Separated by a Common Language

James Henry wrote to say:

I had a hard time believing that an utterance such as 'He was cited for drink-driving,' wasn't a typo, or some other error. Apparently it is standard usage, and I'm left wondering if there are 'drink tanks' in the UK.

If there aren't (AmE) drunk tanks in the UK, I'd guess that it has at least as much to do with a tolerance for public drunkenness as with linguistic considerations (though they seem to be warming to the idea of American-style 'tanks' in Scotland). But (BrE) drink-driving does take a lot of getting used to for those accustomed to (AmE) drunk driving. Incidentally, the crime of drink/drunk driving is known in different ways in different parts of the US: either DWI 'Driving While Intoxicated' or DUI 'Driving Under the Influence'--though these days most people in most places know both terms.

Drink-driving and drunk driving are both compound nouns (never mind whether there's a space in it--it is a compound). While the first words of those are morphologically related (i.e. they're both derived from the word drink), they differ in grammatical category; that is, drunk is an adjective, based on the participial form of the verb drink, and drink (in this case) is the base form of the verb. How can I tell that drink in drink-driving is a verb, rather than a noun ['a drink']? Because its origins are in the phrase drink and drive--both verbs. In early days (the 1960s) it was sometimes called drink-and-driving.

This is far from being the only case in which BrE and AmE make compounds of the 'same' words in different grammatical guises. One that creates misunderstandings is AmE potted plant (participle + noun) versus BrE pot plant (noun+noun) for a plant that's been planted in a pot. In AmE, pot plant is understood to involve the slang noun pot (orig. AmE) meaning (AmE-preferred) marijuana/(BrE-preferred) cannabis. So, when British (or South African, etc.) speakers talk of tending their pot plants, AmE speakers can be expected to raise eyebrows.

Just within the topic of intoxicants, one can find more examples of morphological mismatch between the dialects. For instance a BrE headline (on what is probably an American wire story) reads (after I've corrected the punctuation and capitali{s/z}ation problems in it):

Britney Spears 'No Drink Or Drug' Problem

Now, if BS were to cop to (AmE slang, = 'to admit to') such a problem, she'd probably say that she has a (AmE) drinking problem (particple+noun), rather than a (BrE) drink problem (noun+noun). (The article itself uses the more dialect-neutral noun+noun alcohol problem.)

But drug problem in that headline is interesting too, as in BrE one often sees/hears drugs problem, which sounds strange in AmE. Here's another headline from another British source:

Britney Spears' Ex-Hubby: She Had 'Drugs Problem' With Me

The quotation marks/inverted commas in both of these headlines are amusing, since, being in the wrong dialect, they are clearly not quoted speech from Britney Spears, Kevin Federline or "their people". I'm collecting such dialectally incorrect quotations for a future post. It's not so surprising when they're in headlines, in which the notion of quotation is taken very loosely indeed, but they also occur in the main text in most newspapers. If you have other examples of quotations that are dialectally suspicious, please e-mail them to me.

And as long as I'm on bloggy business at the end here... Apologies for my recent (comparatively) low posting volume. If you're wondering why that is, see here. I'll be working (and blogging) more reasonable hours during my Easter break from teaching.

And THANK YOU for nominations to Metro's blog award. While I don't think that I have a serious chance of winning an award (not with the likes of Phileas Blog in the competition), they have noted your enthusiasm for this blog (and your ability to understand self-serving hints). Thanks very much--it means a lot to me! I'll nominate you for the Best British Blog Readers awards, whenever Metro gets around to having that competition.

I'm sure I missed many opportunities when writing about games recently, but I almost immediately reali{s/z}ed I'd omitted (BrE) noughts and crosses/(AmE) tic-tac-toe. Clearly, the BrE name is naming the symbols used in the game: O and X. In AmE, however, those symbols are usually called by the names of the letters they resemble: 'oh' and 'ex'. But the X-like cross has another use in British culture; it marks things that are incorrect, and its opposite, symboli{s/z}ing correctness, is the tick: ✓.

