Separated by a Common Language

So the other day, when I decided to avoid difficult questions and not decide between my top two US-to-UK words of the year, I laid the groundwork for general indecisiveness. So, I might as well not be decisive about the UK-to-US words either. It works out well (I re(-)assure myself) because in the end I will have a Noun of the Year and an Adjective of the Year in both directions. (Orig AmE) Tough luck, verbs.

And the UK-to-US Adjective of the Year is:

dodgy

When asked which British words I now can't live without, I usually mention dodgy. What did I say before? It's got such a feeling to it, and has to be translated by different words for different contexts in AmE. Take, for example, these British collocates (i.e. words that go next to it) for dodgy:

 dodgy knee, dodgy memory, dodgy ticker:  unreliable because falling apart

dodgy internet connection, dodgy CGI: unreliable, not very good--probably because it's done on the cheap

dodgy statistics,  dodgy accounting, dodgy refereeing: questionable; unreliable and possibly dishonest

dodgy business practices, dodgy characters, dodgy suburb: disreputable and probably dangerous/criminal

dodgy photos: either poorly taken or picturing dodgy activities

...and so on.

So, my question is: Is dodgy  used in the same way in AmE as in BrE?  One way to check on this is to look in the Corpus of Global Web-Based English (GloWBE). GloWBE collects about 387 million words from each of these dialects, and the basic numbers show that the word is still definitely BrE and only marginally AmE: 491 AmE examples to 3970 BrE ones.

You can ask GloWBE which collocates of dodgy are most typical of AmE and BrE--that is, not just which ones occur most in each, but which ones are statistically over- or under-represented in each. This bit of statistics is a bit dodgy, since the number of AmE dodgys is so small. But let's do it anyhow. We get a table like this, with AmE on the left:


The darker green indicates collocates that are very particular to that dialect. So, in the right column, we can see that BrE has lots and lots of nouns that go with dodgy a lot that are not much found in AmE. In the left column, we see that dodgy energy, dodgy theology, and dodgy scientists are found more in AmE than in BrE. However, that looks fairly suspicious, and sure enough the AmE dodgy energy examples are just repetitions of the same text (a problem for internet corpora is that a lot of internet content is mirrored or quoted on different sites), the AmE dodgy theologies are really two rather than three different examples, etc. The pink/red ones are over-represented in British compared to American.

The white ones are comparable in the two dialects--and bloke is a funny one here. Not only is it a BrE word, it's a BrE word (like bloody) that Americans probably overuse when 'doing' British English. I'd say this tells us that dodgy is generally perceived as British in AmE. And it's the number one collocate for dodgy in AmE. (The numbers here are slightly different from the above since I searched for nouns within one word above and within two words below.)


There are a lot of businessy collocates throughout the AmE list. There are in the BrE list too--after all, we're getting a lot of news stories here and there's been a lot of dodginess in that realm in the past few years. But there aren't many body parts on the American list. At number 58 on the list there are two instances of dodgy stomach, whereas on the BrE list, numbers 11 and 12 are knee and knees. The vaguely-criminal/dishonest meaning of dodgy seems to be coming through stronger in AmE than the 'unreliable/poorly constructed' sense.

This may be underscored by a US example from a novel by a Texan author (found via the Corpus of Contemporary American English), which wouldn't mean in BrE what it seems to be meaning here:

They'd need dodgy breaking-and-entering skills to get the journal (having somehow first discovered its existence), an impressive knack for wordplay, and access to Mission Impossiblestyle office products to obliterate all superfluous words into mind-blowing nonexistence.

What seems to be intended by the author is '(slightly?) criminal breaking-and-entering skills'. But say dodgy breaking-and-entering skills in BrE and it sounds like it means 'not-very-good breaking-and-entering skills'. BrE just wouldn't use dodgy to mean 'criminal' before something that is actually criminal.

And so it goes when words are imported. You can call them 'misunderstood' or you can call them 'subject to semantic change'.

Next up in the Words of the Year...nouns!

Thanks to all who have nominated US-to-UK and UK-to-US words for the annual Words of the Year (AmE) fest. The decisions were difficult, and so I am going to cheat and have two US-to-UK words. I can do that, because I'm the (orig. AmE) boss. And the first one is:

awesome

And in a coincidence that you probably won't believe (it's true!) my BrE-speaking child has just looked up from her (arguably orig. AmE) video game to say "That was awesome. I cooked an egg!"

Of course, awesome is not a new word in any English. It's been used to mean either 'full of awe' or 'inspiring awe' for centuries. But its use as enthusiastic praise of any little (or big) thing is originally American; the earliest [alleged] example of it in the OED is from 1961 in the now-defunct women's magazine McCall's:

He looked up to see Mrs. Kirby, awesome in a black-and-yellow polka-dotted slicker, bearing down on him.

This use of awesome really came into its own (in the US) in the 1980s. As Robert Lane Greene reminisces:

...change was happening to “awesome”. It was defined in 1980 in the “Official Preppy Handbook”, a bestselling semi-satirical look at well-heeled American youth: “Awesome: terrific, great.” It had a bit of California surfer-dude and Valley Girl, too. By 1982, the Guardian was mocking the West Coast with “It’s so awesome, I mean, fer shurr, toadly, toe-dully!”

