Separated by a Common Language

Sorry I've been quiet--was trying to finish a book before coming on holiday. So, 'hello' from the US, where Grover is getting reacquainted with her cousins and I only have a little editing to do in order to finish the book. (I think my honeymoon was the only non-working holiday I've had in years...)

In the interest of not distracting myself too much from that editing, I'm going to pull together some info that readers have sent me about musical terminology in the two countries. Since my years of childhood music lessons did not result in any usable skills, I've never applied myself to the making of music in the UK, and so my exposure to the terminology has been slight. But reader darcherd kindly sent me a list that he's encountered in his reading, which I reproduce here. The first item of each pair is BrE and the second AmE.

• Breve - A note of two bars' length (a count of 8) in 4/4 time (no AmE equivalent of which I'm aware)
• Conservatoire - Conservatory
• Crotchet - Quarter note
• Minim - Half note
• Quaver - Eighth note
• Semiquaver - Sixteenth note
• Demisemiquaver - Thirty-second note
• Hemidemisemiquaver - Sixty-fourth note
• Semibreve - Whole note
• Semitone - Half step

I'm assuming that darcherd is correct about all these. (Use the comments if you'd like to correct or expand on any of this, please.) I haven't checked all the notes terminology, but I did look up conservatoire, about which the OED says:

A public establishment (in France, Germany or Italy) for special instruction in music and declamation. (The French form of the word is commonly used in England in speaking not only of the Conservatoire of Paris, but also, with less propriety, of the Conservatorium of Leipzig, and the Conservatorios of Italy, and is even sometimes assumed as the name of musical schools in England. In the U.S. the anglicized form conservatory is used.)

Conservatory tends to be used in BrE in a deviation from this sense (also from the OED):

A greenhouse for tender flowers or plants; now, usually, an ornamental house into which plants in bloom are brought from the hot-house or green-house.

The deviation is that the conservatories people tend to speak of are glass-enclosed extensions on their homes, which allegedly raise the value of the property, but always seem to be too hot to sit in, thus requiring very elaborate systems of window blinds. (See photo, from here.)


But back to music...David Young wrote some time ago to point out this bit from the March 2009 issue of Classical Guitar magazine:

Without being too rigorous about it, Classical Guitar has generally preferred the word 'rendering' to the word 'rendition' to describe a performance of music, considering it to be American usage only. However, I discovered the word 'rendition' in an English review published in 1906. So it's been around for at least 103 years, though it lost some respectability recently, when it came to mean removing suspected terrorists to a remote country where they could be tortured without too much danger of the details being picked up by the international media.

But 'rendering' can bring to mind a coat of plaster, and is only fractionally better.[Colin Cooper, Editorial Consultant]

The dangling participle there is driving me a little (AmE) crazy/(BrE) mad, but massive quotation is the way to go if one wants to blog quickly!

One last musical note, which came up in a conversation with friends recently, is that pop music has a much broader application in BrE than in AmE. In my American high school and (AmE) college/(BrE) university, it was deeply uncool to like 'pop' music, one had to like (orig. AmE) rock or (orig. AmE) R&B or, later, (orig. AmE) indie music. (Or jazz or classical, but not pop!) But many of the British acts that we thought were cool would have been defined (or would have defined themselves) as pop in Britain. A key difference may be the fact that the British charts don't categori{s/z}e music in such strict ways. Whereas the American Billboard magazine publishes a load of genre charts each week (giving rise to the AmE phrase crossover artist for someone who charts* in more than one genre), the UK Singles Chart is not genre-specific and did not start having genre-specific versions until the 1990s.

Googling the phrase "I'm just a pop star", we find it attributed to David Gilmour of Pink Floyd and Björk--but in my American days I would not have described either of them in that way (especially not Pink Floyd). I would have limited its use to Britney Spears and 'N Sync or whatever the (orig. AmE) tweenies were listening to at the time. I had thought that the uncoolness of pop was what made Pop Idol into American Idol when it moved across the Atlantic--but Wikipedia tells me it was legal restrictions instead. Younger Americans can tell us if pop has redeemed itself in recent years (comments, please!).