Now, this took some getting used to when I first started teaching in South Africa, where they use the same system. Why? Because when/where I was a child, a checkmark (AmE for ✓) on your work meant that you got it wrong. This is actually fairly counterintuitive, because a ✓ can mean 'good' in various other contexts. For instance, if I wrote an essay in school and it was just OK, it would get a ✓ at the top of the page. If it were (usual BrE = was--but we'll get to the subjunctive some other time) very good, it would receive a ✓+ or ✓++. And a ✓ in an advertisement or on a grocery list means 'we've got it' or 'mission accomplished' or similarly positive things.

It seems that many American schools use the British system of ✓ for 'correct' and X for 'incorrect', while calling them check(mark)s and exes still. It's not clear to me whether this is a recent innovation or a long-standing variation. (American readers--did you get checked or exed wrong, and when?) But there is some evidence that the system that I knew as a youngster is still around in some places, as these teachers (on the page linked above) note:

Canuck: I am a Canadian teacher, working in Korea at an American school. (Yikes) As a result, I'm confused! I've always used a check mark for correct answers and an x for wrong. However, my students are confused and think this is backwards. [...]

Wig [from western Michigan]: I wonder how much it has to do with how papers were graded when you were in school? It's a good question, but everyone in my school uses a checkmark if it is wrong.

Over on the Guardian's Notes and Queries page, it's noted that the Swedes also use ✓ to mean 'incorrect' (adding to the multitude of reasons that I feel a kinship with Swedish culture), and it's supposed that ✓ originally came from V for Latin veritas 'truth'.

During the first multiracial elections in South Africa (which I was lucky enough to witness), trainers crossed the country teaching people how to mark a ballot paper. One of the things that they had to contend with was the fact that people with some schooling saw the X as a sign of wrongness, so rather than putting a cross/X next to the person they wanted to vote for, it was some people's urge to put crosses next to all the people they didn't want to vote for. So, it's not just the tick/checkmark that can sometimes mean 'wrong' and sometimes mean 'right'--the cross/X can too.

The Guardian, particularly its Weekend magazine, has been publishing a lot of things that relate to transatlanticism these days, and I keep ripping them out and putting them on the 'blog ideas' pile. But here's one that I don't feel the need to say much more about: Simon Pegg on why British and American humo(u)r aren't really that different. His conclusions about our approaches to irony will sound familiar to those who have read Kate Fox's Watching the English.

Robert wrote last week to say:

Watching a film called The Holiday yesterday evening, I was astonished to hear Jude Law, playing a British character, say, "Me, either" in reply to something Cameron Diaz had said. To my [...] Southern British ears that sounds very American. I would say "Neither/nor do I" or rather less likely "Me, neither." Any thoughts?

My first thought is: the screenwriter is American, right? Right--although the title of the film, shows some Anglophilia. You'd have thought that Jude Law would have pointed the unnaturalness (for an Englishman) of the phrase to the director/screenwriter, but perhaps he's lost his sense of dialect.

Yes, me either is American, and there are plenty of pedants who will tell you it's wrong. Pedant's Parsnips (you can tell this is a British site--most Americans couldn't pick a parsnip out of a (AmE) line-up/(BrE) identification parade) says that me either is:

A doubly illiterate response to sentiments such as "I don't like this" where presumably it is short for "me don't like this either." Use Nor I. Or, if you prefer verbosity, Neither do I.

Americans are less vociferous on the topic, but there are plenty out there who will claim that it "should" be me neither or, preferably, neither do I or nor I.

Myself, I can't be too bothered about any of this. We can see two patterns here of agreement responses to positive and negative sentences. There's the "me-something" pattern and the "something do I" pattern.

The "me-something" pattern goes like this:

I like parsnips.
Me too.
I don't like Brussels sprouts. (AmE: often brussels sprouts)
Me neither.

