Separated by a Common Language

Still active on the Twitter feed, but having a hard time re-introducing myself to the world of blogging.  I am starting to think that the internet, with its 140-character limits, 60-second games, and instant 'friend'ship, has robbed me of my attention span. But since I keep writing books (have I mentioned that this is the year [August to August] of three book deadlines?), I must have some attention span left.  It just gets used up on the day job.  (And why do I call it my "day job" when it doesn't seem to let me get any work done till night?)

At any rate, my attention span held out for several tweets on a single topic tonight, and that's just cheating.  That's trying to make Twitter do what the blog does, and doing it a lot worse.  So, in true blogger spirit, I hereby embark on a long exposition on something I know almost nothing about.  I'm back!!


I'm disqualified from writing this one on at least three levels:  

1. I have never seen the (AmE) TV show/(BrE) programme Glee.
2. I have never voluntarily belonged to a choir.  ('Chorus' class in school was my living purgatory.)
3. I have consistently found excuses to leave early when required to attend choir concerts.
4. I hated that Journey song the first time (a)round, and I hate it even more now that it's re-released in a form that is mind-bendingly more over-earnest than the original.  

Oops, that was four.  I got a little carried away there.  I might very well like Glee —several people whose taste I respect are addicted to it— but I'm not a choral music person and I just can't afford a new television addiction at the moment (see paragraph one, parenthetical comment one).  But I assure you: I could never like it enough to get over my horror at the Journey cover.  Never ever.

At any rate, my interest was piqued by this Guardian article about Glee, which includes the line (emphasis added): 

The comedy-musical show charts the story of a group of teenagers in a US high school show choir, or glee club.

Not knowing a lot about the subtypes of choirs, I had to look these things up.  Wikipedia (best that I could do) said this about show choir:

A show choir (originally called 'swing choir') is a group of people who combine choral singing with dance movements, sometimes within the context of a specific idea or story.
Show choir traces its origins as an activity in the United States during the mid-1960s, though cultural historians have been unable to determine the date and location of the first "true" show choir group [...]. Two groups of touring performers, Up with People and The Young Americans, traveled extensively throughout the country in the 1960s, performing what could be called the show choir concept. When students and directors of the day saw these organizations, they would, in turn, start similar groups at their high schools.

So, show choir is original to AmE, but used in BrE now too.  But the definition of show choir didn't particularly sound like the glee clubs that I remember from my school and (AmE) college/(BrE) university days.  In particular, I don't remember them dancing.  So I looked up glee club.  The OED says:

glee-club, a society formed for the practice and performance of glees and part-songs

Wikipedia expands on this a bit:

A glee club is a musical group, historically of male voices but also of female or mixed voices, which traditionally specializes in the singing of short songs—glees—by trios or quartets.

And that's what I remember. The Wikipedia article goes on to say:

Although the term "glee club" is still used in some places, including the American TV series Glee, glee clubs have largely been replaced by the show choir in schools throughout the United States. Show choirs tend to be larger and more complex than the traditional glee club.

What I'm less clear on —and I'm sure you Gleeks out there can help me— is (a) whether it's ever called a show choir on Glee and (b) whether the meaning of glee club shifted pre-Glee to mean something more like a show choir.  (I suspect not--Glee is a really good title for television, so I would think it might be an opportunistic appropriation of the term.)  

The meaning of glee club has certainly shifted now in the UK at least, since schools (see the Guardian article) are leaping on the Glee bandwagon and re-naming their choirs glee clubs (or is that Glee clubs?). What's interesting (to word-nerdy dual citizen me, at least) is that although the Guardian felt the need to explain the term glee club to its UK readership, it is an originally BrE term. Here's Wikipedia again:

The first named Glee Club was founded in Harrow School, in London, England, in 1787.^[1] Glee clubs were very popular in the UK from then until the mid 1850s but by then they were gradually being superseded by choral societies. By the mid-20th century, proper glee clubs were no longer common. However, the term remained (and remains) in use, primarily for choirs found in Japanese and North American colleges and universities, despite the fact that most American glee clubs are choruses in the standard sense and no longer perform glees.