Soon the word needed no definition. “Awesome” became the default descriptor for anything good. In 1982, I was seven and I swallowed it whole. It stayed with me for decades. In 2005, I remember meeting a girl when I had just seen “Batman Begins”, the moody psychological picture that reinvigorated a tired franchise. “It’s awesome,” I told her. “Awesome. Just awesome.” She wondered, she later said, what kind of journalist had just one adjective in his vocabulary. Somehow, she married me all the same.

“Awesome” has been with my generation in America so long that it now has a whiff of retro.

And it's been in BrE for a while now too. My colleague Justyna Robinson studies the sociolinguistics of word-meaning variation and change, and awesome is one she's followed in British English. This means that she gets to write things with titles like "Awesome insights into semantic variation". (I am jealous.) In that 2011 book chapter, she reports on a study in which she asked Yorkshire residents of different ages and backgrounds to name something awesome and to tell her why it was awesome. Older respondents said things like "The Grand Canyon. Because it takes your breath away." The under-30s said things like "a salad, because it was really good".

Robinson (2011; see Awesome title link above)

But it's not just teenagers using it. Robert Lane Greene reports that "The Guardian, the paper that mocked “awesome” in 1982, had used it in 6,457 articles by July 2011, with one or two being added each day"(see link above).

So, why make it Co-Word of the Year for 2014? One reason is that it was all over the news when the first findings of the Spoken British National Corpus 2014 came out. Here's a selection in which this particular word made the headline.

In the Guardian:
There are several (press-release-inspired?) with this title (this one from phys.org):

And more:
And more:


The Daily Mail headline alludes to the other reason this is a Word of 2014. The Lego Movie and its theme song 'Everything is Awesome'.



Before 2014, I heard British teenagers saying awesome. I heard my English child saying it only when she had just been visiting her American cousins. But now, it's the (AmE) go-to positive evaluation word for the under-10s too. This is part of the landscape of their language now--not an Americanism that they've ironically decided to adopt, but just how they talk. The makers of The Lego Movie were surely cognizant of the word's "retro" feeling when choosing it for their theme, making a bit of an in-joke for the US parents who used it (and Lego(s)) when they were young. But the irony is lost on young British children. It's just a (orig. AmE in this sense) cool word for them.

Its WOTY status was sealed for me when I overhead this conversation between mother and pre-school son about how he should be playing with his baby sister:

Mother: Reuben, Isabella is much smaller than you. When you play with her, you have to be extra....
[Reuben ignores her]
Mother: When you play with her you have to be extra.....
[Reuben ignores her some more]
Mother: You have to be extra...
Reuben: Awesome!


The other US-to-UK and the UK-to-US WotYs will be revealed in the next few days.

I did two potentially (probably orig. AmE as adjective) fun things recently: I was interviewed for a famous (in one country) radio (BrE) programme/(AmE) show and I (BrE) went to the pictures and saw The Imitation Game. Potentially fun, and mostly fun, but not without worry and embarrassment.

Let's start with the (orig. AmE) radio. I've done a few such things, and in the past I have prepared. I asked producers 'is there anything you can predict I'll be asked?' and I made notes of things I thought would come up. Then the interviewer never wants to talk about what the producer said they would want to talk about, and I think "Why did I bother to prepare?"

This time, it was all very mysterious. The producer contacted me, and I only knew which broadcaster he worked for. He didn't tell me which show/programme it was for, nor who the interviewer was, just that it was going to be about the flow of words between US and UK. The mystery may have had something to do with the fact that the segment was being prepared as a surprise for another radio (BrE) presenter. But I just went with the mystery. I asked no questions other than where and when to show up and I did no preparation because it's so often wasted.

What I should have done, what I should always do, was to make a list of common topics on the blog (the Words of the Year, the things that have got the most comments, etc.) so that it would be available to inspire me. This is what I did not do. I just showed up at the BBC Sussex studios, put on my headphones, and talked (more AmE) with/(AmE & BrE) to someone in another city.

And the first thing the interviewer said was "Quick! List Americanisms that have become common in British English!"  Dear Reader, I could have said movies, I could have said train station, I could have said Can I get a.... I could have said many, many, many things. But I choked. I said various things that have been in BrE so long that no one alive reali{s/z}es they're American, like belittle. I said awesome repeatedly. And then I said you're welcome, when used as a response to thank you. The interviewer was taken with that one.

Fast-forward a few days and I'm watching The Imitation Game, being slightly bothered by words and phrases coming out of characters' mouths that I don't think would have come out of wartime British mouths. But then Alan Turing/Benedict Cumberbatch says You're welcome in response to thank you, and I think: I lied on the radio.

Then I looked for my (more BrE in this use) bag, to get out a pen to write myself a note to look it up later. Then I couldn't find my bag under the seat. Then I spent the rest of the (more BrE than AmE) film wondering if I'd left my bag in the café (AmE) restroom/(BrE) toilet. Which is to say, I have no idea who won the war because my mind was elsewhere for the rest of the (orig. AmE) running time.