BrE allows me too, as evidenced both by the title of a CBeebies television (BrE) programme/(AmE) show and by Better Half's predictable response when I say I want ice cream. But BrE doesn't like me (n)either. (AmE) Go figure.

The "something-do-I" pattern goes like this:

I like parsnips.
So do I.
I don't like {B/b}russels sprouts.
Neither do I. / Nor (do) I.

The "something-do I" pattern sounds more formal to my AmE ears, but "formal" isn't always "better".

As for pronunciation, me (n)either is pronounced with an 'ee' (IPA: /i/) sound at the start of the (n)either. Even if one uses the diphthong that sounds like eye (IPA: /aj/) at the beginning of (n)either in other phrasal contexts, in this phrase it must have the 'ee' (/i/). Both /i/ and /aj/ pronunciations of either/neither are acceptable in both AmE and BrE, although individual tastes may vary. (Myself, I say both/either. I've tried to discern a pattern in myself, but haven't come up with anything beyond the me (n)either regularity.) For more on the history of the pronunciation, see this 1999 post on Maven's Word of the Day.

Today's post was going to be a serious examination of sensitive subjects that affect many lives. But the Blogger ate my homework. So let's talk about hair some more! (So what if this means just giving a straight catalog(ue) of lexical differences (ho-hum)? It's what the blogger gods want, apparently.)

As we saw recently, some names for hairstyles (and parts thereof) differ in BrE and AmE. And things that one might put in or on one's hair differ as well.

First on our list is the thing to the left. The AmE word for it is barrette, whereas in BrE it is typically called a hair-slide. This particular one is from a wood-working studio in Canada, if you're interested.

Littler hair-holders made out of a folded piece of wire are called bobby pins in AmE--apparently because they were first used in 'bobbed' hairdos, and kirby-grips in BrE--based on the tradename Kirbigrip.

In AmE, the item worn by Alice at the right is typically called a head band. But in BrE, it's an Alice band, after Alice's headgear in John Tenniel's illustrations of Through the Looking Glass. Now, of course, head band could refer to a lot of other kinds of things as well, such as the type of thing a hippie or a martial-artist might wear across the forehead. The BrE term is much more specific, which is probably why one can find it from time to time in AmE as well.


A BrE hair band, on the other hand, is an elastic band (possibly decorated) for making a ponytail or pigtails/bunches. This little item (like rubber bands more generally) is a dialectal jamboree (orig. and predominantly AmE) in the US. I call this an elastic (and consider hair band to be another word for head band/Alice band). Elastic as a word for pony-tail holders is symboli{s/z}ed by the red bits on the map below from linguist Bert Vaux's Dialect Survey:

The purple in this map is the less-than-helpful term hair thing, leading me to wonder if the 'purple people' have short hair or particularly limited vocabularies. (Is hair thing really a lexicali{s/z}ed term with this specific a meaning? Americans, what do you think?) The royal blue is rubber band, and the gold is hair tie. See here for all the details and more maps.

A scrunchie, however, is a scrunchie--and an abomination--in any dialect.

Michelle, inspired by recent posts by Neil Gaiman (and here), wrote to ask about (AmE) bangs and (BrE) fringe, the words for hair cut shorter on the forehead. While they mostly mean the same thing, they don't seem to absolutely match. Bangs sit on your forehead, but some fringes don't--as I've heard fringe used to refer to bits of hair that are shorter than the rest but still too long to sit on the forehead, so they flip off to the side. I, myself, would not call such things bangs. I once slipped at my old South African hairdresser's (the one where they gave the most incredible head massages. Sometimes I can't believe I moved away from that), and asked for my bangs to be trimmed, which the hairdresser thought was hilarious. After that, she always asked "should I trim your bangers?" (which could mean, among other things, 'should I trim your sausages?' Maybe that's why I moved away). According to the Online Etymological Dictionary: "Bangs of hair first recorded 1878, Amer.Eng., though 1870 of horses (bang-tail), perhaps from notion of abruptness (cf. bang off "immediately, without delay")." Someone on Gaiman's site felt it was unseemly that the word bangs thus seemed to implicitly compare her face to a horse's bottom.