The term didn't entirely die out in the UK, but the only recent pre-Glee uses of it that I can find are figurative uses or plays on the term (referring to the emotion glee, rather than the song type).  For example, the headline of a 2001 Simon Hoggart column, "Two-party disharmony with the Tory glee club", describes this group of Conservative Members of Parliament:

John Redwood rocked gently with happiness. Eric Forth's tie, a modest effort of only six or seven colours, seemed to wink at us as he too rolled about in pleasure. And Ann Widdecombe does a wonderful fake laughter turn. She throws back her head, waves her arms in the air, and opens her mouth as wide as you do at the dentist, in order to imply that she might otherwise implode with the sheer effort of keeping all that hilarity inside.

Now it's back in UK consciousness, but with a different meaning again.

As a cultural side note, I was thinking about the fact that I've known several adults in England and South Africa who belong to non-church choirs.  In the US, I  was never aware of non-church, non-school choirs, with the exception of gay choirs (and I never lived in a city big enough to sport one of those).  I've also been known to opine that clubs are more popular in  England than the US.  (In a small city in Texas, I had to travel 90 miles to get to a Scrabble club. In England, I moved to a not-large city that had two.) And I'm not alone in that--commentators on Englishness like Jeremy Paxman and Kate Fox have noted this tendency, since there seems to be a clash between Englishpeople's "obsession with privacy and [their] 'clubbability" (Fox, Watching the English). Kate Fox has this to say about English club-joining:

If you do not have a dog, you will need to find another kind of passport to social contact. Which brings me neatly to the second type of English approach to leisure [...] — sports, games, pubs, clubs and so on. All of these relate directly to our second main method of dealing with our social dis-ease: the 'ingenious use of props and facilitators' method. (Watching the English)

So, I was wondering whether there seem to be more choirs here because choral music is more popular here (it definitely is in South Africa and Wales) or because there's a greater tendency to join organi{s/z}ed groups. And then it hit me.  It's that non-church bit.  It's not that Americans don't join things.  They do. They join churches (and other religious groups, but mainly churches), and with that comes all sorts of activities, clubs, and committees.  UKers are less likely to  organi{s/z}e their hobbies and social needs around a church, because they're less likely to go to church, and it's generally more socially acceptable not to go to church in the UK.  (This site has church attendance at 44% in US and 27% in UK. According to this site, 53% of Americans consider religion to be very important in their lives, versus 16% of Britons.)  It may be that gay men's choirs became so strong in the US because of a need for joinable singing groups among people who were less likely to turn to the community church to fulfil(l) that need.  The rest of the US population might dip into church to satisfy their need to sing, but in the UK there are plenty of other outlets.  (In fact, my old reflexologist belonged to a non-religious Gospel choir--they just like the style of singing, not the religious message.)

Come to think of it, I do know Americans who belong to non-religious community singing groups, but these are (orig. AmE) barbershop quartets.*  Am I wrong about community choir-joining?  Should barbershop quartets count as choirs, when the things I'm thinking of in the UK have far more singers?  Let me have it in the comments...

*OED notes that barber(-)shop as a name for a haircutting establishment is not originally AmE, but is "chiefly North American" nowadays.  I'm not quite sure whether there's a replacement in the UK--Better Half just talks about going to the barber's and we both marvel all the time that yet another hair-cutting place is taking over yet another place that used to be a nice shop.  Do other people in Brighton get their hair cut every two weeks? Do people travel for miles for a Brighton haircut?  How can the population possibly support this many hair stylists?

The linguistic difference of the day is inspired, as they often are, by a non-linguistic difference.  Better Half returned to our table at a restaurant to complain about the men's room. (For more on what else men's rooms might be called, see this post on toilets.)  The complaint, formed as a rhetorical question, went something like this:

Why is it that the (BrE) cubicles in American (BrE) public toilets never go all the way to the floor or the ceiling and there's always a huge gap that keeps the door from ever fully being closed, meaning that one can never have true privacy?