Is you're welcome an Americanism? 

One thing I can say for sure is that it's a recent-ism. (I'm talking only here about the response-to-thanks usage, which is different from its use in other contexts: welcomings, offers and invitations, e.g. you're welcome to join us.) The OED's first example of it as a response to thank you comes from 1907, then not another till 1960. All of these are British, but the OED can't always be trusted on this matter because it is based in the UK and historically got most of its materials from the UK. This is mostly a spoken phrase, so it could have had a nice life somewhere else before anyone at the OED noticed it.

Looking at the Corpus of Historical American English, the first you're welcome as response to thank you is from a 1909 story by Myrtle Reed:

"...Come, let's be friends. " He offered his hand. She put hers into it for a moment, then quickly took it away. He noted that it was very cold. " I must be going, " she said, keeping her self-control with difficulty, " Aunt Francesca will miss me. " " Thank you for coming -- and for bringing the violin. " " You 're welcome . Good-bye. " " Good-bye, Silver Girl. I hope you'll be happy. "

We're stuck with fictional uses because people weren't going around recording actual conversation quite yet, but certainly the 1907 British and 1909 American fictional uses must be reflecting something that was already going on in the spoken language. What's weird is that there's no particular evidence here of one place being first. At that point in our history, after independence but before wars and mass media brought us together, you'd think that linguistic innovations would be locatable in one place or the other. So here's a hypothesis: maybe the Irish started it and we were all following their cue.

Why did I think it was American, despite this lack of evidence?

(A) because I knew it was recent.
(B) because someone might've proposed it to me as an Americanism at some point, and I was recalling that.
(C) because you hear it more in AmE than BrE.

Reading around a bit on the topic now, I'm interested to see that several researchers (all cited in Schneider 2005) have found that English speakers are less likely to give a verbal response to thanks than speakers of other European languages and that British English speakers are the least likely of all to verbally respond to thanks with a 'minimizer' like no problem, my pleasure, or you're welcome. Perhaps this has something to do with the fact that in Britain thank you/thanks is often used for purposes other than thanking, or maybe it doesn't. (It depends on how the research was done--and I don't have access to all of it at the moment.)

Karen Aijmer's 1996 book Conversational Routines in English makes this point about English speakers not always responding to thanks, but has a footnote "But note the high frequency of you're welcome in American English" (p. 78). Edmondson and House (1981:167) proposed that you're welcome should be label(l)ed as 'formal' in British English, "but definitely not in American, where this token is much more common".

I may be on to something with the Irish suggestion. After all, there were a lot (millions) of Irish people in the US by 1900. Looking online for equivalents of you're welcome in Irish, I find tá fáilte romhat, which seems to literally mean 'you're welcome'. One commenter thinks that might be an anglicism. But maybe it's the other way (a)round: maybe you're welcome is an Irishism in English (to use the technical term, a calque, or loan translation). I don't have the means to check this, but maybe an Irish speaker among(st) you does?

Furthermore, in Schneider's study of present-day responses to thanks (using a discourse completion task), the Irish use a lot more welcome responses than the English do. Not as many as the Americans, but still:

(Schneider 2005: 115)

(And let's just pause to note that the most common English response was the Americanism okay.)

So, I'm not sure if you're welcome is an Americanism or if its use in the Great Britain today is the effect of Americani{s/z}ation. I'm not feeling too bad about my panic-saying of it to the interviewer because, well, it is a much more American thing to say than British thing to say. And maybe it'll be edited out anyway.  Please, let it be edited out anyway.

(I'll update this with news of the mysterious interview once it's been broadcast.)


References

• Aijmer, Karen. 1996. Conversational routines in English: convention and creativity. London: Longman.
• Edmondson, Willis, and Julianne House. 1981. Let's talk and talk about it: a pedagogic interactional grammar of English. Munich: Urban & Swarzenberg. 
• Schneider, Klaus P. 2005. No problem, you're welcome, anytime: responding to thanks in Ireland, England and the USA.  In Anne Barron and Klaus P. Schneider (eds.), Pragmatics in Irish English. Berlin: DeGruyter Mouton.

While being interviewed today (which I'll let you know more about at some point), I was asked what the front-runners are for UK-to-US and US-to-UK Words of the Year. And I had no idea.

So: what do you think? Nominations are open for both categories as of now:

1. Best AmE-to-BrE import
2. Best BrE-to-AmE import

The word doesn’t have to have been imported into the other dialect in 2014, but it should have come into its own in some way in the (popular culture of the) other dialect this year. I retain the editor's privilege of giving other random awards on a whim.

Please nominate your favo(u)rites and give arguments for their WotY-worthiness in the comments to this post. It might be helpful to see my reasoning on why past words were WotY-worthy and other nominations weren't. Click on the WotY tag at the bottom of this post in order to visit times gone by.

Vote early and often! I plan to announce the winners in the week before Christmas.


And in other news...