Michelle's query leads us on to other words for hair(-)styles. I'll save the matter of hair accessories for another post.

If hair is divided into three locks then woven together to make a 'rope', the result is called a plait in BrE and a braid in AmE--though both words are known in both countries. BrE plait is pronounced to rhyme with flat, whereas in AmE most speakers pronounce it like plate.

If the hair is tied into a bunch with an elastic band (I'll save discussion of that term for later, but if you can't wait to see how complicated it is, check out this map), then it could be in a pigtail or a ponytail, but in BrE you might also say that someone had her hair in bunches, particularly if there are two such bunches on either side of the head. (Clicking here should take you to the images available via Google.)

I'm shying away from putting pictures here, since the ones I find on the web are generally photos of real people who haven't given their permission for me to plaster their heads on my blog. So, if you want to see a lot of photos of our next haircut, go here, to a site without the same ethical qualms, it seems. (Be sure to page down--the first photo doesn't count.) And what is our next haircut, you ask? It's that emblem of British 1970s (and still!) rebellion the (BrE) Mohican, otherwise known as the (AmE) Mohawk. Why two names? It's all rather confusing actually, as Mohican is a term of questionable lineage and accuracy and the Mohawks are a completely different people; the translation blog Transubstantiation discussed this a bit in August. If you want to be really esoteric (or some would say 'p.c.'--but you know I hate that term--and others would say 'annoying'), you could call the haircut a Kanyin'kehaka, which is apparently what Mohawk people call themselves. Mohawk hairstyles were only worn by Mohawk men going to war. Or people hanging around doorways in Tottenham Court Road. As this story from the travel pages of a Hawaiian newspaper states (with subdued amazement), "Punks with spiked hair can still be seen around [London] town."

Once a rebel, always a tourist attraction?

I must admit, my feelings are a tiny bit hurt. The Guardian Guide's Internet page has published a list of recommended language blogs. It includes some of my favo(u)rites--Language Log and the blog of an American in Sweden--but, well, Americans in England weren't on their wanted list, apparently. Or at least I wasn't. The properly British thing to say in response to that is:

Never mind.

(As pop culture informs us, this is spelt with a space in BrE--as in the Sex Pistols' Never Mind the Bollocks, but sometimes without one in AmE, as in Nirvana's Nevermind. [PS: see comments for further discussion of this point!])

Ideally, I should say never mind with a sing-song quality. It's not that it's an exclusively British saying, it's just that it's used a lot more here--wherever I would say:

Oh well.

...which I say altogether too much.

I had a hard time getting used to this kind of 'Well what can you do? We might as well change the topic of conversation' never mind . Early in my days here I was telling an Englishman about something that I found upsetting (involving a close family member and emergency surgery), and his response was NEver MIND. Now this may have been a defen{c/s}e mechanism against a foreigner who was breaking British privacy mores, but I still found it a very glib response (how could I not mind?!). But a few years later, I reali{s/z}e it's more a statement of resignation (stiff upper lip and all that) than of lack of sympathy.

I had a similar bristly kind of reaction to the use of It's a pleasure as a response to Thank you--a response that is far more common in BrE (and South African E) than in AmE. After shame-facedly asking to borrow money until payday from my boss in South Africa, he handed over some number of rand and said It's a pleasure at which point I (AmE) wigged out and exclaimed It is NOT a pleasure! It's an inconvenience to you! Ah, I know how to show gratitude, don't I? That's probably why I'm not allowed to have nice things like a mention in the Guardian. It's karma.

It was probably Better Half's and my visit to the Strong National Museum of Play that inspired me to think and write about board games a couple posts ago. Then I promised a follow-up on children's games, but come to think of it, a lot of the games I've blogged about so far are games I played as a child (Parcheesi/Ludo, Clue/Cluedo, checkers/draughts, slapjack/snap). So, while not repeating those, here are some more.