*This verb sense of chart hasn't made it into the OED yet, so I'm not sure where it originated.

It's been a while since I've had a simple 'they call it this/we call it that' post. Some of you can think of this as a reward for sitting through all the grammar and html tables. It's an old request, but a seasonal one. Mrs Redboots wrote months ago to ask:

From http://www.ruthdoanmacdougall.com/more/doan-sisters.html

"She had once stayed in a rented cottage in Surrey, and she remembered the odd term the British use for this arrangement: self-catering."

Is it odd? And what do Americans say?

It is odd, Mrs R. And although just sentences ago I promised a 'they call it this/we call it that' post, I can't hono(u)r my own promise, because Americans don't call it anything.

Why? Because Americans don't expect their holiday/vacation abodes (and their prices) to include any meals. The British notion of 'bed and breakfast' is regarded as a quaint one that was only imported in earnest (as tourist accommodation) to America a couple of decades ago (or so). In fact, I recently had a conversation with an Englishwoman who had come over to the US for our second wedding reception and was still talking (two years later) about how incredibly wonderful the B&B in my hometown was. While that B&B is especially nice (elaborate, different breakfasts every morning, warm cookies every evening, all antique furniture, scented bath potions, and so forth), I think it especially impressed my English friend because B&B accommodation in the UK can be somewhat dire (it can also be very, very nice). In fact, B&Bs often serve the roles in the UK that (AmE) motels do in the US (except that there are far fewer films involving murders in B&Bs than in motels!). For evidence, see this article that recalls a B&B's role in housing homeless families.

I'm finding that increasingly one can get a room in a hotel without breakfast in the UK (for a lower price), just as in the US provision of included-in-the-price breakfast (or at least doughnuts and coffee) has increased.

But back to self-catering. This is generally used by BrE speakers to refer to (BrE) holiday/(AmE) vacation accommodation such as cottages, cabins, and (BrE) flats/(AmE) apartments,where there is no restaurant or service staff to provide meals, but cooking facilities are available. In the US, we'd just say we were renting a cottage somewhere, and that would be that--no need to mention the eating arrangements. One often hears BrE speakers saying things like "We want to go self-catering this year", to mean that they want a reduced-cost, back-to-basics holiday/vacation.

One often sees (BrE) package holidays advertised as 'self-catering' (as opposed to 'bed and breakfast' or 'all inclusive'). Here's another contrast: Americans rarely take package holidays unless (a) they've got a deal to go to Disneyworld, or (b) they're in their 'golden years'. This is probably because (a) Americans are wary of anything that might 'tie them down' too much, (b) [and therefore] they often just get in the car and drive, and (c) they get almost no holiday/vacation time (usually two weeks' paid vacation for Americans versus the six weeks or so that Europeans usually get)--and therefore often use what they've got to do things that need to be done, like visiting family or undertaking big projects, rather than going on treks to new and different places.

We've discussed a couple of other differences in tourist accommodation in past posts--so click back if you'd like to read/discuss (BrE) flannels/(AmE) washcloths in hotel bathrooms or (BrE) en-suite accommodation.

Just a (orig. AmE) quickie from my lunch break:

Yesterday, during another lunch break (maybe I have lunch too often), I met a student who's at Sussex for the annual International Summer School--which as far as I can tell has just American students, but I may be wrong about that. At any rate, there are a lot of Californian science students wandering around at the moment. She's working with my friend Maverick, who introduced me as "Lynne, whose blog I was telling you about". At the end of the conversation, the student--let's call her Santa Barbara, after her home university--told me she'd be (orig. AmE) checking out the blog soon. So in order to welcome her, I'm going to point out the little communication hiccup I observed in her interactions with BrE speakers yesterday. If you're reading, Santa Barbara, say 'hello'!