• I'm the guest tweeter on BBC America's Mind the Gap's  #mindthechat on Wednesday (12 Nov), from 2pm-3pm US Eastern time/19.00-20.00 UK time.  Search for that hashtag on Twitter to follow the conversation or ask questions.
• If you're staff or student at University College London, I'm giving a talk there next week (Tues 18 Nov) about polite words in UK and US: http://www.ucl.ac.uk/english-usage/events/
• I'm nominated for a UK blog award, so if you (BrE) fancy giving me a vote, see: http://www.blogawardsuk.co.uk/candidates/ (But their website is down as I write this, so maybe try later!)

• I'm only talking about the relationship between British and American English here (as is my theme). These expressions may well have equivalents in other languages or dialects.  
• By Untranslatable I mean that there is no lexicali{z/s}ed equivalent in the other dialect. And by lexicali{z/s}ed I mean that the expression is a word or an idiom--something that language users learn through hearing others say it, rather than something that has been made up anew.
  One can translate things by making up new sentences or phrases that describe the same thing, sure. But it's special when a language has lexicali{z/s}ed an  expression for something--it tells us something about the culture that invented and uses that expression.
• Many of these have started to be borrowed between the dialects--and that's natural. If it's a useful expression and the other dialect doesn't have it, it's a prime candidate for international migration.
• If you have not heard of the word before (even though I've said it comes from your country), this is not cause for complaint. It is cause for celebration that you have this opportunity to enrich your vocabulary! 

• They can't repeat items from the previous Untranslatables Months.
• It should be the expression that's missing from the other country, rather than the thing. So, for instance Page 3 Girl was suggested, but there is no American newspaper that puts topless young women on page three every day (thank goodness). There's no word for it in the US only because there's nothing for it to refer to in the US, so it doesn't belong in this particular list.
• I try to alternate American and British expressions (but that doesn't always work out).

• BrE snug: a small, comfy room in a pub. Occasionally  extended to other comfy personal (orig. ScotE) hidey-holes. Here's a Wikipedia description. [I learned this during the year while reading an article that I now can't find. I had to look the word up, and then spent the rest of the year waiting for untranslatables month to come round again.]
• AmE to jaywalk: to cross the street/road against the light or where there's no crossing. Thanks to @SimonKoppel for the suggestion. As I noted in a later tweet, this word is known by many in the UK, but generally only used to refer to people doing it in the US. Some British twitterers objected that this couldn't count because the thing doesn't exist in the UK. They were under the impression that one cannot jaywalk in the UK because it's not illegal to cross in the middle of the (orig. AmE) block here.  But notice that there's nothing about legality in the definition I've given. I grew up in a place where (I was told, I've never actually checked) jaywalking wasn't illegal. But we still called it jaywalking. (Remember: laws--including many traffic laws--vary by state in the US.)
• BrE Billy No-Mates: a friendless person. Here's a history of the phrase. (Can't find who suggested it, but thanks!) Several people sent variations on this like Johnny No-mates, Norma No-Mates and Norman No-Mates, but Billy seems to be the original (and the one I hear most--the others may be a bit more spread around the anglophone world).
• AmE backwash: saliva/mouth contents that go back into a bottle that's been swigged from. (Urban Dictionary's take on it.) Several Brits told me they knew this from childhood, but it's still not (in my experience) widespread in the UK. Of course, the word-form is used in both dialects for other kinds of washing-back in rivers and plumbing.
• BrE garden(ing) leave: Explained in this old post.  Thanks again to @SimonKoppel.
• BrE to plump for: to choose suddenly after much dithering. Thanks for the suggestion to @rwmg.
• AmE will call: [of tickets] to be collected at the box office. Wikipedia says COBO ('care of box office') is the BrE equivalent, but it's not in general use. In a US theat{er/re} you might have to go to the will-call desk/counter/box office to get the tickets. COBO isn't used like that. Yet another one suggested by @SimonKoppel. I might have to put him in charge of Untranslatables month next October.
• BrE to decant: to transfer people temporarily to another location. See sense 1.1 in Oxford Dictionaries Online. Thanks to Diane Benjamin for this suggestion.
• AmE to stop on a dime: to come to a halt quickly and neatly in exactly the right spot. Many complained that this has a BrE equivalent in stop on a sixpence. Fair enough. Though I will note that turn on a sixpence seems to be more common than stop on...
• BrE three-line whip: Party instruction to Members of Parliament that they must vote with the party on some matter. (Here's more explanation from a Stack Exchange.) There is a question here whether it should count: is there an equivalent three-level structure of whips in the US? Well, there could be, so I gave it the benefit of the doubt. Thanks to @JanetNorCal for the suggestion.
• AmE loaded for bear: well prepared (and probably eager) for a forthcoming confrontation. Thanks to @sethadelman for the suggestion.
• BrE gazunder: [for a buyer] to reduce an agreed-upon price for a house/property just prior to signing contract.  Here's Word Spy on it.  
• BrE gazump. To obtain a property by offering more for it than an already-accepted offer. Here's Oxford Dictionaries Online on it.
• AmE layaway (= AusE lay-by). Instal(l)ment purchasing, where the item's not received until it's paid off. There was some discussion about whether this should count because it's unclear that the equivalent exists in the UK. British hire-purchase is the equivalent of AmE rent-to-own or rental-purchase, in which case you take the thing home and make payments on it. I allowed it because I think one could argue that certain Christmas schemes in the UK (like this one) are kind of like layaway. Thanks to @smylers2 for the suggestion.
• BrE U and non-U: (Non)-upper class, with particular reference to words that "should" or "shouldn't" be used. Here's the Wikipedia article on it. And here are places where the distinction has been mentioned on this blog.
• AmE charley horse. A cramp in the leg. Here is Merriam-Webster's definition. Thanks to @meringutan for the suggestion. There were some suggestions for British-dialectal equivalents of this. Hard to tell if they're really equivalent. You can discuss amongst yourselves in the comments.
• BrE WAGs: wives and/or girlfriends of (BrE) footballers as a type of celebrity. Discussed on this blog here. Thanks to @meringutan.
• AmE snow day: a day when schools and businesses are closed due to snow. (Longman definition). Sometimes heard in UK now, but no local lexical equivalent. Thanks for the suggestion, @laurelspeth.
• BrE chav. This is a word for a stereotyped type of person. Here's Wikipedia's take on it. Suggested by @kearsycormier (thanks!). This one I was most uneasy about including, because I think it is the case of it being more the referent (in this case people rather than things) rather than the word that the US lacks. It's all about the UK social class system, which operates in different ways, with different emblems, than the US class system.  Many years ago I wrote about an attempt to import chav to the US. It hasn't worked.
• AmE family-style: adjective or adverb describing the serving of food at restaurant in dishes that are to be passed (a)round and taken from, like at home. (Oxford's definition)
• BrE scrumping: stealing apples from an orchard. Thanks to @beardynoise for the suggestion.
• AmE palimony: (humorous) alimony-style payments made after the break-up of a non-marital relationship. 
• BrE dodgy: with its many shades of meaning, it's hard to think of an exact equivalent: Here's Oxford Dictionaries Online on it. Once one learns this word, it soon becomes a necessary part of one's vocabulary, so it's not surprising that there are US sightings of it. Thanks to  @tonythorne007 for the suggestion.