It's not surprising that a lot of playground games (like a lot of nursery rhymes--there's fodder for another post) are different (in name and rules) in the two countries, since they also vary a lot from playground to playground within a country. Those kinds of games are passed on by oral tradition, and traditions get muddled and/or developed from time to time, so that we're left with games with just vague family resemblances. One of these was raised by the mysterious Dearieme on the previous games post: (BrE) British bulldog(s). When I looked up the game on some website, I didn't recogni{s/z}e the rules as those of (AmE) Red Rover, but according to the Canadian Dialect Topography site (skip down to item 73), the two terms are used synonymously in Canada. The games are no doubt related, but the description of British Bulldog on Wikipedia sounds little like the game that we called Red Rover on my old playground. There, there was no breaking through a chain of people or getting tagged, as described on various website descriptions of Red Rover. No, it was a game of social exclusion at my school (that and kickball were the only kinds of games we played)--the person who was 'it' would say "Red Rover, Red Rover let X come over" where X would be a colo(u)r (of clothing) or another physical/clothing attribute (e.g. "let t-shirts come over"). The 'it' would do this until some poor soul they didn't like was the only person left on the other side and they then knew where they stood on the social hierarchy. But apparently that's not how the game was meant to be played. Better Half says "That's not a game. That's bullying with a rhyme!" Perhaps it's explained to him some of my less appealing adult behavio(u)rs. ("Explained, but not forgiven," crowed BH.)

Kickball, while we're at it, does not mean (BrE) football/(AmE) soccer, as it can (BrE can do) in BrE, where, according to the OED, it's spelt kick-ball and started out as a Scotticism. In the US, kickball is much the same as baseball, except that an inflated ball (about the size of a soccer/foot-ball) is rolled on the ground and kicked instead of a smaller ball being thrown and hit with a bat. It was a staple in my (AmE) gym class (=PE [physical education]) and on our playground. (Since I went to a poor (AmE) Catholic school/(BrE) convent (school), our playground was a church parking lot. So none of this new-fangled climbing equipment and such that kids get these days. And I had to walk there, waist deep in snow. Past man-eating earthworms. Yeah, you kids don't know how good you've got it. I tell you, in my day...)

Let's get back to board games, though, as that's where I meant to be. The most shocking discovery at the Strong Museum was that Better Half had never seen, played nor even heard of Candy Land, a game that only three-year-olds could love. It's one of those games where one has to advance around the board to a final goal. To make it easy for tiny tots, the spaces on the board are different colo(u)rs, and on each turn one takes a card with a block or two of a colo(u)r or a picture of a landmark on the board (like the (AmE) Candy Cane Forest). That way, the child can tell where they need to get to without having to count their way there. Parents and (orig. AmE) babysitters/child-care workers (BrE child-minders) soon learn to stack the deck so that the child will pick the Lollypop Woods card early and the game will soon be finished. I pretended that I felt sorry for BH that he'd missed out on this game, but really I was seething with jealousy.

The advancing-up-the-board game that one does find in Britain is Snakes and Ladders (picture left from here), which was marketed in the US as Chutes and Ladders by Milton Bradley (picture right from here)--the same evil geniuses who brought us Candy Land. As the names suggest, in the more traditional British version the board has ladders that one can advance up and snakes that one must slide down, to a less advantageous position. But who in real life goes down snakes? The literal-minded Americans changed them to chutes, and the boards there reflect this.

Another game for playing with very young children is the memory game (AmE)Concentration/(BrE) Memory, which proves that the Americans don't have the patent on literal-mindedness. That's the one where you have a set of cards in which each card has a matching mate. A player turns one over and then gets one chance to turn over the mate. If the two cards match, the player keeps them and has another go. If they don't match, the cards are turned back over and the next player has a try.

One of the toys at the museum that BH was able to wax nostalgic about was the Erector Set--except, of course, that he knows it by the name Meccano. (I've just discovered there's a Meccano web ring. There's a web ring for everything these days.) But as a child in England in the 70s he didn't have Slinky or Mr Potato Head or Silly Putty. And he certainly didn't have Lincoln Logs. Disraeli Log just doesn't have the same ring.