SB is doing a psychology study under Maverick's supervision, but she was having trouble recruiting other students from the summer school to take part. Looking for possible explanations, she said to Maverick--"Well, it's midterm." It looked to me like Maverick was not getting the relevance of this, but happily SB carried on to say "A lot of the students are Physics students, and they have a big exam today." I watched the same thing happen again when the Blinder joined our conversation and SB had to bring her (apparently orig. AmE) up-to-speed on what had been discussed so far. She may have said in at least one case "it's midterms". Again, I could see the Blinder not really getting it, until SB continued on about the physics exam.

When SB said midterm she meant an exam or examination period. The reason for this not transferring well to BrE is that midterm examinations are not very common in higher education in the UK. At our university, if we have tests during the term, they're called coursework tests (I'm not marking that as general BrE, since I can't speak for other universities). It's only very recent that students in UK higher education have testing during the academic term. When I started at Sussex nearly 10 years ago, students had their exams at the end of the academic year for all courses--even autumn term courses that had ended 5 or 6 months before. This was frequent examination as compared to the experience of my older UK-educated colleagues, who, 30 years ago or more, had to wait until the end of their three-year degree program(me) to be tested on everything they had been taught.

I expect that when the Blinder and Maverick heard midterm, they thought (BrE) half term--which is a holiday/vacation period in the middle of a term (though Maverick would know that these students didn't get a break--it's only a six-week program(me)). They can tell us in the comments if I'm wrong about that. I've discussed half term before, so please click on the link to see more discussion and discuss more.

Because US students have midterm exams to contrast them with, end-of-term exams tend to be referred to as final exams or finals, whereas UK students (at least at my [BrE informal] uni) tend just to talk about exams.

Here's another exam-related post, in case you're interested.

And so, to conclude my lunch hour: the fruit salad was rather disappointing. Back to the coalface--which is LynneguistE for 'library'.

For completely unrelated reasons, I just checked whether I had any unpublished drafts in my blogger account and found this one from 364 days ago, which is oddly similar yesterday's topic. That was about at the time, but this one is about at this time. It started:

Reader (though he might not be a reader anymore, since it's taken me so long to get to his request) Jon wrote to ask:

I wondered if you could explain why Americans use the phrase "at this time", where a Brit would say "now", or nothing at all.

I recently returned from the US. While on a Washington State Ferry I heard over the tannoy, "Vehicle owners should return to their vehicles at this time."

It seems strange to me, but working for a US company with Americans in the
office, I hear it a lot.

I have to say, Jon, that it's not something I think of as particularly American. (But tannoy, that's British--originally a trade name. AmE would be loudspeaker or more formally public address system--which would work very formally in BrE too.)

That's as far as the draft got. I've just checked some UK and US newspaper sites and found that the Guardian (UK) website had 277,000 instances of at this time, mostly repeats of "Sorry, commenting is not available at this time. Please try again later." That seems like exactly the type of 'empty' at this time Jon was asking about. The Boston Globe (US) and the Times (UK) both had around 5000 hits for the phrase, the Chicago Tribune 12,000. Now, searching these, there's no way to know (a) how many of the examples are the use of the phrase that Jon was talking about, (b) how many are quoted American speech.

So, let's try government sites--and let's limit it to orders of the form "please * at this time" (* being the wildcard in a Google search). The.gov.uk sites immediately examples where a now (or nothing) would have sufficed:

There is currently a suspect bag in Park Place W1. Cordons are at Arlington st and Park Place please avoid at this time

Thank you for your patience and please accept our apologies at this time.

Can you please send us at this time the form of wording your officers are considering so that we can review it at an early stage

So I would be much obliged if you could please freeze the application at this time till I gather required specifications to help you assess the planning

Now, of course, one could say 'Look at all that creeping Americanism in British English'. Or you could say 'Look at all that officialese where they try to use more words to sound more formal'. Or you could say that at this time sounds less 'at this very second' than now does, and therefore sounds less bossy than now.

At any rate, I'd need more evidence of a comparative and historical nature in order to conclude that the origin of this is American--since, as we've seen many times before, just because something strikes you as new and annoying doesn't mean it's not native to your country's dialect. So, I'm putting this in the 'project ideas' file--if one of our students would like to research this using corpus data next year, they're welcome to a neat little project.