• Number of self-descriptors: this is the tricky one. Basically, I counted nouns or verbs that constituted separate descriptions of the person, so:
• Writer, teacher, blogger, linguist, parent, feminist, Scrabble player:  counts as 7.
• Loves cooking, dreaming, whittling, singing: counts as 4.
• Teacher of ESL, EFL and Intercultural Communication counts as 1--the main identity is 'teacher'.
• Dreams are sometimes songs: counts as 0, since if it's label(l)ing the person, it's very indirect. 
• An empty description also counts as 0, but I had a separate sub-category in which I distinguished the content-ful and content-less zero scores.

•  Caveats: I also kept track of who said things like "RTs are not endorsements" or "All views are my own", but there were some in each nationality and not enough of these to warrant further analysis.

• I did this for two notebook pages for each nationality, which totals 64 from each country. More would have been better, but I can only justify a certain amount of procrastination per day.

While writing the other day, I wondered whether it would be widely understood if I used Chicken Little as a metaphor for a certain kind of language peever. It felt right, but I also knew the name Henny Penny (of the main character in the story--see comments for variations), both from my American childhood and from my child's English childhood. Then I got an email informing me that my Survey Monkey subscription had been auto-renewed for the next month. Which is to say, I had failed to notice the note in my (BrE) diary/(AmE) planner on Tuesday that said "UNSUBSCRIBE FROM SURVEY MONKEY". At that point, I decided to get my money's worth from this unintended subscription, and so I devised something called the Famous Chicken Survey. Because I'd read another name, Chicken Licken, on Wikipedia, I threw that into the survey.

(Now I know, with a bit more research that Hen-Len is another name, found for instance in a UK-published version from 1849.  For that and more, see this site, which catalog[ue]s Aarne-Thompson-Uther type 20C folktales.)

156 people from the US (n=80) and UK (n=76) had answered by tonight (and small numbers from other places, not to be analy{s/z}ed here), and 146 of those answered the key question:

So there we have it, Chicken Licken (orange) is BrE, Chicken Little (blue) is AmE.  While there's some Chicken Little in the UK answers, that's only 9 people on that blue bar. They might have been affected by the Disney films by that name (1943 and 2005).

I thought that perhaps Henny Penny was old-fashioned, but it's found across the age groups. That one may just depend on which book you had in your house (or your preschool). I don't have a historical corpus for BrE at home (and I doubt I have a big enough one for this job), but the Corpus of Historical American English has 2 Henny Pennys between 1880 and 1909, and 26 Chicken Littles, so that's clearly not a very new name.

It would not be surprising to find that Chicken Little is a corruption of Chicken Licken, since all of the story's other names rhyme: Cocky-Locky, Goosey-Loosey, etc.  It also would not surprise me if the Little corruption and the alternative Henny Penny arose from a Victorian desire to avoid the association with licking. At least, that's what I'd want to avoid, since Chicken Licken sounds like a (BrE) dodgy (orig. AmE) fast-food joint to me. But that might be because it is a fast-food (orig. AmE) chain in South Africa, where I used to live. Not to mention that the Victorians wouldn't have heard of it.