Postscript! I forgot to discuss a children's amusement that I'd promised to M.A. Peel. (Apologies, Mrs Peel.) Remember dot-to-dot puzzles? In AmE, one must connect the dots, while in BrE one joins the dots--and thus the puzzles are sometimes called connect-the-dots or join-the-dots, depending on where you are. The verb difference carries over into metaphorical use of the phrases--i.e. 'to find the connections between seemingly unrelated pieces of information' (or something like that).

If you don't like "naughty" words, please skip this post.

American visitors to the UK enjoy taking in the culture while they're here, and on Ben Zimmer's (of Language Log) most recent trip, he took in the controversies of this year's Celebrity Big Brother. For those of you who are in another country (for you can't avoid the news of it here), a woman who is a celebrity only for having lost a previous Big Brother got into trouble on CBB for alleged racist bullying of another celebrity. (I say 'alleged' because I haven't seen it myself, so shouldn't have an opinion on the matter.) She's quoted in the papers as having said I feel shit.

What she's done here is to use shit as an adjective. (Unless, of course, she was intending to say that she habitually handles f(a)eces. I really don't think she meant that.) Shit (or shite) and crap are found in the various places one finds adjectives in English--as in:

1. I feel shit.
   
2. ....remember how shit you feel now for future refernece [sic] and make sure you don't do it again! (University of the West of England student forum)
   
3. I am having a shit day. (mildlydiverting.blogspot.com)

Now, this is not unheard of in AmE (as noted by Arnold Zwicky on the American Dialect Society list some time ago), but more typical AmE is to use shitty (or crappy) when one needs an adjective--or to use different grammatical constructions (as in 4b) in order to work around the nouniness of shit:

4. a. I feel shitty. b. I feel like shit.

5. remember how shitty you feel now

6. I'm having a shitty day

Which is not to say that people don't say shitty in BrE too. The OED records the attributive (adjectival) use of shit first in Hunter Davies' 1968 book The Beatles. Shitty is first recorded in a 1924 letter by Ernest Hemingway.

This is ignoring, of course, the use of shit as a term of appreciation (as in it's the shit or shit dope and all that). That's always shit, not shitty, but it's also not what I'm talking about.

On shit versus BrE shite (rhymes with bite), the OED says that "The form shite now chiefly occurs as an occasional jocular or quasi-euphemistic variant." But most southern English people will tell you that shite is a northern and Scottish variant. I don't know what the Northerners and Scots say about it.

I haven't got a lot of time tonight to talk about this, but I'm very interested in discussions I've seen regarding Barack Obama's racial identity--particularly because the meanings of social category names is a major (though at the moment suspended) research interest of mine. On the Obama issue see, for example, this article and this one, both from salon.com. The first one claims that Obama is not really black in American terms, since he is not decended from American slaves.

Meanwhile, in the UK, Black History Month (in October, as opposed to February in the US), at least in my English town, is focused on "the history of Asian, African and African Caribbean peoples." Plainly, the use of black varies, at least around the edges, in the two countries. As in AmE, the primary BrE sense of black is 'person of sub-Saharan ancestry',* but AmE's main second sense tends to be restrictive (i.e. 'descendants of American slaves'), while BrE allows more inclusive interpretations.

But that's all I can afford (time-wise) to say at the moment, so I'll leave it at that and will promise more on black after one of my students finishes the research for his BA dissertation (AmE thesis) on the meaning of black in the UK today.


*And no, I'm not counting among 'persons of sub-Saharan ancestry' the Afrikaners or other people whose ancestors (somewhere between Lucy and grandma) are European. And yes, I am aware that most 'black' people in America have some European ancestry (the one-drop rule, and all that). As I said, I need to be brief!