In other news...the voting is now on at the Lexiophiles site for the top 100 language blogs. Last year I made it to a respectable number 40, but this year they've added categories and a voting process--the outcome will be 50% based on readers' votes. So, if you'd like to support SbaCL this year, please click on the button!

One of my newer internet addictions is Ross Horsley's My First Dictionary, which is wicked in every sense of the word. One must (if one is me) pause here to note that the 'excellent' sense of wicked is originally AmE. Several of my UK students have assumed that they'd have to explain this trendy BrE slang to me, but I was saying wicked pissa cool with my Bostonian university mates before my current students were even born. (I had a Master's degree by the time my youngest students were born. Who is going to cure me of this senescence?) MFD makes me feel incredibly uneasy and extremely amused at the same time. I don't know if that's a good thing, but I like it. This dose of MFD, from 26 June, raised a lot of discussion of BrE versus AmE in the comments: The comments at MFD were mostly about (mostly BrE) pussy versus (mostly AmE) kitty and the use of having as a light verb in the first sentence. But what struck me, because Better Half strikes me with it all the time, is the use of stroke for where AmE speakers would use the (originally Scottish English) verb pet. So, when I say to Grover Are you petting the kitty cat? Better Half is not far behind with Stroking! Stroking the cat! (He tolerates kitty, no doubt because of the nudge-nudge, wink-wink effect of pussy.) I'm starting to say stroke in this context, in the interest of marital harmony and getting my own back later, but to my AmE ears, it sounds a bit more, um, sexy. This, of course, makes not a lot of sense, since (orig. AmE) (heavy) petting is about (probably orig. AmE) feeling people up. But why should English and my feelings toward(s) it start making sense at this late date? At any rate, I thought an introduction to a very funny website would work as an introduction to our very funny limerick competition. As promised, the judging involved a panel of my friends, whom you may know through their SbaCL-character alter-egos: the Blinder, Maverick, the Poet--and of course Better Half. (With the exception of the ubiquitous last judge, the links take you to their first appearances on the blog.) I asked each to send me their three favo(u)rites, assuming that the cream would rise to the top and there would be a clear front-runner. But there was too much cream. A few got two votes, thus limiting the field a little for my final judging. It came down to Dunce's Rubber and Richard English's Hooters, re-published here:

An eager young Yank on the make Thought he'd finally had his big break. She asked for a rubber but she wasn't a scrubber. Just had to erase a mistake. My girl has a fine pair of hooters Attractive to gentleman suitors. But don't rush too far They're both on her car And she toots them to warn slow commuters.

My decision comes down to the fact that one of these poets had other efforts in the judges' top threes. So, congratulations, Richard English! Your copy of Britannia in Brief will be on its way to you soon, and the authors have asked to reprint the winner on their blog. (Let us know if that's not ok with you!) On a last humorous note, British-Canadian singer-songwriter Luke Jackson (shouldn't he have a hyphenated name?) has sent me a link to the video for his song 'Goodbye London'. This animated treat might strike a chord for the American exchange students out there who've headed back home.

As I write this (which is actually a few days before I post it--connection problems at home), I am enjoying two British (or at least not-American) things about which I often ask: How did I ever live without this? Crumpets and Syndol. I’ve written about crumpets before back here, and as usual I’m eating them in a very non-British way—this time, with peanut butter and (AmE) jelly/(BrE) jam. (My other favo(u)rite and very non-British ways are with butter and maple syrup or with melted Cheddar and lots of A1 Sauce. Eating those messy concoctions requires a knife and fork.) Syndol is heaven in an over-the-counter blister pack: (AmE) acetaminophen/(BrE) paracetamol with a muscle relaxant of some kind. [Late addition: I shouldn't believe everything my drug (orig. AmE) pusher tells me. It's not a muscle relaxant. See here and the comments.] It does the trick for tension headaches—and just about anything else you want to throw it at. (Since I can’t take ibuprofen, aspirin or opiates [maybe--see comments], this is a godsend.)