As is often the case with cross-cultural rhetorical questions, there is a hyperbole-coated grain of truth here.  But first, the vocabulary.  You'll have noticed that I marked BH's cubicles as BrE.  I learned about this at Scrabble Club, when I had cause to mention a little sub-room in the ladies' room that contains a single toilet.  I emerged from said room and informed someone that "There's no paper in the second (AmE) stall", at which point a competitor loudly exclaimed, "What, you were at the theat{re/er} in there?"  And so I defensively asked "What would you call it then?"  Ta-da! I give you cubicle.

This is of course, of course, of course not to say that AmE doesn't have the word cubicle (we use it for, among other things, the partitioned areas in open-plan offices), nor that BrE doesn't have the noun stall.  Each dialect just prefers a different one for the little doored privacy areas within (more BrE than AmE) lavatories.  Stalls, as noted above, is more often used in BrE to refer to an area of theat{re/er} seating (or the people occupying those seats) in front of the orchestra pit (or a similar place in venues without orchestra pits). 

Back to BH's non-linguistic observation--it is more common in the UK than in the US to find fully enclosed sub-rooms for toilets in public conveniences, rather than the airy screened-area-with-a-door version (though these are also found).  And I do think it's more common in the US to have to turn a blind eye because you can see someone within the stall/cubicle through a crack between the door and its frame.  So, the fully-enclosed sub-room version is superior in terms of privacy.  But in favo(u)r of the flimsier version, at least there's better air circulation and you can always tell which ones are occupied.  There's also the opportunity to ask one's neighbo(u)r for a bit of paper if you find yourself in need.  The stranger-asking-for-paper scenario is one I've never experienced in England--and I'm sure that many of you will find this an advantage while others will think it's a worry.

And with this we say 'good-bye' to our (BrE) holiday/(AmE) vacation in the US, and 'hello again' to less frequent blogging!

Being rather superstitious, I didn't mention the reason why I spent most of the last 6 weeks in (the) hospital, but now that there's a happy outcome, I'm thrilled to say that I'm back...and I've brought someone with me. Better Half and I are pleased to announce the birth of our daughter, who, for the sake of her tiny privacy, will be referred to here as "Grover". That's what we called her in utero, before we knew she was a girl. I've mentioned before that one can often guess the nationality of an English speaker by their given name, and it would seem that Grover is one that marks an American (not that many Americans are named Grover these days; a great pity, I think). Many BrE speakers didn't seem to recogni{s/z}e it as a human name, confusing it with Rover. (And we'd say, "As in Grover Washington, Grover Cleveland...").

Grover had to be born five weeks early because of her mother's scary blood pressure, and consequently she's tiny (2kg —approx. 4 lbs, 6 oz). Happily, due in large part to the wonderful care we were given, she was born healthy and perfectly formed. (Three cheers for the antenatal staff at the Royal Sussex County Hospital!) Already, she's given us plenty of opportunities for dialectal comparison. For example, AmE tends to prefer prenatal (as in prenatal care, etc.) and BrE, antenatal. A popular informal term for premature babies in AmE is preemie (rhymes with see me), whereas in BrE it's prem (rhymes with stem). The hospital staff seemed to have their own language for talking about small babies--on meeting Grover, they'd exclaim that she was "a diddy one" or that she was especially tiddly. Diddy is originally a Liverpudlian colloquialism (meaning 'tiny'), but it now seems well-established in the world of midwifery here in the Southeast. BrE tiddly ('tiny') is similarly colloquial. I'd never heard those two syllables used outside the game name tiddlywinks--but that use is related to a set of different meanings for tiddly: 'an alcoholic drink' (noun) or 'a bit drunk' (adjective).