The Wikipedia page for the South African Chicken Licken funnily enough refers to the Henny Penny Corporation (USA), which supplies equipment to chicken-frying businesses. I can see why these companies wouldn't want little in their names, but they're clearly not worried about associating their businesses with muddle-headed paranoia.

This is the kind of blog topic I love -- like the soup or bacon sandwich ones -- where I'm reporting on my slowly acquired reali{s/z}ation that there are subtle UK/US differences in meanings of certain familiar words. The meanings are so similar that they often refer to the same things. What's different is where the cent{er/re} and periphery of the meaning are. Because these differences are hard to tease out, we may go through conversations not reali{s/z}ing that we're not quite communicating. Of course, it's loving these kinds of things that got me to be a lexical semanticist in the first place.

It all started with the World in Words podcast three years ago, in which I was Patrick Cox's guest. Here's how he titled the segment:


Patrick had asked me about how my speech is received in England (I can't remember if this bit is actually in the podcast), and I'd remarked that it disconcerts me when it's said that I have a twang. To me, people from Kentucky have twangs. I have an accent (of course, we all do), but it's not anything I'd describe as twangy. My accent is (among other things) mumbly. I don't see 'mumbly' and 'twangy' as going together.  (Regarding mumbly: I liked Ben Yagoda's post this week about new -y adjectives.) I expect a twangy accent to sound like a country (AmE jocular) gee-tar.

Patrick went along with my puzzlement at being called 'twangy' in his blog post, but the twangs kept coming my way, and I kept hearing twang applied to accents that I don't consider to be 'twangy'. The final straw came (on) Thursday when the Guardian referred to Peter Capaldi's accent as a 'Scottish twang'. I thought: what in the world does twang mean if it applies to Peter Capaldi?  (If you're reading this aloud, note that in my accent 'Peter Capaldi' comes out as Peter Capaldi Swoooon.)

Some discussion on Twitter started to lift the scales from my eyes, and a little on-line survey I've done has confirmed: BrE has a meaning for twang that's not found in AmE, nor in its own dictionaries (e.g. Oxford, Collins).  Have/take a look:




Both AmE and BrE have the sense 'a strongly nasal quality in a person's speech, esp in certain dialects' (as Collins puts it). That is reflected in the light green bar in the chart.  The orange 'neither of the above' bar may be populated by people who didn't like that I didn't say 'nasal' or something similarly specific in my definitions. The teal bar represents 'has a hint of an accent', and that is much more strongly BrE than AmE--just edging out the (presumably) older meaning. Similar numbers of Americans (107) and British (103) are represented in the results.

The 'hint of an accent' meaning explains the cases where people say that I or Peter Capaldi have a twang--we're not speaking with the full force of the accents associated with our regions. I think this use is probably found in Ireland too, or else I can't explain this sentence about the X-Men character Magneto, as played by Sir Ian McKellen (who once had a sip of my Coke when we were marching in the Johannesburg Pride parade; oh, and I like to [orig. AmE] name-drop):

At least he does sound German when he speaks German, but you'd think that he might have had a slight German twang when he was speaking English, what with him being RAISED BY NAZIS AND ALL. (from GloBWE)

German? Twang? This does not compute, given the meaning of twang that I use, but it works fine if what you mean by twang is not 'having a certain kind of accent' but 'having a bit of an accent of some kind'. One of the British respondents described it as "the hint of a weird or unusual accent that jars with the listener's expectations". 

I also asked which accents people think are twangy, but since I didn't do that with a multiple-choice question, I can't give you a nice chart. When talking about other countries, the British mostly said the US (especially south and midwest). Some said Australia. When asked about twangs in their own country, the West Country was mentioned most often.

People from the US strongly associated it with the US South (from Appalachia to Texas) and often said they would not use the word of non-American accents.

Lots of people from both countries mentioned banjos. 

I know people from other countries would like to a breakdown of results from those, but there weren't very big numbers from any other country. Still, 11 out of 14 Canadians preferred the 'definite regional accent' meaning, as did 10 of 11 Australians. So, the 'hint of accent' looks particularly British.

And this makes a lot of sense. British people are generally highly sensitive to and about accents. As famously written by G. B. Shaw, “It is impossible for an Englishman to open his mouth without making some other Englishman hate or despise him”. Britain's diversity of accents in its small geographic space means that the accents can communicate a lot about geographical, educational and social status--reflecting and contributing to the famous British class system. Since many British people (including one I live with) form immediate and lasting  impressions of others based on their accents, it's not surprising that they're interested in not just "accents", but hints of accents.

I can't go without saying a little something about nasal. Nasal is a word that people apply to all kinds of accents, even those that are anything but nasal from a physiological perspective. Allan Metcalf has discussed this on the Lingua Franca blog, which he closes with "And don't get me started about twang..."

Many thanks to all 252 of you who so kindly responded to the survey. I was particularly touched that some used the comments space to write nice things about this blog or my Twitter feed. I feel like the luckiest linguist on the internet.