Thinking (rhapsodically) about Syndol has me thinking about expressions that are used in AmE that I didn’t really understand until I had met them the BrE context—because over the counter is one of them. We say this in AmE to mean ‘non-prescription medications’, but I never understood why we say it, because in my American experience only prescription medications come from the other side of the (AmE & BrE) pharmacist’s/(BrE) chemist’s counter. The non-prescription medications are just out there on the consumer-accessible shelves in the (AmE) drugstore/(BrE) chemist’s (shop)/(AmE & BrE) pharmacy. But in the UK, a real over-the-counter category exists for things like Syndol. Plain old paracetamol/acetominophen can be found out on the shelves in many shops—and can be found in other types of shops, like supermarkets, (BrE) petrol/(AmE) gas stations and (BrE) corner shops. But for Syndol and real Sudafed (i.e. pseudoephedrine, my other drug of choice at the pollenous moment), you must go to a pharmacy and must ask for it from over the counter. Upon doing so, you will be faced with a number of questions from the pharmacist or their assistant, such as Are these for you?, Have you taken these before? and Are you taking any [insert name of drug that might interfere]? Give the wrong answer (like that you’ve been taking something for a while and your symptoms haven’t cleared up) and they won’t sell you the good stuff, but will tell you to do something sensible, like seeing your doctor.

I presume that all medications used to be truly over-the-counter in the US too—since shopping used to be more like that in general. I don’t know if it’s just because the UK (and most of Europe, as far as I can tell) maintains the over-the-counter category and the US doesn’t, but one can get much better drugs without a prescription here—including painkillers with codeine, which I also enjoyed until my last two doses of similar-but-prescription-requiring stuff landed me (sorry, British taxpayer) in (BrE) A&E (Accident and Emergency -also known as Casualty)/AmE the Emergency Room (or ER, or, as my friend who works in a hospital insists, the Emergency Department—though I don’t know anyone outside hospital employment who uses that phrase). I only took the recommended dose, I swear! I’d just developed some kind of allergy to opiates. (At the first A&E visit, the doctor insisted that it couldn’t have been the pills that put me in so much pain--hence the second visit, that time via ambulance. Many apologies, British taxpayer! And a tip: be very careful with the phrase cold and clammy if you phone NHS Direct. Unless you want an ambulance at your house.)

I said I was thinking of expressions (plural) that involved this kind of linguistic eureka moment, though to be honest, there’s only one other that I can think of: pratfall, which I mentioned back here.

So, expatriates of one brand or another, have you had similar experiences in which your own language made more sense only after hearing it in another dialect/context? And what are the American things that British expats have become dependent on, and vice versa?


In other business:

• I'm planning to announce the winner to the Limerick Competition tomorrow (that is, if I manage to contact all my co-judges by then). So act quickly if you have an entry to submit!
• Lexiophiles is running their Top 100 Language Blogs again, so nominate a blog you love!
• I'm experimenting with Google's AdSense here, having kept this a strictly not-for-profit blog for the past three years. Let me know what you think.

I'll be back soon with a real post about an actual linguistic difference!

Welcome to the first SbaCL book review--one of many to come, I hope. Thanks to the folks at Tandem Literary and Ballantine Books, we can celebrate this first review with a chance to win the book. Read further for details.

Today's book is Britannia in Brief: The Scoop on All Things British by Leslie Banker and William Mullins (Ballantine, 2009), an American wife and British husband team. In other words, here's the book that Better Half and I could have written if we'd thought of it first and weren't so gloriously behind schedule with everything else in our lives--like the laundry. Especially the laundry.

The book does what it says on its label: it is a sort of (AmE) Cliff Notes/(BrE) York Notes for Americans wanting to (orig. AmE) bone up on Britain. The chapters cover the geography and history, social structures, arts and culture, politics and government, food and drink, language and daily practicalities of UK life. Having been here 10 years, I didn't learn a lot reading this book--but, boy, if I'd had it 10 years ago, it would have saved a lot of people a lot of explaining. When I first sat down with the book, I tested it by looking up the things that I thought should be in it. Blue Peter? (AmE) check/(BrE) tick. Newspaper slants and allegiances? √ The 1966 World Cup? √ Jeffrey Archer? √ It passed all of my tests but one...but we'll get back to that.