Nancy Friedman wrote ages ago to say:

Now that UK and Commonwealth retailers are extending their reach into the US, I've been noticing a usage that's recognizable but still distinctly alien: "range" to indicate "collection" or "line"--as in "Our New Winter Range" from UK clothing catalog merchant Boden and, in an email from Australian retailer REMO, NEW Candela Range & LOTS More.

Over here, a "range" sits in the kitchen and turns out tasty stews.

I've written catalog copy for years, but would never consider using "range" in the way the Brits and Aussies do.

As Nancy notes, it's recogni{s/z}able for AmE speakers/advertisers, but it's not what they tend to use. In order to research this, I mentally strolled through the last US mall I was in, and then searched for the websites of the clothing retailers. So as not to take forever, I only looked at their front pages, or, if not much was going on there, I looked at their main "women's" page. None of the thirteen American retailers I searched used range on their websites. In fact, I found no equivalent word on seven of those websites. The Gap, The Limited, Ann Taylor, Lane Bryant, and J. Jill use collection, and J. Jill and Eddie Bauer use selection (e.g. our selection of shoes). [For the record, I'm way too lazy to provide links to all of those websites, but not too lazy to tell you how lazy I am.]

Meanwhile, on the UK High Street (or at least on my virtual High Street), there are collections (Jigsaw, Next, Marks & Spencer, Wallis), ranges (Boden, Laura Ashley, Next), and lines (Monsoon, Topshop, Miss Selfridge). Is there any difference between these things? Not that I can tell--but apparently Marks & Spencer recogni{s/z}es a difference between them because on their women's clothing site, they divide their wares into Our Collections, Our Ranges and Our Products. Their "collections" include Autograph and Per Una--lines of clothing that are sold under their own labels and that are meant to appeal to different demographics. But they also include maternity wear and collections that are defined by size (plus, petite). Under "our ranges", we find "career" and "denim". "Our products" are organi{s/z}ed by clothing item type (knitwear, jeans, etc.). Why does Per Una constitute a collection, while Magicwear^TM is a range? I have no earthly idea. Any marketing mavens out there who can help?

[Thanks to all this research, I'm now fighting a serious case of jacket lust--after promising myself to stop spending. The US may be better for high-waisted trousers, but the UK has much cuter jackets.]

While on all these catalog(ue) sites, I noticed something that another reader pointed out to me (again, some time ago!): the use of apparel in AmE. Anthony B wrote to say that while apparel is in common use in AmE, in BrE it sounds "old-fashioned, borderline pretentious and rare". (AB sent a list of words like apparel that seem odder in BrE. We'll get to one at a time.) Whether apparel is in common use in AmE depends on how you define common. Retailers use it. You see it in catalog(ue)s (and now websites) and on informational signs in department stores and so forth, but if a friend ever asked if I wanted to go shopping for some apparel, I'd think she was being old-fashioned, pretentious and rare.

Finally, as Nancy notes, range (chiefly AmE) can mean a (AmE) stove/(BrE) cooker, though like apparel it's a word that I associate with marketing rather than everyday use. It makes me think of being eight years old and home from school with a fever, watching The Price is Right, where the prizes always seemed to include [must be said in the voice of Johnny Olson] an Amana range!!! And then there are other geographical AmE senses of range (as in Home on the Range), but that's just getting us too far from cute jackets.

David, another American who does language research in the UK, has blogged about something I've been meaning to blog about. I'm trying not to hold it against him, because he seems like a nice (AmE) guy/(BrE) bloke, and you should read his entry. The issue is how people read out or recite strings of numbers, such as phone numbers or credit card numbers. Take the number 8853, for example. Americans typically say that as eight-eight-five-three, whereas a BrE speaker would be much more likely to say double eight-five-three.

David's entry talks about the cognitive dissonance that he experiences when he is writing down a number and has to translate from double 8 to two eights. I completely identify with that feeling--it feels like the information is coming backwards. They say two, you write 2, but when they say double you have to wait to hear what you need to write and then write it twice. And when someone spells a word and they say double-u, you're expected to write W, not UU.