Typically, as we've discussed before, two-syllable words from French are stressed on their first syllable in BrE and on the second in AmE -- BALlet versus balLET, BAton versus baTON, etc. (Please see and comment on the linked post if that's the issue you're interested in.)

photo from: http://www.realseeds.co.uk/onions.html

This led me to wonder about shallot because it looks like a French borrowing (so many food words are), but the stress pattern is makes it look like it isn't:  BrE shalLOT versus AmE SHALlot or shalLOT. (You can hear them both in an American accent here.)  American dictionaries tend to list the second-syllable stress version first--apparently considering that as most "correct". But I've always said SHALlot and can't recall hearing an American say shalLOT. For example, here's video of an American editor at a cooking magazine saying it the way I say it. (American and British vowel qualities in the word differ in predictable ways: we are firmly divided by the 'lot' vowel--or vowels, taking into account the variety found. Here I'm just going to focus on the stress pattern.)

So why doesn't it follow the two-syllable French-borrowing pattern? Probably because it's not a two-syllable French word. The French eschalotte has lost its first vowel in its journey into contemporary English.

Eschalotte was borrowed into English with the e at the beginning (at least in writing), though it lost the one at the end. The OED has citations for eschalot(t) in English from 1707 into the 19th century. But was that first e ever pronounced? One of the OED's citations is from Johnson's dictionary:

1755   Johnson Dict. Eng. Lang.,   Eschalot. Pronounced shallot.

The citations for shal(l)ot go earlier than those for the more French-looking version--back to 1664, making it look even more like that first e has been ignored from the (AmE) get-go.

Nevertheless, English seems to have some kind of sense-memory that we shouldn't treat it like ballet or beret or other French two-syllable words, because it isn't one. Nevertheless I see it and my reptilian high-school brain wants me to say 'shalLO' because that -ot reminds me of things like escargot and Margot.

The OED gets a bit judg(e)mental about the spelling:

The spelling shallot, though inferior to shalot because it suggests a wrong pronunciation, is now the more common.

Now, if they want me to come down hard on the 'lot' (as I know they do), I don't really understand that comment. Perhaps they mean that people might say SHALL-ot because they see shall in it. Well, that is what Americans do, but I can't imagine that we'd pronounce it like the dictionaries (and the British) tell us to if it had only one 'l'. I see shalot and I want to say it like chalet with an o.

If you're an American who says shalLOT, let us know--and please tell us where you got it from (i.e. what part of the country you learn{ed/t} the word in, or whether you've been influenced by BrE).

Meanwhile, I'm taking comfort in the fact that eschalotte shares history with (mostly AmE) scallion, since when I want a shallot I usually have to take a few moments to remember that scallion isn't the word for it.

When I started this blog, I wrote short little posts about things I noticed in British and American English. Few read them, and I usually managed to write three a week.  Since then, many more readers and commenters have appeared ([AmE] howdy! thank you!). As I imagine this larger audience responding to posts about X with "But what about Y?", I try to fit the Ys in.  Sometimes the Ys are other expressions that I could discuss; sometimes they are beliefs about language that may or may not have basis in reality. As a result, my posts have got(ten) much longer and less frequent. (The latter is also due to parenthood and more responsibility at work. But [BrE] hey-ho.) I now look back on old posts and think: I can do better! So I'm going to have [more BrE than AmE] another go at the pronunciation of herb, which I first dedicated six sentences to in the second month of this blog.

I've more sentences about it because I (BrE) go about/(AmE) go around discussing it in my talk: "How America Saved the English Language". It's one of a long list of differences for which the folklore is faulty, with people like comedian David Mitchell (below) assuming and repeating that Americans don't pronounce the 'h' in herb because we think we (or the word) are French. (The implication here is that the British are not under the illusion that they are French. Except of course that they eat aubergine rather than eggplant and increasingly use -ise instead of -ize and spell centre with the letters in a very French order. And so on. And so forth.)




Mitchell went to Cambridge University, apparently (according to his Wikipedia bio) because he was rejected by Oxford. I can only assume this has caused him some sort of allergy to the Oxford English Dictionary and that this caused him not to research the claims he made here about herb as well as tidbit/titbit. Had he just looked it up, he would have found the following information.

From the Middle Ages, the word in English was generally spelled (or spelt, if you prefer) erbe, from the Old French erbe—but sometimes it was spelled with an h, after the Latin herba. From the late 15th century the h was regularly included in the spelling in English, but it continued not to be pronounced for nearly 400 years. This was not a problem for English, of course. We often don't pronounce written h, for example in hour and honest and heir, and our ancestors didn't pronounce it in humo(u)r, hospital, or hotel. Change and confusion about these things leads to the oddity of some people insisting that some (but not other) words that start with a pronounced h should nevertheless be preceded by an, not a, as if the h weren't pronounced. (AmE) To each his/her own/(BrE) each to his/her own...

The h in herb finally started being pronounced in the 19th century in Britain. By this time, the US was independent and American English was following a separate path from its British cousin. Why did the English start pronouncing it then? Because that's when h-dropping was becoming a real marker of social class in England. If you wanted to be seen as literate (or at least not Cockney) you had to make sure that people knew you lived in a house, not an 'ouse. This 1855 cartoon from Punch (reproduced as a postcard for the British Library's Evolving English exhibition) illustrates:






The result seems to have been more self-consciousness about pronouncing h where it was in the spelling, and some h's got louder where they had not previously been heard. Why did this happen to herb and hotel but not honest or heir? I don't know.