The parts I found most helpful (as a long-standing resident) were in the first chapter--though I'm sure that newer arrivals will find the quotidian and cultural aspects the most immediately gratifying. The section entitled 'Snapshots of British History' starts with Julius Caesar and end with the 7/7 bombings of 2005, filling in enough details on the Glorious Revolution, the Battle of Britain and the Falklands War to give an American a sense of what these things were about. The longer section on Northern Ireland similarly outlines the Troubles and gives the sage advice that "it's better not to express any opinions on the matter of Northern Ireland unless explicitly asked. [...] All in all, it's just better to say that you hope things work out."

What about the bits on language? While there is a chapter on language, there's plenty of vocabulary information throughout the book, including a very useful two-page list of acronyms toward(s) the end. (There's also a two-page glossary, which hits some important words, but whether it includes the one you'll need to look up--well, that's another matter.) The language chapter provides some names whose pronunciation needs explanation (e.g. Leicester = "lester", Berkeley = "barclay") and an introduction to Cockney Rhyming Slang. These are followed by a couple of zesty sections on words with 'dirty' meanings in BrE (but not in AmE) and ratings of how offensive "swear words" are--with handy thermometer graphics. A section on the Welsh language serves the authors' obsession with the alleged lack of vowels in Welsh. (I lost count of how many times 'unpronounceable' and 'Welsh' co-occured in the other chapters.) For the record, Welsh has plenty of vowels, it just spells them with different letters than the English use. I didn't always agree with their list of 'prevalent British names rarely heard in the US'--sometimes because I thought the names weren't particularly prevalent in the UK, but mostly because they left Nicola off the girls' list. But these are minor points.

The book ends with a quiz that should probably replace the UK Citizenship test, since it tests things that UK citizens generally know, like the name of the pub on Coronation Street and who Brenda and Phil the Greek are (unlike the real test, whose questions native-born citizens typically fail).

The book is terrifically up-to-date, which does mean it'll become outdated all the faster. And this may be its failing in the one section that I found really wanting: the 'British comic gems you may be less familiar with'. Appropriately, this starts with the Carry On films. But it then hops on to Monty Python--which (a) is not something anyone is less familiar with (as they acknowledge), and (b) overshoots The Goon Show (and particularly Spike Milligan), which was one of the first things I tried to look up in the book (and one of the greatest influences on Python). The other comedians listed are all currently practicing, and some of them have crossed the pond rather often. Rather than Steve Coogan and Catherine Tate (whom I'd run into soon enough if I were a [orig. AmE] newbie to Britain), I would have liked to have read about the Goons, Tony Hancock, the Two Ronnies and Morecambe & Wise--the types of comedians who influenced later ones and whose presence is still felt--albeit a little more obliquely than the Coogans and Tates--in the culture. In other words, with such a rich comedic history, it's a shame to have so much focus on the present.

But that's one section of one chapter in an otherwise surprisingly comprehensive book. The authors have shown a real knack for getting to the heart of Britishness and presenting it in bite-size helpings. I'd heartily recommend this book for any (North) American who:

• is about to embark on a year abroad/work placement/move to the UK
• is going to visit people in Britain
  
• is in love with someone in Britain
• is slightly obsessive about Britain

And here's your chance to own a copy. Your task, should you choose to compete, is to write a (preferably humorous) limerick illustrating a US/UK cultural misunderstanding. Make your submission to the comments section. (Make them clean-ish, please.) Other readers are welcome to weigh in on which they think are the wittiest and best written, which will influence the judges (three of my friends and me) when we make our decision on 30 June. In order to enter, make sure we have a way to contact you--either through your Blogger profile or by sending an e-mail to me with your e-mail details. Happy limericking!