Due to my hospitali{s/z}ation, shopping for baby was left mostly to Better Half, kind friends and family, and that's probably not a bad thing, since there are lots and lots of AmE/BrE vocabulary differences in the 'baby equipment' semantic field. Here, to demonstrate, is a list of essential supplies for new babies, cobbled from a few different UK/US website baby shopping lists. Many of these we've seen before...click on the links to see where we've seen them before:

AmE	BrE
crib	cot
bassinet	Moses basket
stroller	push-chair
onesie	babygro
diaper	nappy
washcloths	flannels
cotton swabs	cotton buds
cotton (balls, etc.)	cotton wool
nipples (for baby bottles)	teats
t-shirt [undershirt]	vest
pacifier	dummy

Another new thing/term that I've learnt about is muslin squares, which are billed as a babycare necessity on many UK advice sites. I wondered why I'd never heard of these in the US (though maybe they are sold as such now--my baby-handling AmE vocab may not be up-to-date). The answer is: because they're basically used for the same non-excretory uses that American cloth diapers/nappies are used for--e.g. to put on your shoulder while (AmE) burping/(BrE) winding (that's pronounced with a short 'i', not like winding a clock!) a baby, to clean up baby-related messes, etc. I wondered why cloth diapers/nappies weren't used for the same purpose here--but that became obvious when I saw the traditional British cloth nappy/diaper--the (BrE) terry/(AmE) terrycloth square, which is HUGE, thick, and not as soft as the type we used in the US (see this site for a comparison of the terry type that Better Half wore in the mid-1960s and the 'prefold' type that I wore in the same period). It may be that terry(cloth) nappies/diapers were used in the US in earlier days (many cartoon representations of babies in diapers/nappies look like they're representing a square-cut fabric, rather than the rectangular type that I know from my youth), but I'd never seen a terry type nappy/diaper in use in the US in all of my nappy/diaper experience. These days, of course, there are all sorts of newfangled diapers/nappies that are shaped like underpants and have Velcro fastenings and sometimes psychedelic colo(u)r schemes...so maybe there's the need for muslin squares everywhere. In France (according to a short piece in last week's Saturday Guardian), they're promoted as 'security blankets'. Very clever...get the kid hooked on a thoroughly generic piece of cloth and you'll never have to worry about what happens if it gets lost or needs laundering--just replace it with a fresh one.

No doubt my posting habits will be erratic as I try to find the routines that can be found in caring for a tiny one (while mourning my Technorati rating). The next post, I promise, will be the Word of the Year post...so please make any last-minute nominations here.

Recyclist continues to let me know about bits of BrE that have confused her during her stay here. A recent one was flannel (in its longer form, face flannel), which is the BrE translation for AmE washcloth. Face flannels are so-called because they were once made from flannel fabric, but these days they're (AmE) terrycloth/(BrE) terry. If you stay in European (including UK) hotels or bed-and-breakfasts, you are less likely to be supplied with a washcloth/flannel than you would be in an American hotel (where I've never not been given a washcloth/flannel). You will, of course, be given towels. My understanding (though you can read other understandings here) is that this is because facecloths are considered too personal to share. People who use them bring their own when they stay away from home. Cotton flannel fabric (originally flannel was wool(l)en) is sometimes called flannelette--moreso (in my experience) in BrE than in AmE. So, Better Half talks about our flannelette sheets, and I talk about our flannel sheets.

It was a couple of weeks ago that Recyclist encouraged me to write about flannel, and she's asked me since if I've covered it yet. I replied that the stated mission of my blog was to cover the bits of cross-Atlantic English that everyone wouldn't already know about, and that flannel/washcloth is kind of like elevator/lift--the kind of difference that anyone with the slightest bit of cross-cultural knowledge would know. She insisted that it wasn't. I figured out later, when I discovered that Recyclist also hadn't heard of Brixton, that I just assume that any (slightly Anglophilic) American of my generation would know certain BrE words from certain songs. I must have learned flannel from Squeeze's 'Tempted':

I bought a toothbrush, some toothpaste, a flannel for my face
Pyjamas*, a hairbrush, new shoes and a case
I said to my reflection
Let's get out of this place