So, pronouncing herb without the h is the Queen's English, if we're talking Elizabeth I, rather than Elizabeth II.

And in case you were wondering:  Americans pronounce the h in the name Herb, which has a different history from the plant herb.

Thought I'd dip into the 'to-be-blogged' e-mailbox and click randomly for the next topic, and wouldn't you know it: the thing I clicked on, a five-month-old note from Jan Freeman, is about off-piste, which I used in the last post, leading to some off-piste (and off-piste) discussion in the comments there.

So, here I am discussing it again, but that's (orig. AmE) okay because I like things to have their own posts and because it leads me to a few other off- expressions.

Off-piste has both literal and figurative uses in BrE. A piste (pronounced 'peest') was originally the path beaten by a horse or mule, but was extended to the area of play in fencing and to prepared/designated ski paths. Piste has other uses in French, but English has taken those particular meanings.

The English-French hybrid off-piste usually refers to skiing*; skiing off-piste means leaving the designated path. [Though the UK isn't a great skiing destination, that doesn't keep Brits from skiing--remember: they get a lot more holiday/vacation time than Americans, many go on package holidays where they (AmE) rent/(BrE) hire the equipment, and the Alps are just over there...] I won't say that American skiers never say (off-)piste, but the ones I know don't. They talk of ski runs, not pistes. I assume that the skiing terminology differences between the US and UK stem from the fact that the British rarely ski in their own country and so the terms they use are sometimes borrowed from other European languages. Meanwhile, Americans tend to ski in the US and have come up with their own English words for things. So Americans wear ski bibs (or overalls), while UK skiers have salopettes, from French. Americans do cross-country skiing, but my English in-laws call it langlauf (from German) and others in the UK (more officially) call it Nordic skiing (but also cross-country skiing).

The figurative meaning of off-piste is very British and seems to be relatively recent (the OED doesn't cover the figurative meanings). So, figuratively, off-piste is any deviation from what is expected. Some examples from the interwebs, courtesy of GloBWE:

• I'm a fan of wine from off-piste regions. 

• tell them exactly what you want, while still remaining open to any slightly off-piste suggestions 

• Goldie's debut looked to slick jazz-funk and soul for off-piste inspiration

As you can see here, off-piste works well as an adjective, but it's also used adverbially:

• To the rescue Domaine Guenault Touraine Sauvignon 2011 (7.99), from the Bougrier's own property -- the conversation was much better, though one of our number went off piste and really rated the Muscadet with it, especially the cockles. 

So in this case one drinker didn't follow the path set by others and had a different wine. (That's an informal BrE use of rated -- to mean 'rated highly'.  I really thought I'd covered that before, but it seems not.)

Similar to off-piste, but not as useful as an adjective, is the phrase off the beaten [noun].  The choice of noun in that phrase differs by continent. The US and Canada prefer off the beaten path at a rate of about 3:1, while the UK and Ireland prefer off the beaten track by about 5:1 (again using GloWBE).

In all these figurative expressions, going off the path gives the connotation of trail-blazing excitement (reminding me of the AmE use of maverick) or, at least, interesting idiosyncrasy.  This is in contrast to another sport(s)-related figurative off- adverbial: (orig.) AmE off base. This comes from baseball, where a player (on the batting team) is safe while on a base. If you're not on a base, a member of the fielding team can put you out by tagging you with the ball (or by some other means). So, in the figurative sense, something that is off base is not where it should be; it's misguided and wrong and may put you in a position where you (or your idea) can be disregarded, as in (still from GloBWE):

• Dawkins was way off base. He is so busy being the leader of the New Atheism that he has no idea what is going on behind him. 

• your predictive powers and knowledge of the economy have thus far proven to be so far off base that it's a whole new game in another stadium

The phrase is known in BrE, but much less used, and certainly not with the extension of the baseball metaphor as in the last example.

In the American corpus data, many uses of off base try to pre(-)empt judg(e)ment, as in:

• feel free to correct me if I'm off base...

• I may be off base here but...

One can use off-base as an adjective, as in off-base assertions, but it's far more often used as the adverbial phrase. The hyphenated adjective is more common in its literal use for 'off (of) a military base' (e.g. an off-base apartment).


And with that, I'm off...



*It seems only fitting that in a post about off-piste, I should go off piste. And so I will, to share a harrowing tale of third-grade injustice. We were playing a game in class where two teams had to challenge each other to think of and spell words with double letters.  I challenged my opposite to come up with a word with double-i.  The teacher said I couldn't do that unless I could think of a word that had double-i. So I whispered "skiing" in her ear and she said I couldn't use that because it was not an English word. (She was a Norwegian immigrant and claiming it for her language. Never mind the -ing.) When it was my turn again, I challenged my opponent to find a double-u word. Again, the teacher challenged me. Again I had a word in mind (vacuum). But this time she wouldn't let me use it on account of me being a (orig. AmE in this sense) show-off. Look where that's got(ten) me. Forty years of bitterness.