All the same, it is an aspect of BrE (and other Es) that I've embraced (my phone extension at work is two sets of double numbers), but one that's also led me astray. When I lived in South Africa, I had a credit card number with three zeros in it. Reading it out to people, I'd say seven-nine-triple zero (or whatever it was), which usually led to some consternation. People were used to hearing double zero, but triple zero didn't sit right, and they'd ask me to repeat the number. I think I made single attempt at quadruple four for another number, but that didn't go over well at all.

So, I've stuck with the doubles but given up on the triples and quadruples. (Nowadays, I say double four, double four when faced with 4444.) Better Half claims that he'd definitely use triple and might even use quadruple--but that he is extra careful in reading out numbers on the telephone and says "four [pause] four [pause] four (that's three fours)". But now he's added "I'm not sure I'm the best person to ask about these things." So, what do you do?

A flock of relatives came from Indiana for Dad's birthday party and were underwhelmed by the hotel services in Hometown. At various times, at least three relatives told the sad story of the check-in and said that the staff "could care less if they got any business." This set off the prescriptivist alarm bells in my head, and it took great acts of willpower to not play teacher and correct them with "could NOT care less." Just hours later, regular reader/contributor David in Dublin sent me a link to John Cleese's podcasts, and in particular podcast 18, in which he lectures Americans about the correct form of this phrase. It's an entertaining little rant.

Let's keep this straight: there are BrE speakers who erroneously say could care less as well. But AmE speakers do it a LOT more often.

Besides could care less, the use of adjective forms in adverbial slots is, from time to time, brought to me (by BrE speakers) as a certain sign of AmE inferiority and of the degradation of BrE through the influence of AmE. Here are some examples, in case you don't know your adverb from your elbow:

He did it real_ADJ well. VERSUS He did it really_ADV well.

He did it real_ADJ good_ADJ. VERSUS He did it really_ADV well_ADV.

She did that so cute_ADJ. VERSUS She did that so cutely_ADV.

When BrE speakers chide me about "ignorant" aspects of AmE, I have a ready arsenal of BrE illogicalities, "errors" and losses to throw back at them--some of which have been or will be discussed here. And the adjective-as-adverb issue is easier to dismiss as "not our fault", since using adjectives as adverbs is an established feature of several BrE dialects. Furthermore, both adjective-as-adverb and could care less are considered to be "non-standard" in AmE--we do have some standards, I say. But on the way home from an American Christmas party, I remarked to Better Half "I don't think I've ever gone for so long without hearing an adverb," to which non-linguist BH replied, "I wouldn't have been able to say it that way, but I know what you mean!" (The last adverbless example above is an actual example from the evening.) One does hear adjective-as-adverb in BrE--and not just in noticeably dialectal speech. But it's certainly not heard in BrE at the rate one hears it in AmE speech these days.

Tomorrow we're back to Blighty, so this ends my (BrE) holiday-/(AmE) vacation-time blog-o-rama. Next week we'll be back to term-time posting frequency.

Ta-da! Here are the results of the first annual SbaCL Words of the Year Awards, celebrating the words that demonstrated a lessening of the separation of our common language in 2006. I thank readers of this blog for their nominations. My selections from among those nominations have been based upon the timeliness of the nomination (in other words, if the word enjoyed a particular surge in popularity this year) and the success of the word in the relevant dialect--i.e., whether people are actually using the word.

The first category is Most Useful Import from American English to British English. This is a difficult category because of the regularity with which words travel from AmE to BrE these days. Nominations included Size 00, through when used to describe an inclusive range (e.g. the numbers 1 through 5), and cookie. Only the first of these meets the timeliness criterion, but I think it must be disqualified on two counts. First, its lack of nativi{s/z}ation in BrE is evident from the fact that no one seems to be able to agree how to pronounce it. Second, it remains a name for an American thing. American size 00 is equivalent to British size 2. The term size 00 was in the news a lot, but it is regularly noted as an American phenomenon.

So, the winner of best AmE import to BrE is...