tend to run in prime time in the US), it prototypically covers (prime time) variety shows like Ant and Dec's Saturday Night Takeaway (which involves a lot of audience competitions as well) or panel quizzes (called panel games on Wikipedia, but quiz is what I more typically hear) like Have I Got News for You, QI and Never Mind the Buzzcocks. These program(me)s are typically hosted by a comedian (though some, like Have I Got News..., have guest hosts who may be other kinds of celebrity--e.g. newspaper editor or politician), with teams of other entertainers/famous people answering questions on a particular topic and being awarded points by the host--usually in a fairly capricious way. The point of these quizzes is not so much to get the answers right as to be entertaining in discussing the questions. The closest thing I've seen on US television was Whose Line is it Anyway?, which was (BrE) nicked from the UK (which was more a game than a quiz--but had the capricious score-giving element). I believe that there are some panel quizzes on National Public Radio, but I can't remember if they're British imports or homegrown (answers, anyone?).
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The book!

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Abbr.

AmE = American English
BrE = British English
OED = Oxford English Dictionary (online)